Inviting artists to do something, you want it to be a place where they're going to feel challenged and excited and that will maybe open up some new doorway in their own lives or their own creative practice.
Maybe there's a sort of veneer of optimism about U.S. comedy, whereas perhaps in England, we don't mind ending it on a sourer note.
My school friends thought I was outgoing and bubbly, but that masked a lot of insecurities, and maybe that's the reason I chose drama - to build a bit of self-confidence. I had a great teacher, and I won a few speech and drama competitions and just fell in love with it.
I'm manifestly not the same as Alex Salmond. I'm a different gender, for example... I'm being flippant, but maybe this is a partly gender-driven difference: I'm very keen that we find a way of reaching out across party divides to find things we agree on, as well as the things we disagree on.
Did perpetual happiness in the Garden of Eden maybe get so boring that eating the apple was justified?
Maybe we all change over time.
What I've learned is that everybody really wants to sell their story. No matter who they are, everybody feels that what they're doing is the right thing, and if they could only explain themselves to a reasonable person that understands them, then maybe they'll listen.
For me, comedy starts as a spew, a kind of explosion, and then you sculpt it from there, if at all. It comes out of a deeper, darker side. Maybe it comes from anger, because I'm outraged by cruel absurdities, the hypocrisy that exists everywhere, even within yourself, where it's hardest to see.
I say Republicans aren't right all the time. Democrats aren't wrong all the time - now, maybe most of the time, but not all the time.
One major should not get you into the Hall of Fame - maybe one major and 40 wins. I'm not gonna pick a guy with one major and 11 wins.
I loved all movies, literally. I certainly loved 'Shane' and 'Roxie Hart.' Later on, when I was less of a kid, I loved 'L'Avventura' and 'Persona' and all Fellini movies and like everybody else I loved John Ford. Then and now, I loved Preston Sturges, maybe above anyone.
All I ever wanted to do was write songs, and I just dreamed of putting out an album and having a single that maybe did alright.
To tell you the truth, I've never met anybody who can envision more than three dimensions. There are some who claim they can, and maybe they can; it's hard to say.
The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.
Maybe poverty is a special case of something else. That something else is 'scarcity,' and anyone who has the experience of 'having very little' experiences the same psychology.
We're concerned with a powerful government who is telling General Motors now, maybe, what they can charge for their automobiles. Indeed, if the government owns 61 percent, they can do that.
In a team situation, I think the players are more inclined to give the answer they believe the psychologist is looking for rather than maybe being totally honest.
I always did think I would be married and settled down by now but maybe I ain't ready.
If people want capital gains taxed more like the highest rate on income, that's a good discussion. Maybe that's the way to help close the deficit.
I was a senior in high school, and my mom saw on the news at work that they were having an open call in New York, and she thought it's for a musical, and maybe we should go and just sort of chalk it up to a new experience... And so, we did. We went.
I think that maybe growing up and being dyslexic early on, the visual quality of cookbooks specifically was something very enticing to me.
At home, a man is entitled to raise his voice maybe once a year, if something really gets under his skin. At work, it's different. I raise my voice all the time. Not out of malice, but to get things right. It's never personal.
As for memes, the word 'meme' is a cliche, which is to say it's already a meme. We all hear it all the time, and maybe we even have started to use it in ordinary speech. The man who invented it was Richard Dawkins, who was, not coincidentally, an evolutionary biologist. And he invented it as an analog for the gene.
If I give you the right conditions to work, and I put you in a beautiful place, where you feel a little bit better about yourself because you know your work is being used for something greater than producing a profit, maybe you will get more creative; maybe you will want to work more.
I guess one that wouldn't be obvious is - well, maybe it's super obvious, I can't tell - 'I Love Lucy' is my favorite show, going back to when I was 4. I've watched every episode I don't know how many times. It was something to watch women being funny when I was young.
There is no employing class, no working class, no farming class. You may pigeonhole a man or woman as a farmer or a worker or a professional man or an employer or even a banker. But the son of the farmer will be a doctor or a worker or even a banker, and his daughter a teacher. The son of a worker will be an employer - or maybe president.
We're all caught up in circumstances, and we're all good and evil. When you're really hungry, for instance, you'll do anything to survive. I think the most evil thing - well, maybe that's too strong - but certainly a very evil thing is judgment, the sin of ignorance.
I go back to St. Lucia, and the exhilaration I feel is not simply the exhilaration of homecoming and of nostalgia. It is almost an irritation of feeling: 'Well, you never got it right. Now you have another chance. Maybe you can try and look harder.'
Maybe the biggest thing that I've learned musically is that anything is possible. Things can work when maybe they don't seem like they can.
Because I'm so in the eye of the hurricane, I don't have a really good perception of what's happening. I'm in a room talking to people, and that's all I know. But sometimes I go out of these rooms - I live in L.A., and every now and then, maybe twice a week, I'll be somewhere, and someone will say, 'Hey, are you the guy that made Moonlight?'
At once I feel that comedy is this amazing sort of transcendent thing, and I'm also open to the fact that maybe it's just an evolutionary hiccup, something that upright apes do in their free time.
Over the years, a number of people have asked me why I tend to write at this great length. I've put some thought into the answer, and it can be boiled down one word: consequences. Well, maybe two words: consequences and characters. Or perhaps, consequences, characters, and the subconscious mind - above all the subconscious mind.
And I didn't grow up wanting to be a director. I grew up wanting to be a writer, so for me, that was always the goal - to be a novelist, not a screenwriter. And I think, again, if I didn't have the novels, maybe I'd be much more frustrated by not having directed yet.
I suffer from an enormous amount of self-doubt, so the fact that 'Pachinko' has been so kindly received has encouraged me not to give up, as I'm always telling myself that, 'Maybe this isn't a smart idea.'
I've started to think that maybe I wouldn't mind passing my demented genius on to some small thing who can set fire and breathe profanity.
Trump is an outsider; maybe you don't know. So he is sitting in a room: he is talking business, he is talking politics - in a private room, it's a different persona. When he's out on the stage, he is talking about the kinds of things he's talking about himself; he's projecting an image that's for that purpose.
