Just because you're part of 'Twilight' does not mean you're a superstar. It means that you're given the opportunity to maybe become one later if you work hard. Once fandom goes away, which it will very soon, it's all about having your priorities straight and working hard.
Hedwig is on a quest; she's on a quest as much as Jason and the Argonauts, as much as the boy in 'A.I.' She's looking for something. She's looking for her other half, and she's on tour. Monsters, Cyclops - maybe they're her mom? - appear on various islands.
When I was very small, maybe 8 years old, we had a big radio that stood on four legs, and it had a cross piece underneath it, and I used to take a pillow and crawl under the radio.
I think faith helps me a lot. God wants you to be where He wants you to be, and that's where I want to be. If I do not get a part, I understand that maybe I needed to be home at that time, maybe in school; there's always a reason. My faith is also where my core friends are, at my church, a faith-based friendship.
Maybe I'm just a psycho, and the stage is a better place to go than either the loony bin or somewhere else.
Chris Farley, I was a huge fan of his growing up. I would love to do something kind of slapstick and funny, maybe where I could change my look even a little bit.
We have always existed in different forms - carbon, oxygen, water, heat. Maybe Heaven is this brief period when the elements realize they're alive.
We bring our preparation to the table, and opportunity may present itself, and if you are well prepared, you can seize opportunity and then maybe something good happens, and you call that luck.
Maybe not many women are going to film school.
My brother's been producing rap music and hip-hop for maybe 10 years.
Maybe it's our sins that give God consolation when he finally has to give us cancer.
The older people that one admires seem to be fearless. They go right out into the world. It's astounding. Maybe they can't see or they can't hear, but they walk out into the street and take life as it comes. They're models of courage, in a strange way.
Most of the time, you don't win anything on reality shows. You're booted off, or maybe you win $50,000, or $100,000, which isn't really life-changing. I don't know that it's worth it.
Writing for theatre is certainly different to writing an essay or any other kind of fiction or prose: it's physical. You're also telling a story, but sometimes the story isn't exactly what you intend; maybe you uncover something you had no idea you were going to uncover.
What do I bring to a film? I think, maybe, I know for a fact that I focus on connection of character; I focus on warmth and a heart, but I don't know if it's because I'm African American or because I'm crazy -who knows.
I play a lot of, maybe a little bit, cartoonish people. I've been a Bond villain, and I play a lot of villains, people who want to take over something.
I don't think about the gender thing very much. But when I speak at schools, I've had female students say to me afterwards, "I never envisioned myself being a director, since I've never seen women do it." But after seeing me, they can picture themselves directing, so maybe we'll see more female directors.
Like many other people of my generation, I don't think I ever really bothered to grow up. I wasn't ever really a proper teenager until I was about 19, and maybe I got a bit stuck there, because it seemed to go on and on.
It's a manic-depressive life. You run in here, you open your incubator, your experiment makes no sense, you think, 'I hate this job.' Then ten minutes later you think, 'Well, now, maybe I'll try this or I'll try that.' You do it because you know there will be an 'a-ha!' day.
I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
What I consider a good part for a woman and what some other Hollywood people think are good women's parts are very different. I don't want to play the supportive girlfriend who has nine scenes and just loves that man, maybe cheats on him in one scene but will always be there, and I mean - give me a break.
A lot of my characters are people who are, in essence, lying to themselves. They present one thing, when in reality they're another thing. Maybe they're not as tough or as cool as they want to be.
If you're trying to avoid one move that you don't think is going to work out, don't then settle for a different move that maybe doesn't check all the boxes. Be true to the philosophy and understand the bigger picture. There's always another day to fight.
Maybe this is because I'm a comics historian as much as anything else, but I really have a deep-seated respect for the characters that have been around since before I was born and are probably going to outlive me.
My father never wanted me to be a writer. He didn't - he came to terms with it maybe two years before he died. He wanted me to be a weather girl because when I was growing up, there were very few Latinas on television, and in the early '70s when you first started seeing Latinas on TV, they would be the weather girls.
I'm addicted to something at all times. Like, it's always music, but maybe sometimes it's a pair of pants or something else. That's just how my personality works.
I would say that maybe directors who act as well are easier with actors. I'm not saying that all directors have this, but sometimes you'll come across a director who sort of looks at an actor a bit like a kind of untrained horse that's been let out of the stable, like they might buck him.
I go to Scotland maybe three times a year, and I love it. When I'm at home, I feel at home, I feel myself, I feel connected.
I must admit, maybe I am a piece of history after all.
Whenever you have to do a photo shoot with a woman, there is this weird competition. They need to prove something. They need to play games - maybe unconsciously - but women are so sensitive, and people call me more masculine sometimes.
I'm a masochist in some ways. I look for things that I think I can't do, then, for some bizarre reason, I really want to do them. Maybe one day I'll take the easy route.
I went to work when I was a young fellow and I loved what I did. And I just kept working. And when I decided that maybe the time had come for me to quit, I got depressed. What could I do if I didn't work?
Every few years, I think, 'Maybe now I'm finally smart enough or sophisticated enough to understand 'Ulysses.' So I pick it up and try it again. And by page 10, as always, I'm like, 'What the hell?'
The thing to do with mutual funds is to buy a couple of decent ones, set up an investment plan and then never, ever think about them again, except maybe once a quarter or so when you take a peek at your statements to make sure that you have not accidentally been buying the Fidelity Peace-in-the-Middle-East fund.
I used to break a lot of clubs. I probably was a little different than your average junior player. I did have a lot longer hair and a lot more brown hair. But my demeanor, you know, really from maybe my second, third year on Tour, has gotten a lot more even keel.
It was what became something of a pattern in the first couple of years of the Clinton White House and maybe even longer, where information would drip, drip, drip, drip, drip out which would keep stories alive, alive, alive.
