I think the gains to be achieved by a combination of reforms and labor market adjustments are going to be more permanent and will provide a basis for reducing unemployment and improving export performance, and sustaining growth, in a way that is more sound and permanent.
I think I have a basic sound aesthetic that is in most of what I do.
My songs are my kids. Some of them stay with me, some others I have to send out, out to the war. It might sound stupid and it might even sound naive, but that's just the way it is.
What I'm dealing with is sound. I don't pretend to be dealing with music. I'm just dealing with sound elements, textures and sounds.
My music wouldn't sound the way it does if I hadn't had the experience of conducting.
Creationists make it sound as though a 'theory' is something you dreamt up after being drunk all night.
Of course, we wrote the songs accordingly and performed and recorded them that way. At that time, we really thought it was right, but you know, seen in retrospect, it made the album sound forced, and not really great.
I saw The Sound of Music when I was 10 and thought that it was the most beautiful singing I had ever heard.
Tying money up for 40 years doesn't sound appealing when you are young.
Well, obviously I wanted it to sound as original as possible. I suppose the influences that we had were probably from the actual power point of view we wanted to be like the Who. Vocally we wanted to be like the Beach Boys, whatever was good at the time.
Anxiety and spiritual searching have been consistent themes with me, and that figures into my worldview. But I tend to make my songs sound like relationship songs.
And I tell ya, when I sit in that sound booth and started reading the script and starting to get into the character, man, it's an easy jump for me, because I understand what it's all about.
The problem is, when you're working with orchestras, you only get the orchestra for about two hours before the performance to pull it all together, and that doesn't sound like a real collaboration.
I'm delighted that 'The Sound of Music' is doing so well. Of course, it's an infallible piece of material. Even when second- and third-rate road companies were doing the play, they did enormous business.
Shows were very different then - even as the headliner we did a very short set by today's standards and sound systems were really primitive. But the girls made it all worthwhile!
What a sound money system does is to stabilize all the elements in it, and reduces the uncertainty that people confront. And the one thing all human beings do when they are confronted with uncertainty is pull back, withdraw, disengage, and that means economic activity, which is really dealing with people, just goes straight down.
I try to steal something from the great singers. Of course, I don't want to imitate their sound, but I try to do a sort of compromise.
I think I sound like Barry White.
The Hindus say, 'Nada brahma,' one translation of which is, 'The world is sound.' And in a way, that's true, because everything is vibrating.
What hypocrites we seem to be whenever we talk of ourselves! Our words sound so humble, while our hearts are so proud.
I have never seen a game's graphics look so sharp and clean. The sound design for the game is also unique on the Xbox. The memory on this system allowed us to provide the user with 5.1 Dolby surround sound for home theatre owners.
When gamers look at games not as overall experiences but as chimeric potpourris of sight and sound, we take too mechanical a perspective and ignore what really makes them special.
I listened to a lot of Amy Winehouse: her albums 'Frank' and 'Back to Black'. She was such an incredible artist. She was just so raw and had her unique sound; she paired jazz with pop and was so soulful at the same time. So I pulled from her a lot in the beginning.
Although I'm only fourteen, I know quite well what I want. I know who is right and who is wrong. I have my opinions, my own ideas and principles, and although it may sound pretty mad from an adolescent, I feel more of a person than a child. I feel quite independent of anyone.
How to play music may be known. At the commencement of the piece, all the parts should sound together. As it proceeds, they should be in harmony while severally distinct and flowing without break, and thus on to the conclusion.
One of the things I particularly enjoyed doing was taking raw sound from locations during the film, like the candy machine, and writing pieces of music to go with them, which is totally unnecessary within the context of the film, because they have their own logic.
I grew up listening to Bernadette Peters, Patti LuPone, and Angela Lansbury, so I grew up wanting to sound like Patti and Bernadette. What I realized, though, is that I can't sound like that, and what makes their performances magical is their uniqueness.
In the late 60s and early 70s, I did get interested in voices, and in narration and embodying the voice, making the poem sound like a real person talking.
Ellington is a writer and arranger, as well as a musician and leader. He does movie sound tracks.
I mean, Chris is, I'm sure, a wonderful guy. But in those days he also very, very late. For all appointments and departures and arrivals and sound checks and anything.
We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument.
As a vessel is known by the sound, whether it be cracked or not; so men are proved, by their speeches, whether they be wise or foolish.
Sometimes filming can be grueling when you're shooting the same scene for a week, or you're sitting around for 7 hours a day. They sound like very first-world champagne problems. I don't mean to sound like life is so hard, but filming sometimes is tougher than other times.
Everything goes in waves. Evolution goes in waves. The ocean goes in waves. Energy goes in waves. Sound travels in waves.
The speakers I value don't just sound intelligent but can boil down complex issues in a clear, understandable way that encourages the public to think about the solutions.
I can write anywhere. But I don't use a computer, and I could never write on a laptop. I hate the sound of computers; it's too dull, like it's not doing anything for you.
