I alone of English writers have consciously set myself to make music out of what I may call the sound of sense.
If you looked at the sound pattern of an old-fashioned record, it would be very spikey. But nowadays, there's no spikes - everything looks like a brick, so the quiet bits become louder. It's actually damaging because it's like listening to a drill.
If you record the sound of bacon in a frying pan and play it back, it sounds like the pops and cracks on an old 33 1/3 recording. Almost exactly like that. You could substitute it for that sound.
I don't mean this to sound cliche, but it's really about the work for me. I like to keep working on things.
I love all people. I hate no one. And, you know, when you take a subject and you reduce it to something like a four-second sound bite, and a check mark on a ballot, I think that that's inappropriate and insensitive.
You see people you identify with, and you take pieces of people you like and shape who you are. Like, I sound just like my dad. But that's literally my vocal chords. I can't sound like anything else... I sound like him, but I act like myself.
When you do your heart's calling, when you're doing what moves you, all good things happen. That may sound a little too mystical for some people, but I really do believe it.
In the past, great communicators were great orators, but great communicators today sound conversational, and interrupting is common in conversation. And public discourse is now more about entertainment than enlightenment.
I think I write very good songs. But I don't know if anybody could record my songs with as much fervor. They sound good sung by me, and they especially sound good with my band.
Since light travels faster than sound, some people appear to be bright until you hear them speak.
Before sight and sound hijacked our attention, we shared with all life a sort of common sense, a chemical sense that depended on direct contact with matter in the water or the air.
I am still working on developing my voice. I am, I know, better as a coloratura singer than I was. It's a matter of strong breath control and yet making it sound as though it is the easiest thing in the world.
The financial security of all Americans - their retirement savings, their home values, their ability to borrow for college, and opportunities for more and higher-paying jobs - depends on our ability to restore our financial institutions to sound footing.
It's funny. When I saw the script in my inbox and it said 'Sparkle,' I thought, 'For real? It's really called 'Sparkle?' I was wondering, too, how does 'Jordin Sparks as Sparkle' sound?
Every demo I do has a mandolin or resonator on it - some element of the bluegrass or classic country world that I grew up listening to and that first drew me in. And then I always try to find somewhere for a bluesy guitar sound, because that's also what I love. Musically, I'm always finding my way home.
I am a fifth-generation American, but from a young age, I went to yeshiva. I spent 12 hours a day with rabbis, and I think in Yiddish. To this day, I have to go back and unravel my writing and polish it so everyone doesn't sound like an old Jewish woman.
I love learning language and ideas that I didn't know before and making them sound like my own.
The REM and Nirvana successes don't mean much to me except as a potential distraction for bands who want to cash in on the trend. Don't try to sound like someone else. REM and Nirvana don't sound like anyone else.
I pride myself on having a really authentic music sound: no gimmicks, just my vocals.
That's what I was trying to say when we were talking about sound. I think that every person, whether they play music or don't play music, has a sound - their own sound, that thing that you're talking about.
Acting's incredibly enjoyable, but sometimes it doesn't feel quite enough. I've also written a script about the life of Eleanor of Aquitaine. This will make me sound like a female Kenneth Branagh, but I can't think of anything nicer than directing myself from a script I wrote.
Off-camera, I sound like Perry Como.
The beauty of a Stradivarius is that you can play in Carnegie Hall without any amplification, and it has this - the sound has, inside it, has something that projects, and it has multifaceted sound, something that kind of gets lost when you use amplification anyway.
I realized that I could try to sound like Waylon Jennings, or I could try to be like Waylon Jennings... but it's impossible to do both.
People don't want rap to be anything other than it is. But genres expand. My contributions, no matter how they sound, will always be rap, because they'll always be black.
I don't want to sound Pollyannish about this. I understand that poverty is never just poverty. It's often this collection of maladies, this compounded adversity. I'm not naive about the problem. But I think that stable, steady housing is one of the surest footholds we could have on the road to financial stability.
I have spent too long training myself to speak with an American accent, it's ingrained. I spend 16 hours a day on set speaking with an American accent. Now, when I try to speak with an Aussie accent, I just sound like a caricature of myself.
As far as how I expressed 'practice, practice, practice' over and over again, I wouldn't take that back because, obviously, that sound bite is great for the media and for the fans, because they love it.
I didn't respond to people thrusting microphones at me and asking me questions that were unanswerable in a sound bite.
I have to choose my words carefully because I don't want to sound like one of those who goes on about how things were better in my day.
When I was younger, I just liked the sound of different accents, and I used to just play around to see if I could do things. I hear accents like music, so that's what helps me to learn them.
I look at myself more as a storyteller than a screenwriter, as pretentious as that may sound, but that's what really attracts me to TED Talks. For me, the really effective ones are being presented by expert storytellers.
Tinguely wasn't the first artist to work with machines. But others were more interested in precision, in what machines are meant to do. What made him different was the random element. He introduced the mechanical accident. He was always interested in the immaterial, in sound, smoke, speed, light, shadows.
This is going to sound pretentious and esoteric, but I truly mean it from the bottom of my heart. Acting has always been a spiritual journey for me. The very first project I ever acted on paralleled my experience so perfectly even before I was aware of it.
One of the funniest things about Mr. Kaufman is that all of his filmed scripts - 'Being John Malkovich,' 'Human Nature,' 'Adaptation' and now 'Sunshine' - sound like titles from REM's 'Reckoning.'
We must ensure that more binding, durable, and enforceable fiscal rules go hand-in-hand with funding certainty for countries pursuing sound and sustainable economic policies. We need to keep pushing forward towards a comprehensive solution to the challenges of the eurozone.
