When the French nation gradually came into existence among the ruins of the Roman civilization in Gaul, a new language was at the same time slowly evolved.
So in the sense that we were all dealing with that freer approach, yes, it was certainly one of the first contacts, perhaps the first contact, when Peter came that summer. So it's a very pivotal moment that is documented there.
Not that I regret saying what I believed to be the truth, but I regret anything that I might have written or spoken that could have been used in a way to help to foster that atmosphere out of which came the loss of life of Brother Malcolm.
After I graduated high school and came out to do 'Buffy,' I was enrolled at my mom's university, and I was going to go get a real job. I never thought of acting and never really wanted to be an actor.
When I came to know theater, drama became valuable to me.
Just recently I worked with Van Morrison and I came to realize that money can't make a decent human being out of you.
My own sense of family, where I came from and what I made for myself is an important part of my life.
Children's finger-painting came under the arts, but movies didn't.
When 'MacGruber' came out, David Wain was one of the first people who publicly championed it.
It's terrifying, that unconditional love you have for a child. I still wonder if she really came from me, from my womb. It's a miracle. I don't understand it. I live it very intensely.
When I came out to L. A., I got a part in an episode of 'Star Trek: Voyager,' and I hired an acting coach.
The difference between me and American-born actors is that I came here with the expectation of not being treated fairly.
When news of the crash came, probably a lot of people in small towns and farms across America felt a sense of grim satisfaction that the sinners had finally been punished for their wicked ways.
I am perhaps unusual in that I came to 'Doctor Who' through the numerous novelisations and not through the television show.
Most of my inspiration, if that's the word, came from books themselves.
Then a friend of Jim's suggested we make a theme song to explain the story, and this is where the Mads came from. Josh and I wrote it into the theme song.
That was Embassy Pictures, they went bankrupt shortly after This is Spinal Tap came out.
I saw my parents as model grown-ups, and their manner, their silence, informed my sense of what adulthood looked and felt like. Grown-ups behaved rationally and calmly. Grown-ups worked during the day and came home at night and sat down for drinks and passed the evening quietly.
It's funny because I remember when I came to the U.S. with 'Swimming Pool,' the movie did well, and it was great box office for a French movie, but I remember I was a bit upset because all people talked to me about was the nudity.
The 'International Style of Modernism' came with the advent of building services. In the end, the architecture became like a container space, essentially like a boring box with a basement full of machinery to make it inhabitable. As a result, buildings literally started to look identical all over the planet.
If you're saying the same line 10 times and making it look like you just came up with it, that's acting.
I was out on the golf course, a guy came riding out in a golf cart and said, Did you know that Elvis died? And I just said, Well, there you go. It was like I had kinda been expecting it.
When you see somebody who always came so close, and they finally accomplish what they've been working for - to see someone excel and break through that barrier - it's a great moment not just for that athlete but for all of us.
It was fantastic when I came into snooker, when tobacco was throwing lots of money at it, and even when they fell away we thought others would come in because of all the TV exposure. But it didn't happen.
I came from a wealthy family. I made over my share of the estate to various charities.
I discovered the same thing Gram Parsons did, that soul music and country music are practically identical. Based off of the same chord structures, and the songs are of heartache and loss. The main connection is they both came up in church.
I came out of repertory theater, where I worked 50 weeks a year, and I loved working with the people.
I was in better shape when I went into boot camp than when I came out.
I'm perfectly proud of the work I did, looking back at it. I know I've had a bit of a revision since my 'Big Finish' stories came out.
I remember one game when I pitched in Yankee Stadium and gave up five runs in the first inning. It would have been easy to quit, but I shut 'em out the rest of the way, and we came back and won the game.
Until these college students came into town, we were all very poor and didn't have money to do anything.
I try to pull my inspirations from everyday life. If I came across a situation that is like, 'Oh, that's going to be scary, that's going to be frightening,' that's when I get inspired, and I put that into my films.
After I retired and came off the road, I gathered up all my musical instruments and suddenly, I wanted them all to be perfect.
There was a time in my career when my hackles would really get raised if someone came in and said, 'We need you to do this or that.' But the fact of the matter is, you're working in a shared universe, and all elements of the universe are, ideally, going to mesh and work together. That's my goal. I want to be on the team.
The Olympics were life-changing for me. I felt I went in as a girl and came out as a woman.
To make the script, you need ideas, and for me a lot of times, a final script is made up of many fragments of ideas that came at different times.