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I come out of repertory theatre so I've been working under pressure my whole career.
I come from a theatrical background, where, if you're working on a movie or a play, you always respect the people you work with. You're accommodating.
I worked in rep for six years, then I came to London and to the National Theatre. What's better than that?
I just want to work on things that are really hard, and when I'm not working on things that are really hard, I want to hang out with people I like to be with, and that's it.
The same people who recognize I came out with no medals should recognize I could have won three.
I fell so hard for the theater. I knew it was a place where you can sort out your life.
When I lived in Chicago, it often felt like the same people who were going to all the little theater companies were the people who were working in them.
Well, I think that a lot of times when you're working on a film, there aren't really opportunities to get to know all the people you have to work with.
The worst tempered people I have ever met were those who knew that they were wrong.
