Sure, I went through my 'J'accuse' phase. I was so angry for so long, I could hardly have a conversation without getting into an argument. And it was only when I felt I could finally distance myself from my past that I began to write about what happened - not just to me, but to lots of young people. I think my story is a cautionary tale.
I am very puzzled by the fact that young people are getting infected again. They don't take precautions despite an enormous amount of information. It's like riding a race car at 200 kilometers an hour. Some people like the risk.
It has always seemed to me a pity that the young people of our generation should grow up with such scant knowledge of Greek and Latin literature, its wealth and variety, its freshness and its imperishable quality.
I don't know about you, but there is nothing that's scarier than young people who have no future. If you take away someone's future, they have nothing to lose.
I like to tell young people to work hard for your goals and live in the moment.
Young people can be annoying, let's face it. But they can also be really refreshing to be around and full of enthusiasm.
My weakness is 'American Idol.' My husband thinks it's ridiculous. But I am so inspired by those young people who are singing their guts out.
I hope that the message I conveyed in 'Julie of the Wolves' is to tell young people to think things out. Think independently.
My passion, personally, is being my true self while inspiring young people who are struggling with their identities to love themselves for who they are.
I honestly do feel that I am a role model for young people.
Our only hope for America is that every conservative takes upon him or herself the project of learning what American and conservative values are, coming to understand what leftism stands for, and learning how to make the case for those values to women, young people, blacks and Hispanics.
What the results are telling them is that the most money is spent in volume by young people. They also see young people as the consumers of tomorrow and are trying to capture their attention from their competitors.
Rock-and-roll, to me, is very serious because we deal with the young people. We deal with people who need something, and that's the same thing that a preacher does. He feeds you something that you need spiritually in your soul and in your makeup.
Our obligation at the network is where do we fit into that and how can we best capitalize on that to make sure that our piece of that remains important to those young people.
We've been lucky because quite a few young people keep coming to see us play. We couldn't tour as much as we do if we could only count on the baby boomers.
It is not the young people that degenerate; they are not spoiled till those of mature age are already sunk into corruption.
The jobs outlook in the U.S. isn't very good. And it's really about young people.
Do the unexpected. Take 20 minutes out of your day, do what young people all over the world are dying to do: vote.
Young people are choosing cities before the country - they have their own ranking.
Engagement with young people is always a refreshing break with routine. It's also a reminder of how we need to constantly keep our thinking agile and unencumbered by traditional rules.
I wish that more people, especially young people, were taught about self-love at a younger age.
I passed my classes because I displayed effort, not because I learned math. But how can we help young people understand life rarely gives partial credit for effort, especially if that effort doesn't lead to understanding or success?
New ideas for innovation grow out of the minds of each new generation. Having an institution of higher learning that can help young people put those ideas into action is critical.
Because of the fashion, the young people don't have any access to the history of music, unless people like me revive it. There are very few people to revive it, because you can't earn any money doing it.
Recently, I went to a disco with friends, and all the young people were saying, 'Dudamel, we want to go to your concert, but it's impossible because it's sold out.' It's really amazing.
In 'Packing for Mars,' I tried to convey the importance of getting young people interested in science.
Peace is what enables development and is critical in providing opportunities to young people. Efforts to preserve peace are absolutely vital in bringing prosperity and hope for the future.
I would like to be somebody young people, young girls, can look up to.
I think young people are the most creative and the coolest - people that we should be learning from. Even when I'm at a party, I'm analyzing it and thinking about it in the context of how I would write about it. That side of me never switches off.
It's not any desire on my part to start playing dads, but it's a convention of drama. If you don't get the parts of young people going out to nightclubs, you have to play their fathers.
I do believe the most important thing I can do now is to help young people understand the past and prepare for the future.
Supporting drama for young people is close to my heart.
The young people today are the 21st century.
Remember, those that wait upon the Lord will rise up with wings like eagles, and they will run and not be weary. And don't you ever be weary, because the battle goes on, year after year, and we need all of you young people to join us in the battle.
It's important that the adults appreciate that young people are capable of doing really astounding work.
It's ridiculous to imagine you can stay young forever and live forever. It's taking away from young people. There's a beauty and respect in age. Magazines and media are disrespectful of age.
