In the scriptures, we are told you can't really understand happiness unless you understand sadness. You don't know pleasure if you don't know pain. It's part of life. So can you learn something from somebody who has gone from success to success to success? I don't think so.
I wanted to have a reaction from the audience. I wanted to be able to talk to somebody, and not be talking just to myself. That's when I did 'The Conformist,' 'Last Tango in Paris,' etc. And I found it was incredibly rewarding, something new.
No, I've heard over the years that it's nice for them to see somebody who's like, you know, a well-known successful musician who's Asian. I've heard it from a few musicians, too.
After a decade this glum, we deserved a shot of 'Glee,' a show that restored our faith in the power of song, the beauty of dance, and the magic of 'spirit fingers' to chase our cares and woes into somebody else's backyard.
I really want to love somebody. I do. I just don't know if it's possible forever and ever.
It's kind of a catch-22 now because since the 'Da Vinci Code,' I have access to places and people that I didn't have access to before, so that's a lot of fun for somebody like me, but I'm always trying to keep a secret. I don't want people to know what I'm writing about.
People have always painted me like a pessimist, like somebody who sees the glass half-empty. But I think the fact that I keep showing up and saying, 'No, there must be a way for me to live in this world,' that shows I'm an eternal optimist.
My objection to the death penalty is based on the idea that this is a democracy, and in a democracy the government is me, and if the government kills somebody then I'm killing somebody.
There is no way to physically always be there for your children and always be at the office and always be present for your significant other and then take care of yourself. The laws of physics necessitate that somebody or some thing is going to get the short end of the stick.
There is a possibility that there is somebody out there alive today over 122, but we'll probably never know it, because in all likelihood they come from either China or India, and they don't have reliable birth records.
You can only love and be loved to the extent that you know and are known by somebody.
I've tried singing like somebody else, and it never worked for me. The only thing that has ever worked for me was me being me, so either you love it or not.
I always look to play flawed characters. I'm not very interested in playing somebody that's just, you know, the very nice one or the attractive one, or whatever, which a lot of female parts can just be written that way.
Somebody asked me earlier if I thought it was really important to tell stories about women's struggles. And I said yes, but at the same time, it's also important to tell stories about women's triumphs, women being slackers, women being criminals, women being heroes.
One of the nice things about writing is you can take essentially painful things in your life and turn them into something that might be useful, or at least entertaining, to somebody else.
There shouldn't be any kind of judgment towards somebody who has a belief system that is not yours.
The thing about the max is, you're worth whatever somebody is willing to pay you, in my mind.
If you have a character that doesn't have anything wrong with him, there's nothing funny about it. The idea of the straight man is very important. But I'd rather it be somebody else, because it's not as fun.
It's good - it's great when somebody who is 20 years younger than you comes up and says, 'Wow, we just got turned on to you guys, and you're really great,' or something like that. I like that.
I really loved working with Michael Caine. He's a really skilled and experienced actor. I learn something from everybody, but when you work with somebody like that, you actually learn things you can put in your toolbox, things about craft. Not necessarily life lessons, but actual things he knows that you can pick up.
I think somebody ought to do a survey as to how many great, important men have quit to spend time with their families who spent any more time with their family.
With drama, you know if you're having a true moment, but in comedy, if somebody doesn't laugh, then you know you're not being funny. That's a really fun challenge, and that's what draws me to comedy.
I was a child, and my mother was psychotic. She loved me, but I didn't really feel I had a mother. And when you live with somebody who is paranoid and thinks you're trying to kill them all the time, you tend to feel a little betrayed.
TV is tricky. You can do some stuff and people will tune out and never tune back in. It's sort of like putting a bad taste in somebody's mouth. Some people may not ever tune in again. And then there's some people that will tune in just to tune in and see what's gon' happen.
I'm not a party person. I'm a nerd. I'm not an extrovert in that way at all. The things I enjoy doing could be boring to somebody else.
Before I look stupid and not know what a word means or how to pronounce it, I'll stop the whole production: 'Hey, real quick, guys. Define this word for me. Somebody.'
I just feel like people like a little break. Especially at 12:37 at night, you go, like, 'I'm just tired of the snarky right now. I just want to lie down and have somebody make me laugh for an hour. Entertain me, and then I'm going to sleep with a smile on my face.' That's my job; that's what I do.
There's a lot that goes into being Tim McGraw or Kenny Chesney. They have great songs, their show is great, they're very fit. When you look at somebody who takes care of themselves, takes care of their business, that's what every CEO would do.
That line, about half of somebody's supporters being deplorables, was maybe the worst line I've ever heard in politics. You never - even when you're running against a bunch of racists, you never take off against the voters. It was a politics 101 foible.
I think that the first part of the art is making the art, but when art really becomes art is when it belongs to somebody else.
I wish somebody would have told me, 'Don't try too hard,' because when I was younger I wanted to try really hard. I wanted to please everybody and be this perfect, polite little girl.
It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
I think when I first realized that something interesting had happened was probably in 1994. There was a 25th anniversary of the ARPANET celebration and... somebody asked the question, 'Where did email come from?' I remembered that I had done this little program back in 1971. People looked back and nobody could find anything that predated it.
I don't care how somebody looks at me or their feelings. I know how I am.
I've played many criminals, but I loved playing somebody on the right side of the law who had a family and who had ethics.
If I see somebody dancing really well, it can make me want to dance. Or it could be the music. But perhaps the thing I miss the most is that when you're dancing, everyday concerns vanish. It's a unique world.
