When you see someone you love with somebody else, your heart kind of falls to the ground.
I do like shopping high street, but I do consider the long-term value of a specific piece and, also, one day giving it up for somebody else to love and enjoy.
I mean, when I started out I was billing per hour, like a shrink because you would sit with somebody and work. But most of it, if it's for a live show it's usually a buy-out. A flat fee.
I was black and blue for about two years, but it's paid off tremendously. You know, if you get enough whacks, your reflexes pick up, and I've become quite good - if somebody throws keys or something, I can catch them.
What I've learned is that if you really want to be successful at something, you'll find that you put the time in. You won't just ask somebody if it's a good idea, you'll go figure out if it's a good idea.
The relation between a poet and audience is really insignificant. What matters is the poet is hearing something that he is broadcasting. And whether there is anybody with a receiver isn't the reason he does it. He hopes there is somebody receiving it.
I mean, we make a 15-minute show that's incredibly silly, even though all of our scenic designers, puppet builders. animators, everybody that works on the show take their work very seriously. So somebody saying that we'd even be in contention for a very respectable award is really nice.
As the writer, you're always a presence in the song. If you get close to what human beings are like, you're writing about common experience. We all do much the same things, so if you nail somebody, then you've also nailed yourself.
And when we used to play and fight in the streets in Brooklyn and I would get hurt or something, my mother would always come out and save me. So that sort of postponed the inevitable about getting a good beating, without having somebody to come and save you.
I was a scapegoat. The media had to put responsibility on somebody, and I was chosen. They felt free to say that because someone was thin they were anorexic, which is ridiculous.
I really always expected to somebody to make me happy and I don't think you can really enter into a relationship until you are happy.
I had a little epiphany when I was a writer at 'Chicago' magazine. I sat down to dinner at the Ritz-Carlton. Somebody poured a white dessert wine with chocolate cake. It was a wine I would never have expected to make sense. The idea of any wine tasting fabulous with chocolate cake was fascinating to me.
If somebody gives me his hand, I will not look at him with suspicion.
There is nobody that's ever going to fill Ted Kennedy's shoes, and that's a tall order for somebody in the family to try to live up to.
You know, I think that allowing somebody, one mere person to believe that he or she is like, the vessel you know, like the font and the essence and the source of all divine, creative, unknowable, eternal mystery is just a smidge too much responsibility to put on one fragile, human psyche. It's like asking somebody to swallow the sun.
I want a director who can let me feel that he's listening and watching and that he's got me covered. That security is really important for me because sometimes you go into a vulnerable space, and you want to be able to look to somebody because you get insecure: 'Did I do that right?'
Never too late to change your relationship with somebody in your life.
Every time somebody tries to go in and reinvent what we do, it always ends up being more about technology and sets, and flash and dash, forgetting the main thing, which is interesting people saying interesting, important things.
Eventually somebody will want me, and there will be a role that is mine.
A good country song takes a page out of somebody's life and puts it to music.
Although Ronald Reagan was somebody I disagreed with on most ideological things, he was a friend of mine, and he was a very, very likable man. Ronald Reagan, for instance, was maybe more able to get the very rich to do the right thing sometimes.
If I start panicking a little bit, I just talk through it with somebody.
An expert is somebody who is more than 50 miles from home, has no responsibility for implementing the advice he gives, and shows slides.
Somebody asked me about the current choice we're being given in the presidential election. I said, Well, it's like two of the scariest movies I can imagine.
I can talk to anybody but when it comes to somebody that I like, then I turn into like this five-year-old kindergartener in a sandbox.
I didn't want to be nobody, and that was the only way I could be somebody was to do stand-up.
You can learn a lot from somebody's video bio: if you're not going to gel with the actor or a crew.
You have got to make sure there's due process for somebody that's accused of a crime. You've got make sure they're safe.
You date somebody, and you have this obviously intense experience where you share a life together in whatever way that is for how many years.
I can't learn in school, but I can learn from somebody who I think is cool and great.
I haven't always been good at flirting, but I've learned that flirting is all about confidence. I don't think it's about being sexy at all; it's just about having enough confidence to walk up to somebody and have a conversation with them.
We need somebody to give us a chance.
I grew up in Texas City, Texas. I didn't know anybody who was a director or whose parents or grandparents were directors. I met somebody from a nearby town one time whose father had been to the moon - it was far more likely to be an astronaut than it was to be a writer or a director.
I don't go by or change my attitude based on what people say. At the end of the day, they, too, are judging me from their perspective. I would rather be myself and let people accept me for what I am than be somebody who I am not, just because I want people's approval.
I am not somebody who meets a man or a woman somewhere and feels like that is an incredible character that I must write into a play.
Somebody once said we never know what is enough until we know what's more than enough.
