I was born in 1949, and by the time I was 10, I figured out that my hope chest was not aimed in the same direction everybody else's was. And that life was going to be very, very complicated. And that I could either be provocative and declamatory, or shy, retiring and scared.
Naturally, everybody has certain things they wish they hadn't done in life. They wish they hadn't kicked their dog when they were ten or something.
I get into lab early and leave a bit early, too. So I like to have an hour or two before everybody comes in.
I love Sandra Bullock. I think everybody loves her.
We're not trying to reinvent the wheel; for any environmental organization to claim sole responsibility for any kind of victory is insane, because everybody attacks these problems as a group.
People say, 'Well everybody needs a cellphone.' Well, what does 'need' mean? Do you need an iPad? How about a computer? A printer?
You have to ask what is going to happen to a lot of companies when there is not a lot more money to be gotten. That changes everybody's perspective, I think.
I started out doing things like 'Flash Forward,' where I was the girl-next-door, and then, I did a show called 'Higher Ground,' where I played this really mean, sarcastic girl. Then 'Firefly' happened, and everybody thought of me as this bubbly, sweet girl-next-door again.
If you give everybody a good government job, there's no crime.
It's really hard to see yourself and to recognize that you are a human being like everybody else. You just think everybody's judging you.
Everybody wants to be a star right now, to be heard, to have a voice, so you have to give the confidence for people to have that ability - and give them the wardrobe to become a star.
Everybody, as soon as they do a good experiment, their first thought in this lab is, 'That can't be right. I must have screwed it up. What did I do wrong?' And that's the best kind of scientist because they're filled with this self-doubt. And if I'm going to be honest, that's who I am. And it's what drives me.
I write by myself and then deliver the song. Everybody knows, 'Leave Ester alone when she's in her zone.' Give me a studio and the tracks, and I'll call you when the doctor is done.
When I first joined the DA's office, there weren't that many women. So there was a fair degree of sexism. Everybody kind of got over it when they saw you doing your job.
I do feel pressure from the outside world a little bit just because everybody wants new music, which is really nice. It just proves that everybody likes what I'm doing. But at the same time, I feel like it's important to just chill and experience things and really make the songs true to me.
When it comes to everybody else's thing and their lane and their timing, I'm never doing anything intentional to, like, come after somebody. That will always be my biggest mistake or anybody's biggest mistake if that's their intention.
I'm really lucky I'm still around. Everybody expected me to die next... But it was always someone else instead of me.
Large-caps were safe in 1996, '97, '98. Everybody was buying index funds and Nifty Fifty funds. As long as money was pouring in, it was great.
On 'Masters of Sex,' especially in the pilot, everybody was showing up word-perfect, and you're expected to show up word-perfect.
Every life of a character is within a context. If I write detached from a social and political background, my story looks like a soap opera where everybody is indoors, not working and living off their emotions.
I know I'm not going to book everything I go in on, and that's just the nature of the business. You have to keep hustling and not get down on it. You have to keep at it and find your way in. Everybody's story is different.
I would have never wanted to write another management book. There are so many of them, and everybody says the same thing about them, and they are all the same - they give the exact same advice. It's like a diet book; they all say eat less calories, exercise more, and every single book has the same conclusion.
My fantasy for children's television is that it's not really children's television, it's everybody's television.
There's no doubt about it: Hillary is the best person to be our 45th president. Hillary has always been a tireless advocate for working families - she's never ceased to make sure everybody has a fair shot at achieving the American Dream.
When I was growing up, we had a bungalow in New Jersey which we visited in the summers. Everybody in that small community was named Feldman and was either an aunt or cousin of mine. I just found it comfortable to use the name Feldman.
When I went to drama school, I thought that everybody would think I was only there because my dad was on TV.
Everybody's got plans... until they get hit.
I felt from the start that America was not likely to relinquish lightly positions established at the cost of such sacrifices, and I pressed the view that a high degree of preparation and willingness to make sacrifices would be necessary on our side, but everybody here always persists in facile optimism until the very worst actually happens.
How do I let go of Maplewood? It's like Shangri-la. It's so culturally diverse, and all my children are adopted - a transracial family. And we're not the freaks. Everybody flies their freak flag high in Maplewood!
I want to be singing to everybody, and I want everybody to think that I'm singing to them. Guys, girls and everyone in between.
It's about being fair. It's about Black Lives Matter. Yes, they matter. Everybody counts or nobody counts, and I think if more cops had the philosophy of Harry Bosch, we'd have less of these situations happening.
You can't please everybody. You'd be crazy if you're trying to. So take some time out to do some things for yourself.
There is no upside to making a disparaging remark about a colleague. If your remark is accurate, everybody already knows it, so there's no need to point it out. If your remark is inaccurate, you're the one who ends up looking like a jerk.
I go to conventions and universities and talk to young filmmakers and everybody's making a zombie movie! It's because it's easy to get the neighbors to come out, put some ketchup on them.
My spiritual life is... sometimes I have access to it and sometimes I don't. When I do have access to it, it's usually a sense of my understanding what the best course of action or the best thing for me to do. By best, I mean when I have a real sense of doing the right thing and doing good for people and the connected universe of everybody.
Twenty years ago, there were dozens and dozens of independent television producers. There are a couple now, at the most. Mark Burnett, Endemol. It's gone. Everybody works for the Man now. And it's natural law, how that happened: Nobody prescribed it, but it's how things worked out and how it has been for decades, period.
