Twelve years on sets watching directors, I've taken a bit from everybody and rejected a lot.
I look at myself as an audience member. I still love movies, and I still go and sit in the back of the big dark room with everybody else, and I want the same thrill.
I'm slow by everybody's standards. But not by mine.
Everybody is an expert on one thing - that's what I learned in my high school journalism class - and that's, of course, his own life. And everybody deserves to live and have his story told. And if it doesn't seem like an interesting story, then that's the failure of the listener, or the journalist who retells it badly.
Eventually, the most important thing is success. I want to achieve a lot of success. It doesn't feel good when your film doesn't do well, and yet you are appreciated... everybody should succeed.
I mean, everybody's star fades in every business; that's just a natural part of life.
Everybody wants to be known. Everybody's a Kardashian.
When you compete with good people, it makes everybody better.
I think everybody should have a great Wonderbra. There's so many ways to enhance them, everybody does it.
I am Maradona, who makes goals, who makes mistakes. I can take it all, I have shoulders big enough to fight with everybody.
I think everybody works from a defensive position, for the most part, in the film industry.
You just try to be nice to everybody and treat them all the same. Treat them how you would want to be treated.
Everybody has to be reminded that there's another way to be. Another more mysterious, unpredictable way to be that's not necessarily based upon contrivances.
Television itself is an intimate medium. It's in your house. You're visiting with these people... Not everybody's going to like it, just like not everybody likes everybody on the playground. I mean, that's life - especially if your job is to just go out there and be yourself.
Most people come out of their Ph.D. experience trying to prove themselves, trying to get ahead, trying to get published. You're scared everybody else is going to do your research and get your topic.
Everybody struggles with being an oddball. It's tough trying to fit in when you're a kid; then you become an adult and you think, 'I'm just going to be myself and either they accept it or they don't.' But you know what? I like me, and that's the most important thing.
I had, like, 11 jobs. I've been fired 11 times! 'Cause I'm not cut for that. You know, I was a great employee, man. Everybody loved me coming to work - I'm singing, tellin' jokes on the assembly line. I was miserable, man. I was dying. I was dying.
There's a lot of people over time who have brought out all these funky records that everybody has started jumping on like a catch phrase... When Planet Rock came out, then you had all of the electro funk records.
John the Baptist was supposed to point the way to the Christ. He was just the voice, not the Messiah. So everybody's calling has dignity to it and God seems to know better than we do what is in us that needs to be called forth.
And um, when I came back to England I put a very complex soundtrack on it, featuring everyone from Jimi Hendrix, right through to Neil Diamond, you know, everybody that was kind of popular who was kind of popular at that time.
Everybody can relate to being real or true. Somehow, someway, you want to be real and true.
'The Hunger Games' isn't for everybody. But neither is 'Anna Karenina.'
Well, in fact everybody - everybody - in the entire nation has enough stuff in their life to write about that's interesting that they could write their autobiography. And in the end that's why I find people interesting.
I promise you that I did not become an addict because of anything to do with the behavior of either of my parents. Everybody has to make their own choices.
I want to be thankful for all of the things that I've been blessed with, and I've had a great run. I have a huge fan base, and I'm still able to work a lot. I don't know if I'll ever have another big impact record on commercial radio again, but you know, everybody's gonna have to face the reality that their day's gonna come to an end, too.
Everybody who is an actor has been acting since they were three.
People say, 'Are you going to be beating up one side or the other side?' It's everybody. It's the entire education establishment that is in power.
One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
But as far as, for I think it will be amazing you know where I find myself years from now because of this film. It's just amazing, I think everybody's going to kind of know this film and because of it, me. So I you know it's crazy.
Television is the first truly democratic culture - the first culture available to everybody and entirely governed by what the people want. The most terrifying thing is what people do want.
I allow people to create, but I'm also marshalling everybody, which is difficult for my creativity, as I'm like a referee. Everybody else is kicking a ball. It is very messy. From the mess, though, you refine what is there.
When I was broke, no one ever offered to buy me a beer. Now that I have quite a bit of money, everybody tries to buy me beers. Where were all these people back when I was in college and broke?
I don't know if I'm different from everybody else, but there's really only two things to me that are really, really important - recruiting good players in the program and developing those players once they get here.
I think the more yellows, the more lights, the better. It alerts everybody. I mean, I guess I'm always a little bit afraid when the yellow comes out, we all get out of it, that someone won't notice it, pile into the back of you.
There's been a lot of role reversal going on in the band. The roles people have been playing for a long time will always be there, but everybody's willing to try on different outfits.
When I'm in Los Angeles, sometimes I hesitate saying that I'm an actor because people are like, 'Of course you are.' And I'm like 'No,' not, 'Of course I am.' In L.A., being an actor is like a pastime: everybody there is like, 'I was on this reality show; I'm an actor.' It becomes a word that is loosely thrown around.
