If you got in my truck, you were listening to country music, and that's the way it was for a long time. I'm a little more open to other sources of music now, a lot more. But for the formative years, I was just very into country.
Right after graduation, I married Samuel Fisher Babbitt, an academic administrator. I spent the next ten years in Connecticut, Tennessee, and Washington, D.C., raising our children, Christopher, Tom, and Lucy.
Romney and Democratic rival President Obama have led their partisan backers down a trail of lies, negativity and vacuous policies that seem certain to guarantee an angry electorate four more years of gridlock.
Painful events leave scars, true, but it turns out they're largely erasable. Jill Bolte Taylor, the neuroanatomist who had a stroke that obliterated her memory, described the event as losing '37 years of emotional baggage.'
I know a lot about Canadian politics. I lived in Canadian bars for six years.
I've been on Wall Street once in my life in 1980 as a tourist. I went to see the stock exchange when I was 18 years old. I'm not a Wall Street lawyer, I'm a Stanwix Street lawyer. Stanwix Street is a street in downtown Pittsburgh.
Twenty years ago I wanted to move to a nice place so our Charley would grow up a nice boy and learn a profession. But instead we live in a jungle, so he can only be a wild animal. D'you think I picked the East Side like Columbus picked America?
I didn't pay my taxes for years.
I have battled clinical depression and have come out of the other side. I've been free of it for many years now. Finding the place in my own mind and heart to win that battle without using medication, finding the place within myself where I could be alive again, that was one of the biggest challenges I've faced.
I've been working as an actress and sort of struggling along for ten years, so I've been on a million auditions for a million things I haven't booked.
The most formative time of our lives are the years between birth and age 21, when we explore who we are and learn from those who surround us.
I am not going to be dictated to by fans, certainly. I am dictated enough to by my record company to last me a million years.
After each book, I get panicky. I don't love the reviews. I don't like going through all that, and you would think that, after almost 40 years of writing, I'd have got the hang of it.
I was dancing for my grandpa from the time I was 4 or 5 years old in Puerto Rico.
I always thought to myself, 'I don't want to be doing stand-up when I'm 40 years old.'
Persia is 7,000 years old and will fight to survive.
As a nation we have, over the past seven years, been rebuilding our intelligence with powerful capabilities that many thought we would no longer need after the Cold War. We have been rebuilding our clandestine service, our satellite and other technical collection, our analytical depth and expertise.
For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
I think we should all live the moment. But you also have to think ahead. You have to think, 'Am I going to be happy with this five, ten years from now? Is it going to let me evolve and grow, or am I going to grow to one day wish I had never done it?' Sometimes you just have to think a little bit ahead.
I feel like I've got a novel in me somewhere, but that's something... I was just talking to a buddy of mine about it, who's a writer as well, and he's nearly done with his first novel, and it's taken him 11, 12 years to do it. And I can totally understand; it's a long process.
The whole business of reading English Literature in two years, to know it in any reputable sense of the word - let alone your learning to write English - is, in short, impossible.
There are people who cannot forget, as neither do I, the lesson of the years of the Indochina War. Which was, first, that the state is capable of being a murderer. A mass murderer, and a conspirator and a liar.
When I moved to Los Angeles, I was straight out of grad school, and I didn't have a single credit to my name. I knew one person in town - another actor whose name is John Billingsley. I just had to audition and audition and audition. I was plugging away for 15 years. So I earned my stripes!
I was three years old, so I actually don't remember much of the refugee process.
One of my lungs is half gone, and the other half, because I smoked for years, has a lesion. So I can't swim anymore and had the swimming pool covered over. Now it's what I call the dance pavilion, and so I and my friends sit out and put music on and watch people dance.
Just staying together is not a real virtue, if you're not happy. Or you're being denied. Or one person is being squashed. Or you really don't love each other; you're just there out of habit. That doesn't work, no matter how many years you stay together.
I think, over the years, I've earned the respect of my teammates as someone who first got on the scene and wasn't internationally ready and has just continued to put in the work.
I'd been writing poems for many years, but most of them I didn't like. Then, when I was 23, I wrote one I did like, sent it to 'The Paris Review' - the highest publication I could think of - and they accepted it. No other moment in my literary life has quite come close to that.
Over 17 years, I took on banks, landlords, real estate firms, local governments, anybody who treated anybody unfairly.
I would often take this bus and go to a nearby village where I had hordes of animal friends. I was hardly around four or five years old then. The conductor was so used to seeing me hop on to the bus and get down at the same place, that he never asked any questions. The strangest part is, he never asked for a ticket either!
On average, our corps members stay in the classroom for eight years. But again, given the systemic nature of educational inequity, we know it is vital that some of our alumni take their experience outside the classroom.
As a physician for over 30 years, I am well aware of the dangers infectious diseases pose.
One of the companies that we've invested in is called Facebook. In only two years, between 2009 and 2011, the information exchanged between people increased 28 times. And that cannot be explained by new people joining Facebook.
Even my older brothers' early success 10 years ago didn't change me since there was such an age difference.
Theatre requires devotion that is all-consuming. When we started out, we didn't mind working 12 hours a day. We didn't mind going endlessly over and over a scene to make it right. I was the company's costumer for the first few years, and I remember the budget for 'Balm in Gilead' was $150.
The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.
