You know I've got a chum, a smashing mate, he's got a dog with no legs, and he calls it a cigarette. It's true, yeah, because at nighttime he has to take it out for a drag.
Yeah, I love Los Angeles.
Yeah, I have animosity, a chip on my shoulder. But I love, too.
The poem 'What Teachers Make' is not without its detractors. This one person wrote to me and said: 'Gee, Mr. Mali. You don't possibly have a teacher-God complex, do you?' And that was the first time I'd ever heard of that expression. So, yeah, I'm sure I have a teacher-God complex.
I've done four other films since 'Submarine,' so that's quite cool. It's just good to have people respect your work; I've never had that before. Yeah, my life has changed crazy. I'm a kid from a small town in south Wales, I play my Xbox usually and all that sort of stuff, and it's a whole new world.
I didn't get into rap to be no lyrical genius. I got into rap to feed my family and help the people in need around me, that's it. A lot of people say, 'Man, Waka Flocka ain't go no lyrics,' so I was like, 'Yeah, you right!'
Yeah, we pretty much had a form and a shape by that time - a style - and I think one of the advantages of not having any relationship to any other puppeteer was that it gave me a reason to put those together myself for the needs of television.
I love the idea of having a kid who says, 'Yeah, of course I knew about Billie Holiday and Johnny Cash when I was nine years old.'
'Mrs. Doubtfire' is still a fun movie, and it's still fun to watch, but it is hard to watch myself sometimes. I get very critical. And people will say, 'Mara, you were five.' And I'm like, 'Yeah, but I still should have known better!' I'm a lifelong perfectionist, what can I say?
Yeah, I don't necessarily like endings that contrive an artificial moment of completion.
Sometimes people ask me, 'You do stand-up?' I try explaining what I do, and I don't think they really get it. So: 'Yeah, I do stand-up.' I wish there was one word to express what I do - that way, I don't sound arrogant. Whenever I say I'm a performer, people think I'm a performance artist: 'She paints herself white and pretends to be a flower.'
I lost my mind at 15. I'd been shown a world where there were no boundaries, where everyone gave me all the power. And I was like, 'This is great!' Then that was gone. But I was like, 'Yeah, but I still want that.' I'd lost my humble, very quiet, introverted sensibilities which I think I definitely had as a kid.
The black comedians meeting? Oh yeah, we hold one every year at Eddie Murphy's house.
There's nothing but spirit in music. That's all it is. Yeah, there's a lot of intellectual elements to it, but no matter how you approach it, it's all spirit.
Sometimes it can be difficult when you're talking to a journo after the game, saying, 'Yeah mate, I was on the burst.' And then the translator is trying to translate that into Japanese, and apparently there is no actual translation.
I think it was in Moscow last year and I got changed for training the day before we played Moscow, but the fact is they actually wanted to do John's, me and John were next to each other and they did mine by mistake. John had done them I think. So yeah it is true.
Yeah, I guess everyone's had a reasonable amount of sex in their lives, some less than others.
I think I'm a romantic person, yeah.
It's a farmers market. You can get whatever - peaches, a sandwich. There might be a little band there. I'd sit in with the band. Yeah, that's what I would do. Sit in with the band at the farmers market. Sing a couple of songs, eat a peach, and hug people.
I come away from a gig thinking, 'Yeah, I'm worth something.' I can still do it and entertain people, and that's worth it.
My voice? Yeah, well, I used to drink a lot of beer when I was a kid and I sounded like a drunk in a choir. I don't drink anymore.
Yeah, I think Michael has had to deal with that label of being Michael Caine for a long time.
Yeah, Kubrick's a big influence. In something like 'A Clockwork Orange,' he is trying to use the practical light - I mean, at least he says that in his interviews, like they're not using traditionally Hollywood lights. In 'Elephant' we basically used no lights; we never really adjusted.
Yeah, look, I think what we have with the social media and the digital media, and all the telecommunications we have today is a big megaphone, amplification.
When I was younger, I liked money - the feel of it. I would sit with my dad and count his coins and be like, 'Yeah.' I'd saved £700 by the age of 10. I thought: 'What the hell am I hoarding this for?' So I bought a drum kit.
It seems like, yeah, of course - I always think my work is important, or I wouldn't risk my life for it.
I can't say I'm a full-on gamer, since, basically, I just don't have time for it. I know nowadays, gaming can be a lot like social media. People just stay on it all day long. Like they're logged into the Matrix. But yeah, I enjoy it. When I get the time.
I lived in several hotels, yeah. You have to try to make it home.
It worries me about what happens if people in government are looking for that next job: 'Yeah I'm working now, not as much money as I could be making, but when I leave here, that's where I'm headed.' That ultimately infects whatever it is that they're doing.
We've got to get off oil. And it's possible. It'll take a dramatic shift in the way we think and how our infrastructure works, but we as Americans have proven time and again that we can tackle change head on. Yeah, it's a challenge, but it doesn't have to be a painful one. We just have to recalibrate our thinking on the subject.
Yeah, I play a lot of their games. Going way back to Bulls vs. Lakers to the later Live stuff, I go at it quite a bit. More than anything tough, I play Madden.
Yeah, well I've always played comedy. My background is musical comedy theatre and that's really where my training is. As an actor, that's my training.
Yeah, I was a florist. I went to floristry school.
When you get into this industry and the restrictions placed on women, first, and then on women on color, next? Yeah, this business comes with its challenges. But I do not shy away from those challenges.
I think what you have to recognise is everybody has their own deal, and everybody has challenges. Do I think that it was easier for me because at a certain point in my career I didn't have children? Yeah, I think absolutely so. But everybody has their own deal.
When I was on the radio, I used to be able to go a lot farther than I can now. You don't really remember until you're on the radio again, sometimes in your old radio station and sitting with the guys you used to work with and you go, 'Oh yeah, I can't say these things anymore. I'm handcuffed.'
