I never went to school for photography and started when I was pretty young. I was somewhere around 12 or 13. I started photographing as a hobby and carried that hobby through high school and university.
I read somewhere that Mitt and I have a 'storybook marriage.' Well, in the storybooks I read, there were never long, long, rainy winter afternoons in a house with five boys screaming at once. And those storybooks never seemed to have chapters called MS or breast cancer.
I spent my 20s making film after film, often in very adverse conditions. You'd fly back from somewhere - Beirut, the Falklands, South Africa - on Saturday, and you'd have 24 hours to cut your film, and it would go out on Monday night.
I love when stories have something a little magical in them, and there's wonder and curiosity. Somewhere there are people living these improbable stories, and our job is to go out and find them and bring them to the page. And so, the more surprising, the more uplifting, the more sort of even inspiring a story is, I find myself gripped by those.
I think you have to remember that the people that are really muscly and toned at the gym started somewhere. You have to remember that they didn't always look like that, so when you're in there, don't look at them and feel intimidated.
Personally, I don't go and seek contact with fans, but if they happen to find me somewhere I'll say hello and speak to them for a while.
I wanted to choose somewhere public, because I was scared of the KGB.
My mom wasn't so much such a great cook. But I don't know, I think I have a very strong mother, and it's funny, because both of my sisters - I have two sisters, and I'm the baby, but they all work hard. I'm not sure where I get it from, and I'm not sure where they get it from, but they must get it from somewhere... I like to work.
My friends say I make them laugh a lot, so I think that somewhere in me is a little comedic ability that comes out in the most inappropriate or unexpected moments. I did a lot of sketch comedy years ago. That's always in me.
If you think of a work of fiction as a kind of scale model of the world, then the positive valences - where things turn out better than you thought they would - ought to be in there somewhere, too.
Whenever I write a part, I think there's this person somewhere in the world that this part is specifically for, and all I have to do is go searching to find that particular individual.
I think a lot of stuff like people's emails getting hacked or that an email you sent is stored on a hard drive somewhere, that kind of stuff worries me a little bit. It's a weird thought that someone else could get into my information that easily. That stuff's pretty scary.
Given the tendency of many to picture God's realm as somewhere high above Earth - an idea that sounds suspiciously like the Greek stories of deities perched on inaccessible mountain tops - it may seem plausible to assume that astronomers have special insight. Well, of course they don't.
My ideas come when I least expect it, so I've always got to have a studio nearby or close by somewhere.
Golf would be my ticket somewhere, I told myself. I just couldn't say where it would lead me.
When I was growing up, my favorite movie was 'Somewhere in Time' with Christopher Reeve, which is a hugely romantic, sappy movie. I couldn't understand it when the guy didn't get the girl or the girl didn't get the guy in love stories. I was definitely a sap.
I have got to the point in my life when a lot of people I know have died or are dying, so I realise that somewhere outside the pearly gates is a queue, shuffling nearer and nearer to the celestial box office.
I was fortunate to have had a lively, happy childhood, but somewhere along the way I convinced myself I wasn't wanted anywhere or by anyone if I wasn't thin.
I know there's a farmer out there somewhere who never wants a PC and that's fine with me.
I've been out of my comfort zone a lot, and it makes me more vulnerable, but I have to draw the line somewhere, and don't think I would go skydiving!
I'll be on a beach somewhere when I'm 40.
I love the leisurely amplitude, the spaciousness, of taking a walk, of heading somewhere, anywhere, on foot. I love the sheer adventure of it: setting out and taking off.
I hate feeling like a prisoner. I show up somewhere, and I can't explore the city because there's, like, 6,000 to 10,000 people on the lookout for me.
My best vacation is somewhere I could hide, somewhere warm and not a lot of people around.
I need to recharge creatively, and get off the clock of having to be somewhere just because, and having to keep juggling all these things.
I think the 24-hour news cycle has helped exaggerate the differences between the parties. You can always find someone on TV somewhere carping about something. That didn't happen 20 years ago.
Coming from The Disney Channel, anything I do is going to offend somehow, somewhere, somehow.
Money's never an issue. I can go and work for a small studio theatre somewhere if it's a play I really care about, or do TV or a big commercial West End show.
I think having musical training as a child was really, really important. I studied piano as a child. Piano is a great instrument to understand musical theory on. I think I have that in my brain somewhere.
I think I land somewhere between Scorsese and Capra in what I'm drawn to emotionally; I'm drawn to very intense emotion. Capra freaked people out when they saw Jimmy Stewart lose it in 'It's a Wonderful Life.'
I like to focus on making the music sound simple and true, and very lush and full. I think music should take you to somewhere else where you have the space to contemplate or exercise your imagination. All the while you should be feeling real good, like when you have a delicious and decadent meal, macaroni and cheese or foie gras.
Before my first child was born, I had nothing going on professionally really, and it's been a very blessed period of creativity for me since he arrived. It's very surreal. It's almost as if the babies are out there pulling strings somewhere, deciding what kind of life they want to be born into.
If you keep the Sabbath, you start to see creation not as somewhere to get away from your ordinary life, but a place to frame an attentiveness to your life.
Rolf Ekeus, his appearance can deceive. He looks somewhere between an international diplomat and a mad professor. He's got that sort of shock of white hair and a slightly absent-minded way of speaking. But he's extremely sharp and very serious about power relationships.
There must be a happy medium somewhere between being totally informed and blissfully unaware.
As long as it's making you happy and you're enjoying it, then you should never stop writing music. Whether it's going to take you somewhere, viewed by other people, or it's literally you in a bedroom at home, it should be something that you do for yourself.