Why does it appear that interested readers so often attribute flaws to 'the press' rather than taking particular issue with particular reports?
I suppose I am interested in women plus anonymity plus disappearance.
Keith Moon is not interested in jazz and won't ever be a jazz drummer because he's more interested in looking good and being screamed at.
I was really interested in acting and thought secretly I could do it but didn't tell anyone. It was a quite private thing that I wanted to do.
My cartoons haven't been about the politics of the day or about the personalities; I'm more interested in campaigning about the issues.
I love art, but I'm also interested in people's stories.
Basically, I was always very interested in comedy, but I was much more sort of academic. And then, after college, loaded with my art history degree, I decided to go work at Comedy Central as a temp.
When Democrats kind of cavalierly attack the religious right or go after Pat Robertson or Jerry Falwell, our candidates have sent the signal to a lot of religious people, 'Well, I guess they are not interested in me.' And I think this includes a lot of people who would fit very naturally within the Democratic Party.
I'm interested in stories that aren't getting told: it's where my interests lie.
I was always interested in working with people with disabilities, and in high school I worked with people who had Down Syndrome. That was for an agency called AHRC, Association for the Help of Retarded Children. Then I went to college, and throughout college I volunteered for AHRC.
You don't know when things are going to happen, so I don't think you should be waiting around for them, so I'm interested in making stuff and being in that stuff - that's what my focus is.
I wouldn't want to do a Bollywood film per se, but I would like to do an Indian-language film. For some reason I think Bollywood has become synonymous with commercial cinema, which is song and dance and everything that is larger than life, and I am interested in the reality.
I went and looked at one of these great cathedrals one day, and I was blown away by it. From there I became interested in how cathedrals were built, and from there I became interested in the society that built the medieval cathedral. It occurred to me at some point that the story of the building of a cathedral could be a great popular novel.
I was interested with exploring the idea of who gets to be in possession of the land - how it's sometimes impossible to go back home, how family can be the thing that drags you down.
I was very interested in history, but I also thought, you know, history is not that interesting sometimes, and it can feel a bit medicinal.
I remember telling President Carter on his first night, when I was escorting people around, that I was interested in continuing public service and that politics didn't matter - but it does, doesn't it?
I've always been interested in invisible worlds, and I like to visit digital worlds, you know, any world that's imposed on us.
I'm interested in the acting and staging of specific emotions, and so I work with actors. It's a small proportion of what I do, but it's always what people seem to focus on.
You can see a lot of politics on a lot of different channels. I'm not interested, really, in talking in some wonky conversation about politics, though. It's not my speed. I'm not interested in the ins and outs of health care.
I'm not a violent person; I'm not interested in violence.
When I was 12 years old, I went to Natchitoches, La.; it was summer vacation with my family. We visited a plantation, Melrose. And I met an Afro-American woman who was a painter. I already had some idea of what I wanted to do in life, and one of the things that interested me was painting.
Well, one thing I'm really interested in, when I'm writing, is being accurate.
In the studio, if things go wrong, you stop things and fix them. I have never been in a recording studio, really, where the people in the booth were not interested in making a very good album. It's often a light-hearted atmosphere but serious at the same time.
I'm pretty interested in documentary film, and I'd watch almost anything. At some point, I stumbled upon 'shoot interviews' and found out that wrestlers were now talking openly about things that were going on in wrestling that we as viewers were not privy to. This fascinated me.
The mental health conversation is very important to me. I have friends that struggle with various mental illnesses. I've struggled with depression and anxiety. I'm very interested in how we deal with that.
I'm interested in the idea that we have a more inclusive, clearer set of objectives. I would want us to have a set of objectives which does include public ownership of some necessary things such as rail.
Scientifically speaking, if I say something, or it gets misquoted, or people put a spin on it... I mean, are you interested, really, in what people are saying?
I had saved a few hundred photos of dodo skeletons into my 'Creative Projects' folder - it's a repository for my brain, everything that I could possibly be interested in. Any time I have an Internet connection, there's a sluice of stuff moving into there, everything from beautiful rings to cockpit photos.
I'm always interested with other actors in what their process is, and are they still interested in acting, as opposed to being a star.
I'm particularly interested in the public role that all buildings play. I believe that we architects should try to go beyond our basic obligations to the public, and our opportunities to do so are many.
I find that women... deal with immigration differently. And I'm interested in that.
I want to upset people, I want to make people think, I want to keep people interested.
I was wrapping up my stint on 'Daredevil' co-writing with Andy Diggle during the Shadowland story, when Marvel asked if I was interested in doing something else with DD but a bit different. When they explained the purpose of the 'Season One' books, I was intrigued - I'm a big advocate of books for people new to the medium - and said yes.
Most of our designs are developed long before there is a practical possibility of carrying them out. I do that on purpose and have done it all my life. I do it when I am interested in something.
I was never really interested in an operatic post, but I took on the Bastille because it seemed a unique opportunity to build an opera ensemble from scratch, and to deal with all the disciplines that go into opera - the music, the staging and the singing - in an interrelated way.
I just have always been so interested in the way actors and actresses present themselves to the world because I think it is very important and it affects the way people see you as an actor.