When you're making a film, you don't really have time to consider what the whole of your film is. And then, when you're releasing your film and promoting your film, you're looking at it in a different way. Then, as you move away from it, you start to look at it objectively and think, 'What could I have done better?'
The cool thing about 'Transparent' is that the show is funny but not like a sitcom is funny. It all comes down to the writing... The writers on that show are so good that you don't have to worry about anything. There are so many things that can go wrong making a TV show or a movie, but if the writing's good, that's, like, 95 percent of it.
Whatever I'm doing, I'm in that moment and I'm doing it. The rest of the world's lost. If I'm cooking some food or making soup, I want it to be lovely. If not, what's the point of doing it?
After making my stage debut aged nine as Macduff's small son in 'Macbeth,' I had played a number of parts, from 'Twelfth Night's Viola to 'The Merchant Of Venice's Portia'.
Very ancient parts of the brain are involved in moral decision making.
Violence against women is a huge issue. A good feminist should be working on that - making the world a safer place for girls and women, wherever they live.
My favorite holiday memory is making gingerbread houses. It's something I've done with my children since they were born.
Dealing with ads is depressing. You don't make anyone's life better by making advertisements work better.
I'm consistently recording and releasing stuff online or YouTube videos or whatever it is. I just don't know if it's going to be a full on, I'm the next Rihanna, or whatever. I'm not going for it to that level. But I love making music and I don't think I could stop if I wanted to.
I don't think I would have made 'Blank Project; if I hadn't made 'Cherry Thing.' I think that was a real rebirth in a way, and a remembrance of how I like to make music best, the most. Like being in a more chaotic place, maybe. Like a place of making and being creative where the mistakes can be left in.
I think one of the strengths of Wisconsin's economy is it's diversity - and in making sure that we're doing everything we can to have a state government that's responsive to that and being here and encouraging people to expand their businesses here.
I wish to clarify that I have absolutely not made a decision regarding my participation in the next Olympics. On a personal level, playing in the Olympics would be a huge honour. However, the Games in Rio are still four years away and I certainly won't be making any decisions with regards to participating any time soon.
Going around not fully believing that you're going to die is really problematic because it affects how you think about the future of the planet, about the future of your own life, about the decisions you're making.
'State' can be a word that is a noun or a verb or an adverb - it's kind of why I chose that title. It's not to confound the audience but to keep me from painting myself into a cul-de-sac in the early stages of making a record by having too high concept or having some really strict set of rules I have to adhere to.
After making several tragic movies in a row, I was looking to do a comedy, and one without cynicism.
Everybody in technology seems to want big numbers. Steve never got carried away with that. He focused on making the best.
When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I don't have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 12 movies.
As an actor, I have casting issues. I'm a minority. I don't have trouble making a living, but as far as being on the food chain of the pecking order of actors, I'm not at the top of it. With the jobs that I do, there are always control issues with directors and producers.
The nature of touring is packaging acts together that have strong catalogues of music. It's about making sure that it's a winning combination. It's really about giving people value for their money.
I'm expressing myself by acting. I'm learning about myself and making a living. I hope to do much more of it, so I can contribute my share to the world.
I invested in many companies, and I'm happy this one worked. This is capitalism. You invest in stock, it goes up, it goes down. You know, if you don't like capitalism, you don't like making money with stock, move to Cuba or China.
When I write, I feel that I'm writing with my intellect. When I paint, I think it's some other force making me paint. I - as I wrote in my novel 'My Name is Red' - watch with amazement what my hand is doing on the paper, what kind of line, what kind of strange, beautiful thing it's doing in spite of my will, so to speak.
I grew up loving films and making stupid movies with a good friend of mine, who now actually has a career in a really prominent special effects house, so he's still doing it. We just started messing around with a camera.
We're trying to make the music service a cultural point of reference, and that's why we're making video. We're making video for our Apple Music customers and our future customers.
Good management is the art of making problems so interesting and their solutions so constructive that everyone wants to get to work and deal with them.
Making films is no longer a way of acting, it is a way of life.
Writing a novel, when it's all going well, it's wonderful. You're lost in the world, and you have a relationship with your own mind. Also, as a novelist, you don't have to yell at anyone. But being an executive producer of a TV show, all you have is people coming at you with questions, and you're making decisions, decisions, decisions.
When that glass broke and 'Stone Cold' was making an entrance, and that roof blew off that building, that sends you higher than life or anything that I know of. It's an adrenaline rush you can't explain.
I use ginger like garlic. I love it for steaming fish and making barbecue sauces or roasted chicken.
There were times at the start of it all when I would be standing, terrified, in front of the cameras and people I considered 'real' actors. I had no idea what was happening, what the guy with the clipboard did, or if people in the studio were looking at me because it was their job to look at me or because they thought I was making a mess of things.
Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic.
The young people I work with every day and serve the nation in the armed forces in general, and the Marine Corps in particular, have broken the mold and stepped out as men and women of character who are making their own way in life while protecting ours.
Technology has given us convenience, but at the same time it's making musicians work harder in that if you really want to make money making music and selling albums, you have to go out there and perform. And hope you sell stuff like merch, and get on YouTube, and all the other ancillary sort of things that go along with that.
The first job I ever had was at a pool-liner-manufacturing plant. Minimum wage was $4.25, and that's what I was making. It was this huge, hot, un-air-conditioned factory staffed with all women and me. This is in Georgia, during the summertime, so it was pretty ridiculous.
I have a memory of this experience when I was young, watching 'Stop Making Sense,' the Talking Heads concert movie, which is one of the best concert movies ever, and I saw it in a full house in New Zealand, and everyone was cheering between songs, and you really felt like you were part of the audience at the gig.
I've been making music for a long time, but I've been waiting to do it right, because I don't want people to think it's just a stepping stone in my career. A lot of actors go that route as a way of building their careers. I don't want it to be seen as that.
