Thankfully, I'm lucky enough to be able to eat ice cream. I've got to have my cookies and cream! But I work out a lot, so I burn a lot of calories.
I was real skinny in high school. I was real fast and explosive. I just didn't really have a good nutrition plan; I didn't understand how important it was to be healthy. I was eating hot fries, potato chips in the morning, Capri Sun. That was like my breakfast. That changed when I got to college - I put on 20 pounds of muscle.
When you say 'I wrote a program that crashed Windows,' people just stare at you blankly and say 'Hey, I got those with the system, for free.'
You've got to take responsibility for your actions.
It works much like a marriage, an old marriage. You've got to work on it.
But it is funny, because I saw Unbreakable recently and it's a strange movie, I didn't mind it, and it's got some interesting things going on.
If carrots got you drunk, rabbits would be messed-up.
In Australia I was seen as somebody who did only very modern, contemporary stuff. Then as soon as I went overseas I did two period pieces so it was like, 'When are you going to get out of the corsets?' And I was thinking I just got into them!
Sometimes we think of a creature like a person in a suit, but then you have limitations of two eyes and two legs - they have to see and breathe. I got more into puppetry because it offered more possibilities.
When we talk about the healthcare crisis in America we've got to also be talking about the dental crisis and how to address it.
We had to be down early to get the best stuff for the pros we looked after and then get the rags that we were left ourselves for training. It seems very old school but it grounded me as a person and made me appreciate everything as a footballer, because all we got was a pair of boots.
The fans know what's happened to me over the past couple of years. I lost my family. I pretty much got devastated financially and the fans know that I've had some hard times - and that's the nature of loyal fans. They want to see the people that they love and believe in get back on their feet.
A mother's got to be there to raise the children. That's all there is to it. I feel badly for those mothers who work hard, and can't do it all the time.
You see, I'd not a very good place here; the fellows looked on me as a sort of special object of ridicule, on account of the hat and cane, walk, and so on, though I thought I'd got over that by this time.
I like it when I'm chirpy and happy, so I decided to do my hair green. I got my sunflowers too - I was like a living, walking garden.
The world moves fast, but change isn't always a good thing when you got it right the first time around.
I had cottage cheese for lunch and a glass of wine when I got home tonight.
That's what I play - blue-collar Italian-Americans. You got to be typecast in order to work. I've been blessed.
You've got to get out and pray to the sky to appreciate the sunshine; otherwise you're just a lizard standing there with the sun shining on you.
The first time I got up in front of an audience was terror, abject terror, which continued for another four or five years. There still is, a little bit.
I've got a really great family round me, two sisters and an older brother and my mum and dad. Everybody's equal.
It's been the video game ever since I got out of coaching. Even when I was an announcer, fewer and fewer people remembered me as 'Coach,' and as the years went on, people just started knowing me from the game.
I did a rendition of 'Billie Jean' which is on my Soundcloud. I put it on Twitter, and it got about 3000 hits that day.
I often find that people want to paint themselves one colour - like, 'I'm the baddie' - and they've always got this snarl on their face.
I wanted to keep working because work was essentially fantastic - you got to be around people, you got to be in a family, and that family changed from job to job. It was like being in the circus.
We film in front of a live audience, and I was a theater actor before I got into television, so I like that.
To stay on the map you've got to keep showing up.
I have got two reasons for success and I'm standing on both of them.
I think I got an Instamatic camera when I was 8 years old, and ever since then, I've liked to record things. I don't know why. Maybe it's just to kind of try to leave some kind of record behind.
So I think that in the beginning of your career you're just looking to work. Luckily for me, my first movie was 'Rabbit Hole' and I got to work with incredible people, a Pulitzer prize winning writer, John Cameron Mitchell, and all the actors involved. So it's tough, man, because you want to have credibility.
I went to church as a kid, but it was as much a social thing as anything going to the youth group with the other kids and whatnot. It wasn't until I got out of college that I got on my own religious trip and started finding other things out there as well as philosophies. I've kinda been on my own spiritual path since then.
Faulkner was almost oriental. I never got into Faulkner.
I've got nothing to complain about. I have to enjoy and be grateful. Lots of people would like to be in my shoes.
I was tall and skinny, and at 15, I was approached to model. I figured that models got to travel, and it became my ticket to travel so much so that if an agency could not fly me to another country, I would fly on my cost so that I could see that country and also make some money.
I ended up performing on a full time basis and I never got to Julliard at all.
For me, I never really wanted to be in a 'Sissy Spacek' vehicle. That was not my intention. I got to be the 'Everygirl.'
