We are a country that believes in free speech and the open debate of ideas. We're a country that also believes in the Second Amendment and our ability to have guns. But we've got to figure out a way to keep America safe.
I was 18 when I got my first acting job.
I think you can overthink dealing with fame. To an extent, you've got to put yourself out there, but I feel like your work should really speak for itself, and I don't feel the need to go and make everyone like me because, to be honest, I'm not looking to be friends with the world. I'd much rather people watch the things that I'm in.
I earned my Ph.D. in philosophy, and one of my specializations was the logic and mathematics of game theory. I've also got a degree in drama, so I know about stories, characterizations, plot arcs, and the like. Lots of game designers can do one or the other: I've got the skills for both.
Superman is the hardest character to draw. There are a couple of things that make him difficult. He's got a very simple costume and doesn't have the long cape like Batman. He's not a character that is necessarily always in shadow, and he doesn't have a mask.
The important thing, once you get 'em laughing, is to keep 'em laughing until you're through. With a 90-minute feature, you've got to stop the laughter and then pick it up again, which is tough.
For some people, you know, Garrison Keillor, Rush Limbaugh, really the stars, they've got a passion. They eat, drink and breathe radio, and I'm not like that. I used to think I wanted to be. But I need to be away from it, too, and that's the difference, I think.
I started studying theater in school, and then I got into drama school at, like, 19, and it was a national drama school in Montreal, and so it was just you and nine other students for three years, and it was really intense.
I trained, went to college, trained, and got a job. Then got another job. When I wasn't working I worked at a bar, then got another job.
A friend is someone who has your back. Those in the military refer to it as, 'I got your six.' My closest friend on 'The Five' is Dana Perino.
I was 19 when I wrote 'Dreams,' and that would have been when it started to happen. The band got signed, and I was probably beginning to see different things besides my small town of Ballybricken.
I got into dub a long time ago. I was into dub before I even had any interest in reggae or Jamaican songs, Bob Marley, or any of those established artists. I just thought it was such an unusual sound.
I've got to literally write my own ticket.
I was born in California and moved around a lot. When I was 17, I moved to Boston because my mom got a job there. The moment I went to Boston, everything just felt right and fell into place on how I wanted it to be.
We've got to get off oil. And it's possible. It'll take a dramatic shift in the way we think and how our infrastructure works, but we as Americans have proven time and again that we can tackle change head on. Yeah, it's a challenge, but it doesn't have to be a painful one. We just have to recalibrate our thinking on the subject.
My perspective is never gonna change on that... We've got to do a much better job to take care of poor people, because you cannot put all the poor people in bad neighborhoods, send them to bad schools, and say, 'Good luck in life.' That's just not right.
I just got fed up with the Protestantism that I'd been brought up with being rubbed out, disregarded. There's an awful lot of frailty and doubt about it, which I understand and share, but there are certain things you just have to acknowledge.
With a face like this, there aren't a lot of lawyers or priest roles coming my way. I've got a face that was meant for a mug shot, and that's what I've been doing for the past thirty years.
Pretty much any time I got a chance to do something cool, I tried to grab for it, and that's where my solace comes from.
The big question about how people behave is whether they've got an Inner Scorecard or an Outer Scorecard. It helps if you can be satisfied with an Inner Scorecard.
In some ways any film that you do has an artificiality about it. Even when you're doing the most kitchen-sinky, gritty, realistic scene you've still got 50 people standing around watching you with cameras and lights and things.
People are like, 'Wow you started your own record label,' and treat me like I'm some sort of innovative genius, when I'm not at all. You've got the Internet and music - you put them together, and people hear your music.
I lived in New York for a long time. Right after college I went there. So I got my first cell phone in New York. Back when you would flip the phone up. Way back when.
I hired a publicist once I got cast in 'Passing Strange,' and one of the first conversations we had was about how I wanted to handle talking about my sexuality. I said, 'It's never been an issue for me. I want to talk about my work, but if something about myself relates to my work, of course I'll talk about it.'
I could never sit down and say: I'm going to do an out-and-out comedy, just to prove to people I can. You've just got to do what you do. Just listen to your soul and do your art and do it for the right reasons, and then you can't fail.
I think it's all about the people who listen to your music, and loving playing and writing. Once you've got those two, and they're your main two priorities, then radio and TV and all the other stuff that comes with it will come. But that's not the be-all end-all.
I've got to say, I enjoy a good suit. Something about a really well-tailored suit; I like it.
I'm so grateful for what Disney gave me and the experiences that I got, but at the end of the day, I can do so much more than what I did on that channel and in those movies.
I'm a big-boned, athletic-looking woman, and I have to make the best of what I've got. I like to stay fit and healthy, but I could probably give myself a break sometimes.
I got my fair share of stick. But I surrounded myself with fabulous girls, and they all loved me because I made them clothes. I remember making them all leopard print tops and tartan skirts for a party we went to once. It's scary to think about it now, actually.
When you play soccer, most of the time you got to get the ball moving, but once you get into that attacking third you gotta' be creative, you gotta' let your talent take over.
Picasso is still influencing me. Of course, I haven't got that kind of energy, or skill.
It got to the point where most of my time went toward writing novels. I would still occasionally write short stories, but only when I was commissioned by an editor to write for a themed anthology or special issue.
Sometimes I'm more true when I'm up onstage than I'm able to be in my regular life. It's not as exciting to be at home, but I've got to learn how to make that work, and then I will be an ordinary woman.
I used to take my mother to Yosemite. When I turned 14, I got my driver's license, and that's where she'd want to go, so I'd go take her there for two weeks.
We were fortunate enough to have several good books detailing the camps and the women. Some were by the survivors. I also got to talk to some of the women who had been in the camp, survivors.
