We got to know the competition very well. In the '50s popcorn made a big growth in sales. Our main push was to produce the best quality and sell in quality retail outlets.
When I left drama school, my fear was that I'd get pigeon holed into comic acting and I did so much to counter it that I got stuck in the opposite.
In a lot of ways, success is much harder than I thought it would be. I figured that you'd get here and then everything would be happily ever after. But, it's hard work, almost harder once you're successful because you've got to maintain it.
Hoods are good parts because they're always flashy and attract attention. If you've got any ability, you can use that as a stepping stone.
Oracle's got 100+ enterprise applications live in the #cloud; today, SAP's got nothin' but SuccessFactors until 2020.
I don't know how this company got the name National Shakespeare Company, because it was literally like retards employing retards.
I went to my room and packed a change of clothes, got my banjo, and started walking down the road. Soon I found myself on the open highway headed east.
I don't think I ever got the hang of the writers' room. I love collaborating with people, but I really do my best work alone, and I think I would want to - if I did something again, I think I'd want to take total ownership the way Aaron Sorkin or David Kelley does.
I actually got to write with one of my musical heroes, a guy named Raine Maida from Our Lady Peace. I got to sit down and write some songs with him, and that was pretty heavy. I listened to Our Lady Peace growing up. It got me through the teenage angst.
For film and games, there is now a fantastic method of actors portraying characters which don't necessarily look like themselves. And yet you've still got the heart and soul of the performance.
I'm not against watching myself, but I miss a lot of it. I've got two little kids who we don't let watch TV.
If I'm out trailriding, I have a favorite motorcycle. Riding on the road, I've got a favorite. If I'm jumping, I have a favorite, and if I'm racing, I have a favorite.
When I went into the computer shop to change my last laptop, the 19-year-old kid behind the counter looked at my six-year-old model and described it as 'vintage.' 'Vintage?' I wanted to scream. 'Son, I've got shirts older than you! I own underpants that have seen more of the world!'
I've learned after so many years in this business that nothing is set in stone until you're on set. I've been told I was the choice for years and never got hired. So I never go there in my mind.
I'm not a futurist.
We're gonna release a studio album probably a year from now and we've got these recordings that we did with Coco Taylor and Johnny Johnson, who was Chuck Berry's piano player.
When I was growing up, there was hate. I looked around and saw that it was so wrong. I got to go round the world with my rock band, and you can bring harmony.
I think my comparison with Shane would be a loner. I always got the impression that she wasn't scared to be alone. She enjoys it. I can relate to that.
This weird thing that musicians have... it's got something to do with approval, and not feeling good enough, and therefore going out and being great somehow makes your life valid.
I think everybody has their own way of looking at their lives as some kind of pilgrimage. Some people will see their role as a pilgrim in terms of setting up a fine family, or establishing a business inheritance. Everyone's got their own definition. Mine, I suppose, is to know myself.
Back when I was in school, few people understood dyslexia and what to do for it. My teachers thought I was lazy and not very clever, and I got bored easily... thinking of all the things I could do once I left school. I couldn't always follow what was going on.
The only honest and generous thing for me to do is to give people myself. That's all I've got as an artist, so I want to do that in an unflinching way.
I grew up in Alice, Texas, a small oil town with one theater that only showed Roy Rogers movies. So when I got the role, I had never even seen a Bond film and had only had a vague notion about the idea of a Bond girl.
When I got out of high school, I joined a local blues band in Philadelphia - Woody's Truck Stop.
You see these shuffling rows of shiny faces, waiting for their turn, so they're very dedicated to the program and desperate to know what it is they've got - so often, they have no idea.
ABBA: The Movie; I got a lot of grief for working on that.
The bank told us we ought to sell this house to pay off our overdraft. Riders saved the day. I was so pleased when it got to number one, I went all around the fields crying and crying.
What you've done is done. You've got a goal you never reach, and it's always farther away. It keeps you walking. I don't want to sit down.
My doctor felt that the main contributing factor was so many years of malnutrition, especially during my formative years, even before I got into modeling.
I sang a lot as a little girl and entered competitions. I loved singing in choirs, but it was as I got older that I really found my voice.
There's a difference between being a poseur and being someone who's so emotionally challenged they're kind of just doing their best to show you what they've got.
People don't realize you're blowing over changes, time changes, harmony, different keys. I mark a point in my solo where it's got to peak at point D I go to A, B, C D then I'm home.
As for pictures and museums, that don't trouble me. The worst of going abroad is that you've always got to look at things of that sort. To have to do it at home would be beyond a joke.
Then, in 2000, John Reid, Elton John's former manager, asked me to audition for the stage version of The Graduate he was producing. So I worked on it, got the part, and after three weeks' rehearsal I was on stage!
I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It's a huge privilege for me to be a journalist.
I've just got to get that album out. I have to get it out, if it's the last thing I do.