I had a great time creating the future on 'Minority Report,' and it's a future that is coming true faster than any of us thought it would.
I was a football player at college and dislocated my thumb. I was out for a bit and passed the theatre and saw some lovely drama students walking into an audition for 'Much Ado About Nothing' and thought: 'That's what I'll do when I recover.' I joined that production and was hooked.
Like most early enthusiasts, I always thought the way the Internet encouraged multitasking made users less vulnerable to manipulation, while simultaneously exploiting even more of our brain's capacity than before. Apparently not.
Once I'm committed to a role, I will go very deep into it, even when I'm not at work. I'll keep on studying the script, maybe 40 or 50 times. I might call a scriptwriter at three in the morning to say I've thought of something new.
I always thought 'Into The Gloss' would be successful, but I didn't really know what my definition of success was.
I never thought of myself as a king. People really want you to be their deity. They forget the fact that you are a person who has feelings and doubts.
I've always felt a bit of an outsider. It used to worry me that, in terms of TV, I did not look like 'the girlfriend' or 'the daughter'. That pushed me to write my own stuff, as I thought no one else was going to write me a lead in the sitcom.
At the beginning of 'Will and Grace', I played Jack as the funny next-door-neighbor type, as we've seen in the past. And I thought that was my role.
When I was a kid, I never thought about anything. Never had to think about where I was going to school or what I was going to do. I just lived minute to minute.
How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself.
I had played sports all my life, and I thought that was going to be the way. But I saw where the potential in football was going to end. When it comes to decision-making, I just follow my gut at the end of the day. And if I don't, I get in trouble. I wanted to become a filmmaker.
Cross-cultural marriage is difficult, especially when one person has to live in another country. But I thought there was a very good chance of it working because people grow together if they have a common passion.
Once I started getting paid to be a writer and not having lots of other gross responsibilities, like making the puzzle or whatever, then my ambition changed, and I thought, 'Now I want to be a good writer.' And that became my ambition.
I thought that I'd always just do Broadway, my original plan, but that was derailed.
I went to college because my father thought that I should learn engineering, because he wanted to go into the heating business with me. There, I realized I wanted to be a physicist. I had to tell him, which was a somewhat traumatic experience.
Speed bumps, I was thinking, you know, you're driving along, everything's OK, and then there's a speed bump to go, 'Slow down.' Go over it real slowly, and you hit the pedal, and you keep going, and I just thought it was kind of a nice metaphor for life.
Home is where I am. Sadly, I don't need a history to be able to exist somewhere. When I was still very young, my father told me: 'Look, we will always have to move, again and again.' I thought that was marvelous! That's how I got used to thinking that life meant starting from scratch, over and over again.
My father was a journalist for 50 years in Leeds and Fleet Street. I thought about a career in business to show I could do something different, but the reaction among prospective employers was, shall we say, underwhelming.
I started out doing things like 'Flash Forward,' where I was the girl-next-door, and then, I did a show called 'Higher Ground,' where I played this really mean, sarcastic girl. Then 'Firefly' happened, and everybody thought of me as this bubbly, sweet girl-next-door again.
I never looked at myself as the fat sister. Sometimes I would beat people to the punch and say, 'Oh I'm the fat, funny one,' because that's what people would say about me. But I never really thought that.
Everyone's inspired by Brando. When I started acting, my dad showed me 'On the Waterfront,' and I thought, 'That's the coolest guy I've ever seen.'
The 'New Testament', now, I quite liked. Jesus had a lot of good things to say, and as for his father, he must have been highly thought of by the community to work with wood - a material that couldn't have been widely available in Palestine.
I loved gymnastics, and my gymnastics teacher said ballet was essential to help my dance routines in competitions. I only really went because my friends were going as well. It wasn't this kind of hidden love. Then, slowly, my friends stopped going and I thought, 'I like this. I am going to stay.'
Everybody, as soon as they do a good experiment, their first thought in this lab is, 'That can't be right. I must have screwed it up. What did I do wrong?' And that's the best kind of scientist because they're filled with this self-doubt. And if I'm going to be honest, that's who I am. And it's what drives me.
I thought it'd be interesting to play an off-centre character who doesn't have to be pretty.
In my view, a philanthropist is anyone who gives anything - time, money, experience, skills or networks - in any amount, to create a better world. This is not how we once thought about philanthropy. The word used to conjure up something rather passive - sitting down and writing checks.
To me, writing is a considered act. It's something which is a great labor of thought and consideration.
For a long time, I thought it was all down to dedication, hard work, and visualising doing well - that worked for a bit, but then it stopped. I've realised you have to be more practical and mature to make things actually happen.
Who'd have thought the Frisbee would have caught on?
It's spelled, like, S-E-R-G. I always thought it would be funny if I called my son 'Sir.' Like calling your daughter 'Ma'am,' or something like that.
I am telling you, the world's first trillionaires are going to come from somebody who masters A.I. and all its derivatives and applies it in ways we never thought of.
I've always thought of acting as a tool to change society. I watch a lot of actors and I see panic in their eyes because they don't know why they act and I know why I act. Whether I'm a good or a bad actor, I know why I do it.
The first programming assignment I had in high school was to find the first 100 Fibonacci numbers. Instead, I thought it would be cooler to write a program to get the teacher's password and all the other students' passwords. And the teacher gave me an A and told the class how smart I was.
I remember the first time I went out on the street to shoot pictures. I was in downtown Philadelphia, and I just took a walk and started making contact with people and photographing them, and I thought, 'I love this. This is what I want to do forever.' There was never another question.
We found out tonight how important and how crucial momentum swings can be. I thought we were playing very well. We were doing a lot of positive things but then we lost the puck two times in our zone and things swung their way. You can't afford to give teams momentum.
I thought I was gonna be a farmer.
