I prefer the finesse of French humour. English humour is more scathing, more cruel, as illustrated by Monty Python and Little Britain.
Today, Labour has a disruptive economic narrative - that Britain needs fundamental change in its market structure and culture to compete in the modern world.
I grew up in South Africa, but like many people at that time, I couldn't bear living in the country. The main motivation for moving to Britain was to get away.
From meeting Robert Plant, John Bonham, and John Paul Jones, teaming up, rehearsing, playing selected gigs outside of Britain, coming back into Olympic Studios to record the first album, and then going to America, which we crack open like a nut with the debut record - all that happened, literally, within months.
You gotta bear in mind, the youth - and this is just in Britain alone - have nowhere to go in the evenings. They've closed all the social centers. There's not even a patch of grass to kick a ball on.
I want us to move as quickly as we can towards a free trade deal between the U.K. and the U.S.A. that would be good for both of us. That would also send a signal to the European Union that there's a bigger world outside of the European Union, and Britain can manage just nicely.
'Phantom of the Opera' started in my little 100-seater converted church in Britain with a stage where we did what we did. But it was the score itself was what made it.
Like the Britain of Beaverbrook and Kipling, Japan in the early twentieth century was a jingoistic nation, subduing weaker countries with the help of populist politicians and sensationalist journalism.
I get nostalgic for British negativity. There is an inherent hope and positive drive to New Yorkers. When you go back to Britain, everybody is just running everything down. It's like whatever the opposite of a hug is.
When the Industrial Revolution started, the amount of carbon sitting underneath Britain in the form of coal was as big as the amount of carbon sitting under Saudi Arabia in the form of oil, and this carbon powered the Industrial Revolution, it put the 'Great' in Great Britain, and led to Britain's temporary world domination.
Germany's Angela Merkel exudes an atmosphere of elderly exhaustion and pooped-out pessimism. Britain's David Cameron, though by nature exuberant, feels he has to look and sound glum. And France's leader, Francois Hollande, seems determined to drive every successful businessman out of the country.
For such a small country, Britain packs in an amazing diversity of landscapes: coastline, lakes, mountains, rolling countryside, villages and great cities.
One day, I'll disappear and hide in a corner of Britain. I'll own a bakery in a village, live above it, have a big garden because I like mowing. I want to get up when I feel like it, let people queue for my products, and when they're gone, shut the shop and think about tomorrow. Creating magic - that's my dream. And I'll do it.
The straps that suspend a man's trousers from his shoulders - known in the U.S. as 'suspenders' and in Britain as 'braces' - are always correct with a summer suit made of seersucker, linen, or silk.
Even in the early Eighties, when I was one of the most successful models in Britain, I didn't really have a voice. Time after time, when I should have spoken up, I simply walked away.
Britain has the most creative, dynamic and nimble fashion industry in the world.
The whole world depends on America ultimately, particularly Britain. And also, I love America - a marvelous country. But in a sense I don't worry about America because I think America has such huge strengths - particularly its freedom of thought and expression - that it's going to survive as a top nation for the foreseeable future.
It's not simply that British films do well at the box office and generate revenue, it's that they provide a window to the world of what Britain and its culture is about.
When I speak to people from Britain, that's when I feel like a fake, speaking with an American accent.
Would you like all of your Facebook friends to sift through your trash? A group of designers from Britain and Germany think that you might. Meet BinCam: a 'smart' trash bin that aims to revolutionize the recycling process.
Speaking personally as a filmmaker, I think encoded in Bond are a series of values about Britain, about the world, about masculinity, about power, about the empire that I don't share. Quite the reverse. Whereas in Bourne, I think encoded is much more scepticism. There's an us and a them, and Bourne is an us, whereas Bond is working for them.
One of the reasons Elton and I entered into our partnership - the first day it became legal in Britain to do so - is that we felt it was an opportunity to protect ourselves with official recognition of our relationship.
I believe things are meant to be. It's the only way I can explain it because I had auditioned before to get on 'The X Factor' and 'Britain's Got Talent,' and I didn't get through - it was literally, 'No!'
Britain has always had more art schools per capita than any other country.