I really wanted to get drafted by the Knicks, and it was a dream come true. I wasn't even hearing the boos that night. I was just having a special moment with my family, hugging them.
I couldn't go into the haphazard drawing or the paintings, the splashing of paint. I wanted to go back to a completely dry drawing, a dry conception of art.
I am not the first man who wanted to make changes in his life at 60 and I won't be the last. It is just that others can do it with anonymity.
When you're young, you don't really think about what's going on. At least, in my case, I was always so hooked on being so innovative and didn't worry about what happened yesterday. I just wanted to focus on today and make it better. I was like that every day. I just made sure that every night I was at my best, at the best level I could be.
Early in my career, I wanted to be a mathematician.
I was kind of raised with the suggestion that I had a duty to do; that life was real, life was earnest. And I hated that, actually. I needed to be liberated, to be told that I could live the life that I wanted to live; that I didn't need a job, or to be shouted at; that I could be myself; that I could be happy.
We live in such a service-based, globalised economy where very few people actually make anything and the people who do make stuff... it's all part of a massive global supply chain. So what if all those chains were suddenly cut, how would you make something? How would you keep people alive? And that was something I wanted to explore.
My dad, he worked rebar, an ironworker. Watching my pops get up every single morning, going into work, working hard - I think that really made me want to work that hard, wanted to make me get up early and go for a run or get a lift in or get some extra hitting in and really try to better myself every day.
I never took banned substances, but I have been courted by doctors who wanted to improve my blood in the laboratory. My mother always put them on a flight.
I wanted to play drums, and I got a set when I was 14 and just started to play in the house, to the stereo. I liked Ringo Starr, of course. And Sandy Nelson. I had his record, 'Let There Be Drums,' and I'd play along with it.
When we were discussing 'Holby City, 'I told the producers that I wanted the Art Malik character to be honourable, and my other requirement was that he be a Muslim, because we need Muslims on TV.
I just wanted to be a part of the band. Actually, that's what inspired me.
The reason why I called it 'I Told You' is because I wanted to show people that I have been doubted, and I have been in the face of adversity. Coming out of that situation, this is my 'I told you' moment.
There wasn't a key moment when I knew I wanted to quit.
It's a really scary thing, having your dreams come true and seeing everything you ever wanted happening, getting the attention for it and then not knowing how to handle it properly.
I had this idea that I wanted to do this mixture of visions of African American women and visions of African American men. And call it 'The Men' and call it 'The Women' and show different faces of these two people.
Where most kids play stickball and hockey, I'd walk down the streets with two sets of boxing gloves and knock on my friend's door and see if he wanted to box. There were boxing gyms on every corner.
At Roden Crater, I was interested in taking the cultural artifice of art out into the natural surround. I wanted the work to be enfolded in nature in such a way that light from the sun, moon and stars empowered the spaces. I wanted to bring culture to the natural surround as if one was designing a garden.
In racing, I wanted to be a winner and to be a winner, you have to be willing to roll the dice.
I'd paint long strips of canvas and abandon them on the beach, or put bread out in geometric patterns for the pigeons downtown. I wanted people to find something nice and intriguing to puzzle over. Then I'd go back to see if the things were still there, or if anyone would notice.
There's a famous artist, Ron English, in New York, that just, or Andy Warhol for that matter, that did pop art that terrorized society. And that's, for the last like 10, 15 years, that's all I wanted to do, is terrorize society and make them look into a mirror and see what the hell we have wrought.
We had been reading about these beatniks who hung out or lived in Greenwich Village, and we wanted to find out what a 'beatnik' was, and so a friend and I went right to the source. What we learned, of course, was that beatniks were mostly artists.
We asked ourselves what we wanted this company to stand for. We didn't want to just sell shoes. I wasn't even into shoes - but I was passionate about customer service.
Every evening, I would excuse myself from playing in the backyard and go inside to watch the evening news... I wanted to get out there and see the world, and as a kid, I knew that Peter Jennings had a thirst and hunger to travel the world, too.
I wanted to be a venture capitalist and join Sequoia Capital. They've financed and helped built some really special and enormously successful companies, including Google, Yahoo, Paypal, YouTube, Cisco, Oracle, Apple, and also Zappos.
If you want someone to show up and help you if something bad happens, you'd better tell someone where you're going. And of course I wanted someone to know - but I'd made a choice and it was a choice I was going to have to live with.
I grew up in Manhattan and, since my father was a playwright, all I ever wanted to be was a stage actress.
When I was young I had a moment of believing in the Communist doctrine. I wanted to save the world through Communism. Quite soon I understood that it doesn't work, but I've never pretended it didn't happen to me.
I was late to the Knicks. My dad was a big fan. But I first started watching baseball; I became a Red Sox fan. My dad was a Mets fan. I wanted to have my own team and league.
I knew I could live no other way, that the one thing I wanted was to act and do it well.
I think people wanted to see some specificity in faith on TV.
I wanted to be a pharmacist. I liked the way our local pharmacist was always dressed in a nice white coat; he looked very calm, you'd give him money, and he'd give you something that you wanted to buy.
Now, the downside to conservation is that so much is done for the public, which almost always mars the environment that one wanted to conserve.
The first film that I can remember seeing where, like, I just couldn't stop watching it - and it didn't necessarily make me want to be a director because I was so young, but it made me know that that's what I wanted to be doing - was 'Alien.' And I saw that when I was probably just over 10 years old.
It's interesting: John Calley at Warner Bros. helped me put 'Alice' together. It was very unusual back then for a studio to support an actress the way he backed and supported me. He even asked me if I wanted to direct the film, which I didn't feel prepared to at that point.
Anyway, I lived on the streets and did pretty good until I got caught stealing, what was it? I kicked in a restaurant window, went in and took all the food that I wanted, and while coming out I was grabbed.
