If someone stands in front of one of my paintings and says, 'This is just a mess', the word 'just' is not so good, but 'mess' might be right. Why not a mess? If it makes you say, 'Wow, I've never seen anything like that', that's beautiful.
'Sanam Teri Kasam' wasn't the first Bollywood project offered to me. I was offered other projects with more established actors, but I always knew that I could easily be seen as just eye-candy.
In all the things I've gone through as a politician, I have seen that in this system it is really very difficult to make any headway without being somehow tainted. And let me say, 'Let him who is without sin cast the first stone.'
I've never seen myself as sexy. I see myself as a goofball.
I'm self-taught. Even today, on the sets, I probe the lightmen, the stunt artistes... they are from a period I've not seen; I can visualise it through them.
In the winter, I read next to a wood-burning stove. In the summer, we have a place up in Michigan where I like to read in a hammock. It's almost entirely hidden by cedar trees and right up by the water. You can climb in there and see nothing but water and be seen by nobody. It's perfect.
Since I became Secretary-General, five years ago, I have seen youth participate at the United Nations as never before.
I've seen plays that are, objectively, total messes that move me in ways that their tidier brethren do not. That's the romantic mystery of great theater. Translating this ineffability into printable prose is a challenge that can never be fully met.
I've never seen anyone die. It's hard to imagine what it would be like.
I'm not a massive fan of 3D. I've seen some good 3D, and I've seen quite a lot of bad 3D. I think if a film is created for the shock effect of 3D, then it's a certain type of film that I'm not massively bothered about.
I repurposed an old World War II merchant ship door into one of the best coffee tables you have ever seen. I have also made little cabinets and media centers.
I'm a believer of destiny, and I believe I'm destiny's child. I've seen the highs, and I've seen the lows, and I believe things happen for a reason and always for the best.
I suppose popularity is measured by ratings. If a broadcaster is known as the leader because of ratings, then that's where people most want to be seen and heard, so there's no question that there's an advantage.
I didn't go to theater school. I didn't go to Julliard. But I've lived a lot. I've seen a lot. I feel like that makes up for a little bit.
I'm trying to work on my modelling career and remove myself from the whole FHM stigma. I want to be seen as a classic model.
I don't sense that I am someone's hero, though I'm happy when people like my work. I've learned how to be gracious about it, but I try to let it go by. I've seen how, if people start taking on those accolades, it can ruin them completely.
I think one of the things I enjoy about acting is the transformation, and part of that is certainly the physical transformation. If people are confused forever, wondering where they have seen me before, that feels like exactly where I want to live. It feels like something's working.
I've seen up close what can happen when actors talk publicly about their relationships: their personal life gets dismantled. It's a show business game, and it's one game I won't play.
I played with the Lust-Cats once in Denver. I've seen Happy Jawbone a bunch of times, but I can't remember if I played those shows or not.
We have a lot of entitlement programs in this country, and we've seen how much they cost us on the back end when people don't have the education they need. I say let's make this investment on the front end. I think it'll be better for the individual and better for our state in the long term.
Writing for the page is only one form of writing for the eye. Wherever solemn inscriptions are put up in public places, there is a sense that the site and the occasion demand a form of writing which goes beyond plain informative prose. Each word is so valued that the letters forming it are seen as objects of solemn beauty.
I have never personally seen a hand transplant that is more useful than a prosthesis.
I use a lot of the Web 2.0 apps that I've seen out there, and I think there is incredible work going on there.
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
In the 1970s, I used to buy opals and moonstones at the Queen Victoria Market, which were seen as old-fashioned and too heavy at the time.
I was never top of the class at school, but my classmates must have seen potential in me, because my nickname was Einstein.
When I visit my brother in South Africa, I order things I've only seen in zoos. Little deers and kudu, all the mammals you would never think of eating.
I've been making music for a long time, but I've been waiting to do it right, because I don't want people to think it's just a stepping stone in my career. A lot of actors go that route as a way of building their careers. I don't want it to be seen as that.
I'd seen Jose Padilha's 'Elite Squad 1' and '2', and I'd seen his documentary, 'Bus 174'.
Most of the appearance of mirth in the world is not mirth, it is art. The wounded spirit is not seen, but walks under a disguise.
Modern design becomes the eye catcher because it's out of context, it is something newborn and fresh, something people have never seen before. I mean, that in itself is the way we should sort of stimulate the senses of society, this urban condition.
Have you seen these Japanese hospital droids, or humanoids, or whatever they call it? They've perfected the skin, and the skin looks so real. They have these motors between the eyes for when they smile. It's just mind-blowing.
Remember, science fiction's always been the kind of first level alert to think about things to come. It's easier for an audience to take warnings from sci-fi without feeling that we're preaching to them. Every science fiction movie I have ever seen, any one that's worth its weight in celluloid, warns us about things that ultimately come true.
In Geneva, I was seen as an outsider. In the U.S., I was considered Eurotrash. And in London, I'm seen as an American.
I met my grandfather just before he died, and it was the first time that I had seen Dad with a relative of his. It was interesting to see my own father as a son and the body language and alteration in attitude that comes with that, and it sort of changed our relationship for the better.
When I did 'The Tonight Show' and Jay Leno was still there, he was very nice but it was surreal. It's like you can't believe you're standing there talking to that person. If you've seen them in a lot of movies or on TV you feel like you know them, just like my fans feel like they know me.