Zitat des Tages von Ethan Canin:
I have a very bad memory. I can't remember my own life very well.
I'm a Jew. I think every Jew is dark in certain ways.
A novel, at least for me, cannot be visualized at one time.
Medicine involves dealing with people who are going through changes and cycles, often people trapped in bodies that are going out from under them. Spending time with them lets you think their way, gives you insights as a writer.
The historical background is one of the easier aspects of writing a novel. Far more difficult is dreaming up the smaller, character-based scenes, scenes that rise entirely from one's own imagination.
'How does your life turn out?' That's the ultimate novelistic question to me.
I'm fascinated by power, by those that can be publicly generous and privately ruthless.
It's nice when critics say 'Emperor of the Air' is an important book of stories.
I read for the sensation of becoming another person; I write for the same sensation.
I never set out to be a published writer.
When the narrator says, 'This is a story without surprises,' most of the time, this is not what happens.
If you're concentrating so damn hard on a piece of mathematics or a musical - a piece of music or a piece of art, the restraint that holds the rest of - the rest of the world back off and vanishes in the rest of your life.
No one knows why books do well.
I teach a 14-week semester, and one of the things I do when I have to teach literature is, for the first half hour of the class, I have the students write the beginning of a new story every week. At the end of the semester, even if they have learned nothing about literature, at least they'll have 14 beginnings that they can take with them.
As I write, I try to be the character.
It's safe to say that all poets are manic-depressives, but fiction writers are on that scale, too.
I don't think there is such a thing as pure imagination. I think it's a combination of memory and invention.
I don't think success makes one confident. I think it has more to do with character than circumstance.
No matter what writers say, most stories are about ourselves. The facts might change a little, but not much.
I no longer practice medicine, but I can say that, for me, medicine was easier - and certainly less emotionally turbulent - than writing.
It's such a risk to write a novel that it's easy to become conservative - you're spending what would be, for me, a couple of years of my life on a single idea. Which is maybe one of the reasons I write stories - if it doesn't work, you've only lost a month.
To me, point of view is everything.
I think even great writers only write two books that you might like. When I think of my touchstone writers like Saul Bellow, I think of 'Henderson the Rain King.' With Don DeLillo, I think of 'Libra.'
You know that thing people say, 'poetry is the hardest, stories are the second hardest, novels are the easiest?' I'm here to tell you that novels are the hardest. Writing a novel is unbelievably difficult. It's nightmarish.
People are surprised when Hollywood characters act the way a real person would.
I'm becoming more of a novelist as I get older. The novel just seems the truer form. There's less artifice involved.
In medical school, you're taught to write in this convoluted, Latinate way. I knew the vocabulary as well as anyone, but I would write kidney instead of nephric. I insisted on using English.
I think Bellow's the greatest American writer of his century, personally. When I read him, I'm in awe.
I started out writing stories because that's all I wanted to read, but now I don't know if I'll ever write one again.
Although I think I'm relatively happy as a person, I think there's something unhappy at the root of all my writing. I'd say optimistic but unhappy. Nothing that's particularly original, other than that we're going to live and die, and terrible things happen.
In the winter, I read next to a wood-burning stove. In the summer, we have a place up in Michigan where I like to read in a hammock. It's almost entirely hidden by cedar trees and right up by the water. You can climb in there and see nothing but water and be seen by nobody. It's perfect.
I was never writing for commercial success. It's nice that it has come, but it is not important.
I finished 'America America,' and I knew I had to write another book, not just for personal reasons but because I had a contract.
When I went for my medical school interview, I had an old paperback of 'Henderson the Rain King' in the pocket of my coat. I was wearing the best clothes I had - a pair of cords and a sport coat - but when I got to the office, all the other interviewees were lined up in their black suits.