Storytelling is my currency. It's my only worth. The only thing of value I have in this life is my ability to tell a story, whether in print, orating, writing it down or having people acting it out.
A lot of storytelling... you're a bit hypnotized by it, and things just come out in certain ways, and you look at it and try to gather it.
For me, the drive is storytelling. To be a part of an art that tells a story and to be a catalyst, a color in that, is very exciting.
Only in about 2007 or so did it become clear to me that games could stand proudly beside other storytelling mediums, and that's when I became more, shall we say, evangelistic in my position. Prior to that, I don't know how enthusiastically I would have admitted that I game.
The Monte Carlo TV Festival is great because it's a celebration of television and great storytelling.
Individual storytelling is incredibly powerful. We as journalists know intuitively what scientists of the brain are discovering through brain scans, which is that emotional stories tend to open the portals, and that once there's a connection made, people are more open to rational arguments.
'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.
For me, movies and television are interesting because they are the dominant storytelling form of our time. My first love will always be fiction, and especially novels, but I'm a writer... I write poetry and essays and criticism and I'd love to write a whole play, and sometimes I even write scripts.
I'm not a fan of endless mystery in storytelling - I like to know where the mythology's going; I like to get there in an exciting, fast-paced way - enough that there's a really clear, aggressive direction to where it's going, to pay off mystery and reward the audiences loyalty.
I love character-driven, well-written, great storytelling types of films, and I think that 'My Cousin Vinny' just hit the nail on the head with everything. It's one of those movies that, if I'm flipping through the channels, no matter what part it's on, I can watch it. It's just one of my favorites.
Storytelling is about patience, about making sense of the moments of pathos and beauty that you find, and about carrying these moments back into your own life.
I remember, when I was at school, we would have a 10-minute storytelling session where we'd all sit on the floor cross-legged, and the teacher would read. It became something we all really looked forward to. That was part of the reason I grew to love stories.
I'm interested in everything. I don't see why Borges can't work along with Neil Gaiman, or Stephen King can't be mixed with Balzac. It's just storytelling; it's different ways of using codes and images and words and sounds.
I'd like to think that we strive in film and theatre to tell great stories, and I believe in the power of storytelling in our culture.
I think that if you have a knack for storytelling, and you work really hard at it, you'll have a chance to tap into something deep. But the fact remains that good sentences are hard won. Any writer worth a lick knows constructing a sentence, a paragraph, or a chapter is hard work.
So much of television is incredibly predictable. You watch the first five minutes and you know where it's going to go. If you can just create an element of surprise in both the storytelling and tone of a show, you're going to be way ahead of the pack.
To me, the AMC brand is great storytelling - they call it slow-burn storytelling.
My heart is in independent film-making. For me, it's where the fun, gritty storytelling is being told.
I've always had an interest in story-telling and history and just film and art in general, but particularly when it comes to storytelling, I think the reason why we became involved in film is because we wanted to get some great stories out there.
I think that story ballets, as great as they might sell, they're a really dated and awkward medium to tell stories through. I think there needs to be an updated or different approach to storytelling in dance. There needs to be less of a separation between the storytelling and the dancing.
I think in Russia, there's a lot of storytelling and anecdotes.
I think George R. R. Martin made fantasy grow up. He brought a level of reality into the storytelling where you realize the good guys don't always win and anyone can die, because that's how life works. Bringing that level of reality into the story I think forced the genre to mature in a lot of ways that it hadn't prior.
Self-pity, a dominant characteristic of sociopaths, is also the characteristic that differentiates heroic storytelling from psychological rumination. When you talk about your experiences to shed light, you may feel wrenching pain, grief, anger, or shame. Your audience may pity you, but not because you want them to.
I grew up on movie sets, getting to see storytelling happen up close.
A short film is just another storytelling medium like TV, Features, and Webisodes. I am just thrilled that 'Silent Cargo' is getting out there for people to see.
My mom used to call me 'Oprah' because I was always in a corner crying with somebody. I've always been attracted to storytelling around women's lives.
With any sci-fi fantasy storytelling, you must have rules be very clear, otherwise you lose people, like 'OK, they can fly; now they can't fly.'
Any narrative, whether it's fiction or not, you have to approach it as though it really happened to you. I think that's the only way to get inside the characters and make the narrative work. It's a storytelling tradition, and I think to come off as genuine then you have to really approach it that way.
'How to Train Your Dragon,' the first one, was a film I'd seen prior to being approached for the sequel. I don't often watch family animated movies, but it's one that I loved and thought was really well done: beautifully crafted storytelling.
I like storytelling, and I feel more confident as the years have gone on about my ability to do that.
I always wanted to tell stories. Well, at least, I always came back to the notion of storytelling when the glitz and glamour of being a special effects designer or a fighter pilot or a DEA agent wore off.
The power of storytelling is to free us from isolation, shame, and whatever the situation.
Part of the power of all storytelling is reassurance, offering hope to those sat in the darkness, that good can succeed and wrongdoing fail.
In acting, every day is different, and I guess it appeals to my storytelling imagination. But I've been very fortunate to get the chance to do what I want to do and earn a living from it to pay the mortgage.
I think that, at the end of the day, I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the 'New York Times' crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.
Not all poetry wants to be storytelling. And not all storytelling wants to be poetry. But great storytellers and great poets share something in common: They had something to say, and did.