I did this class when I first moved to California. It was a 'Kids on Camera' class up in the Bay Area. That was good for just getting me excited in acting and everything. Then once I started working down L.A., I just stuck to my acting coach, and she helps me prepare with auditions and that sort of thing.
I'm a hybrid-genre person, which a lot of people find confusing. I grew up listening to American country music and rock n' roll made between 1955 and 1959. The Everly Brothers and Chuck Berry were my first musical loves and are still what I am most moved by. Roy Orbison came a little bit later.
It is jazz music that called me to be a musician and I have always sang the songs that moved me the most.
True friends appear less moved than counterfeit.
I can feel the 60S looming. In my profession, I've just moved along with my age. By thinking in decades, rather than whether someone's 42 or 47, you can give yourself a whole 10 years to turn yourself around in.
I first came to cinema as a passionate filmgoer, when I was a child. Then, when I was a very young man, I became a film critic precisely because of my knowledge of cinema. I did better than others because of this. Then I moved on to screenwriting. I wrote a film with Sergio Leone, 'Once Upon a Time in the West.' And then I moved to directing.
A lot of churches have not moved with the times.
You can ride your bike to anywhere in Portland if you want to. I think there was a charming underdog mentality when I first moved here in the late '80s that is definitely gone. People acted more like underdogs, dressed more like underdogs.
I had a whole Scottish existence until we moved to London when I was four.
My parents were both from the East and had moved to San Francisco only so my father could go to law school there.
I think probably I'm quite sentimental; I like big emotional stories, I like being moved by things, but I think I'm very embarrassed by sentiment. I'm very embarrassed by corniness.
When you're the youngest and the only boy, you get spoilt but you get told you're spoilt so you don't get to enjoy it very much. I was the only man in the house because my parents divorced and my dad moved away when I was 13.
When David Marr at MIT moved into computer vision, he generated a lot of excitement, but he hit up against the problem of knowledge representation; he had no good representations for knowledge in his vision systems.
I went to art school, and I wanted to be an artist since I was 5. I basically moved to New York to do art, and I just sort of fell into doing music at an early age.
I feel as if I were a piece in a game of chess, when my opponent says of it: That piece cannot be moved.
I had some difficult times when I first moved to Los Angeles when people would tell me I was saying things wrong. I felt different although my mum kept reminding me it was OK to be different.
Like a lot of films at the end of 2008, they hit a wall with financing, which is why I moved back onto 'Stone.' In doing so, I had to let go of 'The Beautiful and the Damned,' to at least give them an opportunity to move forward with somebody else.
I then moved to the University of Western Ontario where I was made a full professor in 1985.
Live television drama was like live theater, because you moved without thinking about the camera. It followed you around. In film you have to be more aware of what the camera is doing.
I don't think I have ever met a single person who isn't moved by music of some kind.
I had a hard time when I came back to Sweden and started school, because I looked different. And we moved to a really small town on the west coast of Sweden, and there were no brown people around. It didn't really get any better until I started music school at about 10 years old.
I was 13 when my parents moved to Israel, and I was put in a Scottish mission school. Ninety-nine percent of the children were Israeli... Suddenly, I found myself speaking the wrong language, dressed in the wrong clothes, picked up by the wrong mode of transportation - an embassy car instead of a bus.
I have moved from certainty to doubt, from devotion to rebellion.
I saw a cardinal when I was in Brooklyn, and I was almost moved to tears. I was, like, 'I can't believe this thing is legal. I can't believe this thing is in the wild. How did this happen? How has someone not killed them all? They're so conspicuous. They're gorgeous. How can they still be alive?'
If Galileo had said in verse that the world moved, the inquisition might have let him alone.
I think the writers of 'Community' have moved on from my character. I'm pretty sure. I would love to go back on. I had a really good time and I really liked that character, but I don't think it's going to happen.
I moved to Holland because I wanted to see American art.
My mom grew up in a strict Catholic family and moved to New York and became part of the Warhol factory.
I saw no reason why childhood shouldn't last forever. So I created clothes that worked and moved and allowed people to run, to jump, to leap, to retain their precious freedom.
There are an infinite number of ways to be moved in the theater.
After my parents' divorce when I was 4, I spent weekends with my dad before we finally moved to California. By the time Sunday rolled around, I was incapable of enjoying the day's activities, of being in the moment, because I was already dreading the inevitable goodbye of Sunday evening.
I can explain that shot. Arnold moved his wallet to the other pocket.
I am not trying to change the world. I am just offering my gift that God gave me, and if somebody is moved by it, that's beautiful.
As an actor, you know when you've got great material in front of you. When you're working, you think, 'Is this the one? The one that everyone will respond to and be moved by?' You pray that you have told the story well... that your peers will see it and audiences will love it.
My dad has always been very proud of me but I think I have exceeded his expectations. When I told him I wanted to be an actor and moved to New York City, I think he assumed I would be playing the guitar on the subway and collecting spare change in my guitar case. The fact that I'm not doing that means that I'm a huge success.
Some of my foster families used to send me to the movies to get me out of the house and there I'd sit all day and way into the night. Up in front, there with the screen so big, a little kid all alone, and I loved it. I loved anything that moved up there and I didn't miss anything that happened and there was no popcorn either.
