The biggest thing is to let your voice be heard, let your story be heard.
We have more voices from more points of view on the C-SPAN call-in show than I've heard anywhere else. You can literally tune us in every day and hear it all. You can't control it, and you shouldn't control it.
I thought I had to work at someplace everybody's heard of. It was never, 'I'm interested in such and such. I want to work in such and such magazine.' It was like, 'Oh, my G-d, I really need to work for somebody so people will think I'm OK.' So I got a job at 'Popular Mechanics'.
I've had women who move to the towns I'm living in, just pack up and move there, never even met 'em before, 'cause they heard I lived there.
When I started to write realistic, real fiction, the voices that were the strongest for me - the characters that I heard, the people that I knew - were the ones from my childhood.
I hope that everyone who believes that the right to life is fundamental will make their voice heard in a reasonable, but forthright, way to their representatives, reminding them that the right to life is conferred on human beings not by the powerful ones of this world but by the Creator.
I want to make myself and the crowd happy by way of something different, and that makes things difficult. I'm never playing something that hasn't been released or no one has ever heard before because I care to deliver them what they were hoping to see from me. But also I play four or five songs that will definitely surprise them.
The first time you say something, it's heard. The second time, it's recognized, and the third time it's learned.
I read reviews and consider myself pretty 'plugged in' to the literary cosmos, yet one of the things I love best about book-touring is the opportunity to compare notes with favorite booksellers around the country. I always come home with books by authors I'd never heard of - or books I've read about but didn't realize I might love.
The clarinet is not so dominant in Israeli music as it is in klezmer. I heard klezmer when I was growing up, but for some reason I avoided it. I listened to Louis Armstrong instead. But the sense of melody is the connection between jazz and klezmer.
I'll tell you one thing. I've never heard a director saying that the dailies suck.
I have heard of Texas pioneers living without bread or anything made from the cereals for months without suffering, using the breast-meat of wild turkeys for bread. Of this kind, they had plenty in the good old days when life, though considered less safe, was fussed over the less.
I don't believe in, and I am a devout non-believer, in playing new songs live if the subjected and pathetic crowd has not heard them before because I consider it like mass psychosis and genocidal.
I've always believed in speaking my mind, and I think the technology has made it more prominent. Even a common man's voice is heard prominently now, much to the chagrin and surprise of politicians. They aren't used to that.
I was raised by a lady that was crippled all her life but she did everything for me and she raised me. She washed our clothes, cooked our food, she did everything for us. I don't think I ever heard her complain a day in her life. She taught me responsibility towards my brother and sisters and the community.
There was a guitar that my uncle owned and never learnt to play. He sold it to my dad, and when I heard 'Layla', that was the tune that really grabbed me. I said to my dad, 'Wait, there's a guitar, right?'
Let's say we were a peacekeeping force in some small country that most people had never heard of. And we were there to host a peaceful election, and we then found out a bunch of stuff was hacked. We probably would push to have another election to make sure that would be fair.
You know for years, I've heard financial experts stress the importance of teaching your kids about money, but it wasn't until I saw my own son's perspective change that I became a true believer.
I can't tell you the number of stories I've told with a female protagonist don't get bought, or they do get bought and get changed drastically. Or, I will literally write into the script different races, and they get cast all-white. I hope that stops and it opens the door for more voices to be heard in movies.
I've heard a number of our alumni - people who are running schools and school systems - think a lot about different models for the teaching profession.
I took classical piano for a couple of years, but I sort of lost interest - I couldn't read a note today if I tried. I still enjoy that stuff, and I think I naturally gravitate towards the classical licks; in fact, I know that I do. I gravitate towards the classical licks that I heard by famous old composers.
Whenever people talk about Don and I recording again, which almost everybody usually mentions, I always say 'Well, there's plenty of things that you haven't heard! Plenty of things out there to discover!'
The first time I heard Richard Pryor, I knew he would be a major force in the world of comedy.
When I was five, we moved to Virginia and lived inside an old fort that was surrounded by a moat. So when I heard stories of American history, I felt as if those dramas were taking place right in my own backyard.
The minute I heard my first love story, I started looking for you, not knowing how blind that was. Lovers don't finally meet somewhere. They're in each other all along.
When I heard that 'Roots' was being remade, my first response was, 'Seriously?' I was a bit skeptical. Then I had an audition in early 2015. I didn't know how to feel about it. I was a little scared of the responsibility of telling the story again with the weight of the first one behind me - I was scared of comparisons.
I remember where I was when I first heard 'Boyz N The Hood' - 126th Street and Normandy, South Central, Los Angeles. I remember that I was on my porch. What they described in that song was so vivid and so clear to me because it was the kind of life I was used to witnessing and partly experiencing in my neighborhood.
I was only 11 when we filmed the pilot. The idea of a rapper being a star on a sitcom just wasn't heard of.
Foreclosure is to no one's benefit. I've heard estimates that mortgage investors lose 40 to 50 percent on their investment if it goes into foreclosure.
TLC has helped me to know that as a musician, I can talk about anything; that there are no barriers, and that you can be yourself. That's what I love about them. Left Eye in particular helped me to stay on top of my A game. She's one of the best female MCs that I've heard.
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
I've heard people tell me there's never been a gay character like Agron on TV before, and some fans have even thanked me because they now feel like they have a gay action hero, and it's very endearing to hear that kind of stuff. But I just played him the way he was and tried to do right by the character.
I started playing the violin at age 3, and I was very fortunate because there were people who heard me who were influential in getting me auditions. By the time I was 7, I was playing concerts - it was just ridiculous.
If I tried to shout over my older brother, my mother told me keep quiet. If I tried to shout over my little sister, my father told me to shut up. I found the best way to be heard was to lower my voice and actually speak when I had something to say.
When I heard the script of 'Loukyam,' I was laughing, as it was such a laugh riot. So all this made me sign the film.
When I first came out to L.A., Hollywood's idea of a Latina was Mexican. It was almost like they had never seen or heard of an Afro-Latina before.
