I've always straddled a weird line - there's a lot of mainstream stuff that I love. At the same, I still feel like an outsider. I'm the outsider who's on the inside.
Body-shaming is something I feel really strongly about. I think about my niece, I think about my friends who have daughters being on the Internet and reading these things, and it just makes me furious. It makes me so angry.
I definitely feel more complete than before. There's a void you have when you don't feel you've found the other part of who you are, so I'm in a different place now and that's nice to experience.
If you really want to get in shape, you can't have those days where you feel weak.
I'm addicted to a really tough workout. I like to be drenched in sweat when I'm done because I feel accomplished.
I grew up in the church, and I feel very strongly about it.
I really do believe that no one is too pious to fall or too far gone to be redeemed in some way. Jaime Lannister on 'Game of Thrones' did terrible things, and now I feel so bad for him because his sister won't kiss him. Isn't that weird? Does she not love him? He lost a hand! It kills me that I care.
Although my music is electronic, it has a lot of influences from my past, which is all sorts of genres; I've been in a rock-metal band for a long time, and I still feel like, personally, I have a lot of influence from that. My classical influence, you can find spots here and there.
I consider myself a product of Alaska. The love and the debt that I feel to my home state, you always want your hometown to be the proudest of you.
If I steal money from any person, there may be no harm done from the mere transfer of possession; he may not feel the loss, or it may prevent him from using the money badly. But I cannot help doing this great wrong towards Man, that I make myself dishonest.
Anytime you work with materials that are deep parts of yourself, you feel revulsion at showing things about yourself that you don't want people to know.
The fact is popular art dates. It grows quaint. How many people feel strongly about Gilbert and Sullivan today compared to those who felt strongly in 1890?
We're living at this funny time, where we're all urged to express ourselves as unique individuals, but on the other hand, we share a limited set of tools for doing that. It's easy to feel like nothing more than the sum of your consumer choices.
People ask me if I ever feel outside the Hollywood loop, and I never do, because both of us do a lot of theatre, so it's great for New York and it's also half-way between Europe and the west coast, so it's the best of both worlds.
I feel very, very lucky to have come from the family I did. We have our dysfunctions and our problems, just like any family. But my parents are extremely loving people.
I wanted the players to feel like they were part of a family, to be conscious of that controlled togetherness as they made that slow entrance onto the field. It had a great psychological effect on the opposing team, too. They'd never seen anything like it.
I feel like all the songs are little scenes, different angles, of the feelings that come around something ending.
I feel strongly that I need to try to make my shows as real as possible. What you see is what you get.
Rilo Kiley was a rock band, so I wanted my solo records to feel different.
I came back from my ACL injury and won MVP. So, what's a groin? What's an adductor? That's how I look at things. I feel like if you just continue to take care of your body, working out, making sure you're in shape and you stay on top of your game, you can play as long as you want.
Life goes by really fast, and it seems that there are times when you're burying a lot of friends and family. And then there are times that feel really precious and everybody is doing okay. This is one of those times.
Imaginary pains are by far the most real we suffer, since we feel a constant need for them and invent them because there is no way of doing without them.
Well I don't feel sectarian against sparseness, although I sometimes get a little chippy about this. I resent the way that a certain notion of parsimony has become the norm for skilful literary writing.
When I create something, it's got to be special, and it can't just be to throw something out there because I feel like I'm Missy.
I think it would be a lot easier if I said, 'I feel like a dude,' but I was raised by a southern mom, so I know how to put on lipstick and walk in heels and rock that look. It's exactly that juxtaposition that confuses people.
If a man urge me to tell wherefore I loved him, I feel it cannot be expressed but by answering: Because it was he, because it was myself.
I come from a culture where we wear white for weddings. In India, it's different. But I really feel that there should be no set notions, and a bride should only wear something when she's comfortable in it.
Hearing is a form of touch. You feel it through your body, and sometimes it almost hits your face.
The Wonderful pistachios campaign is a great example - I don't involve myself with a project I don't feel passionate about. I could talk your ear off about internal statistics for WWE and what we have planned for the future. Why do I know that stuff? Because I like to do all that stuff.
It sounds like a cliche but I also learnt that you're not going to fall for the right person until you really love yourself and feel good about how you are.
When it was over my daughter said, 'Oh, I felt so sorry for him - he didn't want to hurt you, he liked you.' That was Victoria. When you visualize him up there on top of the Empire State Building, you do feel sorry for him.
The first moment I saw my wife breastfeed our daughter minutes after birth, I was hit with a thunderbolt of understanding and awe for the miracle of it all, and I still feel that way.
It's a very difficult thing losing a parent, but I think there's an added complication for me, because he was so well-loved and he had this very open charm that made people feel they had a personal relationship with him.
I was watching Monster's Ball, which is a fabulous movie. It's just a little gem: beautifully shot, and shot in a way I never would have done. It made me feel very old, really, because it wasn't eccentric for its own sake, it was just very original.
I pass on a lot of teen roles that get sent to me because a lot of the time it doesn't feel real. It's sugar-coated. There's no depth to it.
The north of Sweden is very socialist and poor. They feel left out and despise Stockholm in many ways because Stockholm has become new liberals and much more Americanized.
