Ever since I was a little kid, I've felt comfortable in a suit. It all started when my mom bought me a three-piece Pierre Cardin suit. I wore that thing everywhere. Eventually I realized I was going to be the kid who got beat up in school, but I kept wearing it.
I used to joke that, since breastfeeding, my boobs looked like an old athletic sock with some loose change at the bottom, so when I felt a lump the size of a marble, I knew something was terribly wrong.
My identity, I felt, was so distinct. I felt very much like an outsider. My family didn't have the same rituals that everyone else seemed to have.
My history was the Western. I grew up with the Lone Ranger, the Cisco Kid and Bonanza. I felt as much a child of the West as someone born in Montana or Wyoming.
I was also lucky to play for an owner, Bud Selig, who truly cared about his players. He'd call me into his office once in a while when he knew things weren't going so well. And it's funny. Every time I left there I always felt like something good was about to happen.
It's an unfortunate situation. After such a great play I felt like I got hit late, no flag, broke my hand. That's it. That's pretty much been the story for the past three weeks, and obviously at some point something catastrophic was going to happen, and I broke my hand.
I could never call myself an atheist; my parents could, quite happily. I always felt like there was a little bit more out there, and was always into observing the world from a slightly more spiritual, as opposed to scientific, perspective.
In the very early days of Wham! the attention felt great, but I do wonder how much freedom I gave away by trying to become something I wasn't.
I felt the most effective way to change people's perception was through the power of images.
I just felt being part of my peer group so strongly. I was immersed in teen culture, but not taken in by it.
When I was a boy, I used to stay with a school friend in Bexhill, in Sussex, which was then well-known for being the town with more oldies than any other. Aged ten, I felt slightly embarrassed by this, though I'm not sure why.
I first fell in love with music when I was a little boy. When I first heard music, I felt the beauty in it. Then, being able to tap along on a table top and box was great, but my favorite thing to do was to watch records spin. I would almost get hypnotized by it. These things are what drew me in initially.
My personal memories of the brand go way back to the time when I was a teenager. L'Oreal make-up felt like a real luxury for me, and I remember dreaming of purchasing a L'Oreal lipstick.
The 'Best of British' is a positive thing that's bandied around, but also it's applied pressure to our country in terms of economic growth. I think we've always felt the rest of the world is so much more powerful in terms of being commercially viable, but we can take great pride in our level of creativity.
I felt for a long time that this is what I want to do so I'm happy at this point to just take my time and work on projects that I feel strongly about, and the rest of the time just live my life.
With 'Bright Star' and with 'The Piano,' too, I felt a kind of sadness about it being in such a different era, because of my lack of experience with the era. And one of the ways I'd get over it is to remind myself that every film, even if it's contemporary, creates its own world.
I moved to Milan when I was 15. I was always looking for something; I never really felt like I belonged where I was, so I went to live overseas.
Being a Barrymore didn't help me, other than giving me a great sense of pride and a strange spiritual sense that I felt OK about having the passion to act. It made sense because my whole family had done it and it helped rationalise it for me.
Revising stuff lately, I was shocked to see how often my characters scratched their ankles, felt their feet, and touched their own ears.
I usually just write down what I'm doing and how I felt. How I felt if I'm skating fast, compared to if I'm skating slow or if I'm tired. I can always go back and look as a reference and see what I was doing. It's pretty much my life on ice.
Even when I was saying I was Agnostic and trying to figure out my thoughts, I felt God was allowing me to do that.
Even the first suitcase-off-the-train moment, it's easy to be discouraged, frustrated, annoyed, angry. Because you're waiting in freezing weather outside of an open call, and you're like, 'This moment of me right now is not the joy I felt when I was doing J. Pierrepont Finch in 'How to Succeed in Business Without Really Trying' in high school.'
I remember watching Wesley Snipes as Blade. I watched Michael Jai White as Spawn. I even watch Shaquille O'Neal as Steel. I felt like seeing a physical representation, a non-cartoon representation, affected me in a much different way.
I have never met an intelligent optimist. That is not to say I think pessimism makes you intelligent, but I have always felt like an Old Testament Jeremiah or Cassandra from ancient Greece. I want to run down the streets warning people.
As I flew back from New Zealand to bury my mother, it occurred to me that no matter how harrowing her loss was and how keenly it will always be felt, there was, nevertheless, a sense of relief that my father, sisters and I could say a final goodbye after the longest goodbye and relief that my mum had finally been released.
I was brought up as Christian, and while my ideas have changed, I have always felt myself religiously oriented.
I feel good about being able to take bluegrass on to television like 'Letterman' and 'The View,' and I've heard nice things about being able to do that. I really haven't felt any negativity toward me or my music.
As much as we were very proud of being a pop band, I know we never felt like we fit into that category.
There was a bidding war between Epic Records and Jive - now RCA - which was bittersweet. Just having labels bid over me was really cool, but I ended up going with Jive because it felt better over there, and they have my favorite artists like Usher, Chris Brown, and Justin Timberlake.
I remember how being young and black and gay and lonely felt. A lot of it was fine, feeling I had the truth and the light and the key, but a lot of it was purely hell.
When I write about my childhood I think, oh my God, how did I ever get from there to here? Not that any great thing has happened to me. But I felt so tiny, so lost.
'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.
Saints were saints because they acted with loving kindness whether they felt like it or not.
I had to deal with being somewhat of an outcast because it's not socially acceptable to be a struggling musician. There have been times where I've felt sorry for the person I was dating. I felt she deserved better.
If a big number of young pupils felt secularism was an attack on them, it was because the term had been misused and deformed in the public debate for years by the extreme-right and the right as an attack on Islam. The term had often been misused to point out how Muslims were different to others, and that is clearly problematic.
No baby boomer has a completely original idea, but after 13 years on 'Today' and another 11 on 'Dateline,' almost 30 years total at NBC, I felt the urge to find out what was 'behind the camera.' I had the feeling there was 'something more,' though 'more' might be less.
