My mother had a premonition and she felt that hairdressing would be very very good for me.
I felt so unbelievably ugly for years.
I would have felt ashamed if I had not been part of the resistance and part of fighting back against the forces of the state.
I worked in ad sales. I would call up local businesses and try to get them to buy ads in the paper. The whole time, I felt like I was just scamming people.
Who can measure the love Christ felt for a lost world, as he hung upon the cross, suffering for the sins of guilty men? This love was immeasurable. It was infinite.
Why did I elope with my husband after knowing him for only four months? I wish I could show people the picture of the two of us that night and have them feel what I felt. But it's just a picture. It can only capture how things looked, not how they felt.
I found a vlogger named William Sledd who talked about his life - it was very minimal edits. It was one of those things where I discovered him, and I was like, 'Oh my God, I'm obsessed with him.' I felt like I was friends with him. And he was a huge inspiration for why I made my first video.
It wasn't like I felt I was on a wave. It was just so easy. It is only afterwards that I thought I really had a bit of good luck going on there with Yazoo.
After coming out as gay, I soon felt a lot more comfortable in my life, moment to moment.
I felt like I had a really bad case of writer's block... Music is so therapeutic for me that if I can't get it out, I start feeling bad about myself - a lot of self-loathing.
There was this moment, particularly after I had my first child, where I felt like, 'I don't know if I'll ever make a record, or if this is always going to be something just floating around in my head.'
I can get on with all different sorts of people, and I never feel homesick, particularly, or I've never felt kind of patriotic towards any one country.
My dad wanted me to be a businessman, but I felt that wasn't for me.
I never felt happy with the idea that part of what I do is to be an object to be looked at. I thought of my public persona as an entity separate to myself.
I was very insecure approaching the idea of directing a feature film. I told myself I would not move until I felt I was moving in power rather than moving in desperation to make a movie.
I have refused money sometimes for a film. I have refused films when I felt that it was not for me. When it was just a job or just about making money, I said no. I wanted to make every film count, and when you are true to yourself, this gives you a certain integrity and a certain reputation.
I felt that I shouldn't be an actor who just makes movie after movie in a quest for prestige and money.
The purpose of the Seder to my mind is to inspire conversations with your family about the human drama and hopefully transmit values to the next generation. I've always felt like this could be better.
I can't stop watching 'Pan Am.' When I was growing up, my father worked as an engineer in Turkey, and we always flew Pan Am. The stewardesses were so glamorous! When they gave me a set of those golden wings, I felt very grown-up. Not only is the show's plot full of mystery and infidelity, they get the period details just right.
Distance doesn't exist, in fact, and neither does time. Vibrations from love or music can be felt everywhere, at all times.
I've always felt like an outsider, and I'll probably continue to always feel like an outsider. Hopefully that's a good thing. I feel like I approach things differently than other designers.
I've always felt like there are certain politicians that wear their religion on their sleeve in a way that you almost feel is disingenuous. I think that your faith has to be first personal. I struggle with those people that preach something and go back behind closed doors and live differently.
I grew up with the idea of the cyborg and the robot, but at the same time I felt this intense disconnection between the things I was engaged with and inspired by in terms of fun and play. It seemed like paintings and drawings were so static.
There is always some universal proportion, but along with that there are some places where special things happen. Ireland, for example. I've always felt it's interesting to play there. Maybe they just drink more than anybody else.
I've always felt that people put me down, and I'd fight back. I played football 15 years, and nobody gave me any credit, and they never will do.
I was really conscious of that when I went in because I felt that I was pretty solid on the first one, but I didn't have the groove exactly where I wanted it.
When I started off in journalism, you knew there was an audience out there and that you wanted people to read what you produced. But it also felt like you had a limited ability to shape the audience, or to acquire an audience, for what you were doing. So you didn't really think too much about that.
I think I have femininity, I have masculinity, but I get to use all of Jeffrey, and that's very powerful. And this is what I always thought when I went down in my little basement in San Francisco, where I grew up, and daydreamed about being an actor: It felt like this. This is what it felt like.
I was traumatized by a lot of childhood stuff. I felt that I was bad somewhere, starting with my birth.
I can't imagine doing anything cooler or better than what we did on 'The Stage' and felt like we're firing on all cylinders.
I had an audition for Mary Jane Watson in 'Spiderman' and ended up playing Betty Brant in that series. I auditioned for Amy Adams' role in 'Catch Me If You Can' and, you know, ended up playing the bank teller. So there were a lot of times early on where I felt like I was always sort of the bridesmaid, never the bride - never quite right.
I felt obligated to change music to art, the same way that Galileo proved the Earth was round to the world and that the Sun did not stand still.
When I started formulating the first Frank comic, I knew I wanted it to be something that was beyond time and specific place. I felt that having the characters speak would tie it to 20th-century America, because that would be the idiom of the language they would use, the language I use.
In the 1960s, and stretching back to the 1930s, it was felt by many economists that easy money is a reliable way to increase employment.
I'd always felt from as far back as I can remember that where the issue of marriage is concerned, individuals should have the opportunity to marry and not be discriminated against.
I grew up in Decatur, Georgia. We had three boys in the household; actually, it felt like four of us. My pops sort of raised my uncle, too. So, it was four boys and, later, a younger sister.
