Because acting was my only professional outlet, I put a ton of pressure on the roles that I did. I overstepped my bounds, I tried to control things that were out of my purview as an actor and in some cases even tried to direct my scenes because I felt I knew how they should run rather than trust the director.
I felt devalued and disrespected. The energy behind it felt disingenuous and motivated by corporate profit.
I always felt myself to be an unlucky person like Donald, who is a victim of so many circumstances. But there isn't a person in the United States who couldn't identify with him. He is everything, he is everybody; he makes the same mistakes that we all make.
I've always stayed pretty fit. I felt I needed to give myself energy by exercising and things like that.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.
With 'Twilight,' I felt the actors needed to be up-and-coming artists that haven't been recognized yet.
Whatever ambivalence I felt about my own career, Frankie more than made up for it with his ambition and tenacity.
I had real plans for my next decade and felt I'd worked hard enough to earn it. Will I really not live to see my children married? To watch the World Trade Center rise again? To read - if not indeed write - the obituaries of elderly villains like Henry Kissinger and Joseph Ratzinger?
They're all based on factual characters. Well, a good amount of them. That's why I was attracted to this genre anyways, because these characters are so large and cartoonish, they're like caricatures, I just felt that there had to be a film made about them.
I could write songs as bad as Wham's if I really felt the urge to, but what's the point?
I could wake up six in the morning, go downstairs and record. I learned how to use ProTools and everything. Whenever I felt it, I could record.
So what I did was stuff my face with anything around, any old rubbish, burgers, chocolate, crisps, fish and chips, loads of it, till I felt sick - but at least I'd had the pleasure of stuffing my face and feeling really full.
I had just left 'Saturday Night Live' when I came to 'The Daily Show,' and it just felt like Jon was on my side. I'll always be grateful to him for that. I just got the impression he wanted me to succeed, and then I wanted to succeed for him. I think that's good leadership.
I could never have conceived that I would ever get to work in a Truffaut film. It was astonishing to me, and still is. I felt like an old pro, but it was still so unexpected.
Chemotherapy isn't easy. I felt very fortunate I wouldn't have to go through that.
I changed my name when I was about twelve because I didn't like being called Sue or Susie. I felt I needed a longer name because I was so tall. So what happened? Now everyone calls me Sig or Siggy.
To be honest, I owned one suit before I filmed 'Mad Men' - the one suit that you have to have as an adult. Outside of that, I never really felt comfortable in a suit.
No one felt it more than the President. I saw him repeatedly, and he fairly groaned at the inexplicable delay in the advent of help from the loyal States.
Having a baby had always seemed the easiest and most natural thing to do, and I had never felt - even in my most furtive days of coming out - that being gay would mean I could not become a mother.
I have a very long relationship with America. My mother grew up there and I felt to some extent that I partly belong there. I was schooled there briefly for about a year.
For the last 12 years, I've felt really privileged to be living such a normal life. It's so a part of who I am.
I've always felt myself as being a serious singer.
I never regretted turning down anything, I never regretted losing a job because I always felt something else was out there.
I was drawn to journalism as a young guy because I felt like there was some purpose to it, not always but sometimes.
The cool wind blew in my face and all at once I felt as if I had shed dullness from myself. Before me lay a long gray line with a black mark down the center. The birds were singing. It was spring.
I felt I ought not to be wasting time, and I hurried to graduate from high school to enroll at UCSD. I also hurried to finish college, to go on to higher studies. By the time I was in my teens, I had a strong sense of mission, wanting to discover something important or solve a major problem in biology or medicine.
My doctor felt that the main contributing factor was so many years of malnutrition, especially during my formative years, even before I got into modeling.
With 'Greenberg,' I wanted to make a movie about Los Angeles... my great love for it and also the way that I felt not at home and alienated there.
When I was growing up, the place I felt least alone was when I was reading.
I'm about to go to Sundance for my 3rd year, and Sundance has never felt like a real independent festival at all. On the other hand, it might to start feel that way.
But as a young model, I never felt as beautiful as I looked.
Well, it's a day-to-day thing. I don't feel comfortable in my body today at all. Any woman will tell you she has her good and bad days and today I did not feel like I looked my best or felt radiant inside or outside.
I felt Clinton represented the worst of the 1960s.
I struggled with being a Latino growing up in Los Angeles. I felt very American. I still do. I went to 35 bar mitzvahs before I went to a single quinceanera. I could talk all day about my culture and what it means to me.
In Northern Ireland, I truly, effortlessly, knew who I was. I knew where I belonged. I felt completely and utterly secure.
The Mole had long wanted to make the I acquaintance of the Badger. He seemed, by all accounts, to be such an important personage and, though rarely visible, to make his unseen influence felt by everybody about the place.