I learned very early on in life that not everyone wants to hear every fact in the world, even if you want to tell them everything you've ever read.
I was a big fan of X. I've probably seen 100 X shows during their time in the late '70s and early '80s.
I try to shave at night so my skin has a chance to settle by the early morning call-time.
For me, it's about moderation and discipline, and that's something I picked up from my dad. I don't believe in rigorous workouts but believe in eating right, going to bed early, and getting a proper workout.
When I was born, my parents and my mother's parents planted a dogwood tree in the side yard of the large white house in which we lived throughout my boyhood. This tree I learned quite early, was exactly my age - was, in a sense, me.
Early in life I learned, just through observation, that right always wins out over wrong. If a person has good intentions in his heart and wants to do the right thing, then there are certain ways that any obstacle can be overcome.
I remember when Martin Luther King was assassinated. I was up early watching television and watched the announcement. I didn't understand what the word 'assassinated' meant.
We had four guys in the family, so somebody was always hitting somebody or chasing somebody or getting mad or fighting or wrestling - that was just what you did. So when you're the youngest, it's good for you. You figure out real early how to get out of headlocks and holds.
One of the most graceful of warriors is the robin. I know few prettier sights than two males challenging and curveting about each other upon the grass in early spring. Their attentions to each other are so courteous and restrained.
My grandmother was born in Russia, and she came through Poland on her way to America in the early 20s. She moved to Brooklyn.
Le Petit is where I cut my teeth with some of my early roles. In 1982, I was in the chorus of 'Gypsy' and soon after I had my first lead as Jamie Lockhart in 'The Robber Bridegroom.'
Dance is a very disciplining career or hobby. I was disciplined at an early age.
There is no longer a doubt that women are just as competent as men. Gender differences are guided by nurture, as society treats boys and girls differently from an early age.
Being an only child and losing both my parents at an early age, I have found that the friends I have made over the years are the people who help me get through life, good times and bad.
I was in my early twenties. I was 22-ish. I graduated from college and went right into teaching. The first year, I taught in Indiana at a couple schools, and then I moved over to Chicago.
There's a whole apparatus for indie bands now, but back in the eighties it was just getting built. The early people really took it on the chin.
I'm kind of getting more excited about developing my own stuff, or getting involved early in projects and doing my best to make things that I care about happen.
I was an early reader, reading even before kindergarten, and since we did not have books in my home, my older brother, Alexander, was responsible for our trip every week to the public library to exchange books already read for new ones to be read.
At school I was very shy and coincidentally inherited the title 'little miss worry guts,' and that was just among the staff. I learned early on that I could make people laugh, and as my small neat body betrayed me by growing to dizzying heights, I used it as a tool that translated into complete slap-stick comedy.
'Carol' takes place in the really early '50s, before Eisenhower has taken office. It's based on a Patricia Highsmith novel, her second and most autobiographical book and the only one outside of the crime milieu.
I have a growing resume, but it's because I'm very selective. There are a lot of actors in my position that are like me: they have an opportunity to make a lot of money early in their career, and they do that, and after that, there's nothing to sustain that. There's no art or interest in your craft from the people that want to see you.
I had an audition for Mary Jane Watson in 'Spiderman' and ended up playing Betty Brant in that series. I auditioned for Amy Adams' role in 'Catch Me If You Can' and, you know, ended up playing the bank teller. So there were a lot of times early on where I felt like I was always sort of the bridesmaid, never the bride - never quite right.
Particularly in my early days, I did very little rewriting.
In the early days, I was living with Dee Dee for a little while, and he was never around then, either. He would always be out. He was kind of an energetic guy who was always on the run.
I was a Democrat for a period of time early on. And then I was also an independent. And then I became a Republican.
One of my bosses happened to be one of the early architects of some of the ways Internet providers work. He taught me how the cables connect, how the telecom providers work... I learned how to make my own Ethernet cables, all the way up to running a small business.
I love working with really early stage startups where the outcome is still in doubt. Maybe they'll go on to greatness, or maybe they'll never get off the runway at all.
Ever since viewing screens entered the home, many observers have worried that they put our brains into a stupor. An early strain of research claimed that when we watch television, our brains mostly exhibit slow alpha waves - indicating a low level of arousal, similar to when we are daydreaming.
As actors, we're all encouraged to feel that each job is the last job. They plant some little electrode in your head at an early stage and you think, 'Be grateful, be grateful, be grateful.'
I like to jot down ideas on the back of envelopes and to recognise the potential value in small things. I also like the freedom to think without feeling compelled to write too early. Stories are often better if we can hold back and get to know the characters and the sounds of language.
I think I knew I was going to be a musician for the rest of my life kind of early. When I was in third grade, I was playing in a talent show, and my dad wrote a two- or three-minute boogie-woogie piece. I played it, everybody loved it, and I was like, 'Wow, this is great.'
In the very early days of Wham! the attention felt great, but I do wonder how much freedom I gave away by trying to become something I wasn't.
I think a part of the reason that those early plays were short was that I just kept having these ideas, and I'd just go off and write them. I wasn't trying to write one-act plays - it's just how the ideas would be expressed. Every condition I was in seemed like it could be a play.
In the early '70s, coming out of the '60s, it was very hippy or it was very uniform, like The Beatles all wearing the same suit. Into the '70s, it became much more about a personal style. You had the glam period, which was a lot of fun, and then you went into punk.
I came to Christ in my early 20s.
When I first moved to New York, I wanted to be a dancer. I danced professionally for years, living a hand-to-mouth existence. I never tapped into nightlife; all I knew was dancers. We went to bed early and got up early and went to free concerts at the Lincoln Center and Shakespeare in the Park.
