Googling me, you talk about being depressed. First of all there's 18 websites that predict my early death.
When I meet people who say - which they do all of the time - 'I must just tell you, my great aunt had cancer of the elbow and the doctors gave her 10 seconds to live, but last I heard she was climbing Mount Everest,' and so forth, I switch off quite early.
I think I learned pretty early that in the end, it's only you. To an extent, you're all alone.
If you want to be the best, you can't take the path of least resistance. Every morning, you wake up, and your mind tells you it's too early, and your body tells you you're a little too sore, but you've got to look deep within yourself and know what you want and what you're striving for.
It feels like being in a band is a luxury now: like you can only do it if you're signed really early or you come from a wealthy family.
The tobacco companies knew quite early on the addictive nature of their product.
I am an early riser.
To be diagnosed with cancer was a frightening thing, and my first reaction was sheer panic, but I was really fortunate that the cancer was caught at such an early stage that I didn't need chemo or radiotherapy. But I know that cancer is a chronic condition, and once you've had it, you're on the list, because it can come back.
I remember early on, in the first couple of years especially, I would run into some people that would try to put Kickstarter under the 'social good' label. And I actually had this very visceral reaction - I just didn't like that at all.
What we're seeing early on is Democrats rallying around Al Gore, Republicans rallying around George Bush and the difficulty of anybody else to get any room in the race.
I was first published as a paranormal author back in the early 1990s. I was one of the founders of that original wave of paranormal and am the leader of the new wave of paranormal that started at the beginning of this century.
Who has the fame to be an early riser may sleep till noon.
So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before.
My parents were early adopters, and I've been online since a rather young age. You should regard anything from 2001 or earlier as having been written by a different person who also happens to be named 'Eliezer Yudkowsky.' I do not share his opinions.
I discovered at an early age that all I've ever wanted to do is design.
I was brought up Catholic and know the stench of the Catholic Church. I moved away from religion early, but the impression remains.
There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.
I had a lot of chaos in my very early years before I was old enough to know what was going on, and then I just skated through the rest of my childhood without dealing with it.
A lot of my collections are informed by nostalgia. I think that's because I loved clothes early on. I remember, at maybe age five, being concerned about what I wore, right down to the underwear.
Seed stage is an investment area that is really important for early stage startups. It feels like there is a need for trusted, experienced people to work with and to guide startups at this level.
In my early days in Hollywood I tried to be economical. I designed my own clothes, much to my mother's distress.
I guess because I was on the 'Early Show' for so many years, any little victory here is something kind of new for me.
He was interviewed in the early '60s by a young novelist, Pati Hill.
I would like to mention that I have flown the 262 first in May '43. At this time, the aircraft was completely secret. I first knew of the existence of this aircraft only early in '42 - even in my position. This aircraft didn't have any priority in design or production.
There is a latent talent in everyone. I am nothing extraordinary just because I happen to be an actor. Everybody is extraordinary in his own way. One must identify one's own talent early on - one is not great merely when he gets recognized by others - and one doesn't become a nobody just because his talent is not widely known.
I realized early on in my life that I couldn't hit the curve or throw the 50-yard post pattern, so talking about it would be my way in.
I'm shocked at how early everything closes here. But people start earlier. I miss the late nightlife in NYC, but then again I sing and burn so much energy in the show that it's probably good - I get to go home and sleep.
When David Arquette and I got engaged we started therapy together. I'd heard that the first year of marriage is the hardest, so we decided to work through all that stuff early.
There is no doubt that someone who tries to throw a curve or pitch at any early age before he's developed, before his hand is big enough to grip the ball correctly, will damage his arm.
In the early days of Christianity the exercise of chastity was frequently combined with a close and romantic intimacy of affection between the sexes which shocked austere moralists.
We were disliked by the press in the early days because they couldn't put their finger on us, and that was the case with Zeppelin as well.
My dad encouraged us to fail. Growing up, he would ask us what we failed at that week. If we didn't have something, he would be disappointed. It changed my mindset at an early age that failure is not the outcome, failure is not trying. Don't be afraid to fail.
I'm in L.A., I'm in my early 20s, and I'm like, 'There are so many pretty girls here! Let's Marvin Gaye and get it on!'
I have a good memory for early life. My visual memory is good about childhood and adolescence, and less good in the last 10 years. I could probably tell you less what happened in the last 10 years. I remember what houses looked like, sometimes they just pop into my head.
When I heard Edward Snowden's story, it reminded me of my mother in a strange way. She was in the French resistance from early on, 1941. At that time, the Resistance were considered troublemakers - even traitors - in France.
Early in my life, without any supporting evidence, I fretted over what I believed was my fate: accidentally becoming an international pop star. The pages of my diary were filled with hypothetical ethical dilemmas.
