It raises questions about the natural instincts of Clinton that, when confronted with a serious domestic political scandal, she tries to blame the Russians, blame the Chinese, et cetera.
It would be so weird if we knew just as much as we needed to know to answer all the questions of the universe. Wouldn't that be freaky? Whereas the probability is high that there is a vast reality that we have no way to perceive, that's actually bearing down on us now and influencing everything.
Asking the proper questions is the central action of transformation. Questions are the key that causes the secret doors of the psyche to swing open.
Even criticism is more interesting when the writer's authority does not only come through this omniscient narrator, but through questions, ambivalence, vulnerability. A mind questioning and on the move, not just settling down and declaring - that's one of the most interesting possibilities.
Just as someone who's been interested in radio and programming for so long, I can usually tell when an interviewer is doing a segment just to fill a programming slot. They ask questions, but they don't care about the answers.
Management teams aren't good at asking questions. In business school, we train them to be good at giving answers.
There are always going to be questions - I know that. I'll let my playing answer my questions.
What I've found I really like about sci-fi is it can look at philosophical questions about humanity but in a different context. It can really make you think. That's what 'Doctor Who' does, even if it's a bit silly some other times.
The state of the economy is not the issue when it comes to growing a business. The relevant questions are always: 'What business are you in? Furthermore, is it adapting to the times?'
It's a fantastic privilege to spend three or four hundred pages with a reader. You have time to go into certain questions that are painful or difficult or complicated. That's one thing that appeals to me very much about the novel form.
I'm not answering questions with my songs.
Don't allow people to suck up all your time with their questions or problems. Learn to say 'no' more often.
We can all become activists and raise questions.
Science, it is said, no doubt has ameliorated the material conditions of human life, but is powerless to solve those moral and philosophical questions that interest cultured people so deeply.
Writing a novel, when it's all going well, it's wonderful. You're lost in the world, and you have a relationship with your own mind. Also, as a novelist, you don't have to yell at anyone. But being an executive producer of a TV show, all you have is people coming at you with questions, and you're making decisions, decisions, decisions.
Good directors don't answer questions with their work. They generate debate and create discussion.
I was worried if you adopted a foster child, someone from the birth family could still come and take her back. I was afraid that any child in foster care might have suffered such trauma or neglect that she would be impossible to reach. I'm not proud of these fears. But I understand now when others ask me the same questions.
One of the questions I get asked a lot is, 'What do you do to stay in shape?' My glib answer is, 'I play.' But I mean it. Sure, I go to the gym, but I don't spend my life there. Most of my activity is outdoors, whether it's basketball or mountain biking or rock climbing.
I believe that a work of art, like metaphors in language, can ask the most serious, difficult questions in a way which really makes the readers answer for themselves; that the work of art far more than an essay or a tract involves the reader, challenges him directly and brings him into the argument.
Humans have continued to evolve quite a lot over the past ten thousand years, and certainly over 100 thousand. Sure, our biology affects our behavior. But it's unlikely that humans' early evolution is deeply relevant to contemporary psychological questions about dating or the willpower to complete a dissertation.
Comedy is inherently subversive because it turns the normal reality on its head. The art form is all about these questions and contradictions. In comedy, we're dealing with language that we all understand, but words can have a dozen other things around them that alter or affect meaning.
For the most part, if somebody approaches me and says, 'I'd like to interview you,' who am I to say no, when I spend all my days going, 'Hello, you don't know me. I'd like to ask you some questions. Do you have a little time?'
If explicit metadata is a real problem, it raises problems that just can't be solved. It's not that we're not good at it; it's the problems cannot be solved because we're not going to agree about these deep questions of how we organize.
If dark matter and dark energy are 95 percent of everything, shouldn't we all be asking questions about that? What does that look like?
If I'm interviewing someone I need to know everything about them - I do these massive spider diagrams. Everything under different categories, and certain questions in other categories.
I feel like a good director provokes you to ask questions about your character, but doesn't answer them for you.
Privacy is tremendously important. I believe the American people, and all people, should be skeptical of government power, should ask hard questions: What is the authority? What is the oversight? That's the way it ought to be.
I had a reporter ask me how much I weigh. I said to him, 'You go first: How much do you weigh?' People always ask me what I eat. Other artists don't get asked these questions.
'What is this', and 'How is this done?' are the first two questions to ask of any work of art. The second question immediately illuminates the first, but it often doesn't get asked. Perhaps it sounds too technical. Perhaps it sounds pedestrian.
I was the youngest child. I got to be myself and ask stupid questions because I was the youngest. It is so important to listen to the questions children have and reward them for the wondrous questions they ask.
People have talents that are different. Where does the creative flow come from - inside us or from a higher power? I don't ask any questions. I just write it down.
I did two years at art school in criticism and curatorial practice, but I dropped out because I was frustrated that there was this hierarchy where I couldn't do anything or ask questions.
Gosh, for me, when I was 15 or 16 years old, I was just starting to understand ideas and film and things like that. And then, you go see a movie like 'The Matrix' that absolutely blows your mind. It's not just trying to entertain you, but it's also trying to explore something about human nature and ask some really deep questions.
Math people are math people. When you approach them with investments and business, they don't just ask the soft questions but eventually get to the hard questions.
I think that huge Christian institutions deal a lot with corruption. You see it happen with so many institutions. We've seen the questions with Catholicism, we've seen the questions with some other mega churches that really do exist.
I've always had questions about what it meant to be a protester, to be in the minority. Are the people who are trying to find peace, who are trying to have the Constitution apply to everybody, are they really the radicals? We're not protesting from the outside. We're inside.