Everything I ask is a question from Tamron, like it or not. My team does not write my questions. We put together a segment. We talk about the elements that I want, but we have a conversation for that hour with our guests.
Writer/directors are, for me, the most inspiring people to work for because they are the person on set that knows the answer to all the questions. They have the most invested in the project because they've been with it from conception.
People naturally want to know about what happened, about my leukemia. They ask the same questions again and again. And there have been so many positive conclusions, even through the bad times, that I don't mind at all to be reminded of my struggles.
I'm not the kind of actress who asks a lot of questions of my directors unless it's something I really need to know.
If I could meet Quentin Tarantino, I don't know if I'd just ask him one question. I'd probably milk it into, like, 500 questions.
The question that I started off with was, I thought, very simple. It was just 'Is there a massive black hole at the center of the Milky Way?' But one of the things I love about science is that you always end up with new questions.
One of the great questions of philosophy is, do we innately have morality, or do we get it from celestial dictation? A study of the Ten Commandments is a very good way of getting into and resolving that issue.
I'm not the first person to say this, but communication at 'SNL' - I don't want to say it's not good, but unless you ask questions, you will not know what's going on.
I know how men think when they're not responding to questions in a clinical study.
I think if you're forthright and answer a lot of questions, sometimes you'll get people who won't let you answer the questions, and that makes for a difficult answer.
I write because I'm in love with language; because I like working for myself, inside my head; and because it's the only way I know to make a stab at answering the never-ending questions of the heart that arise simply from the everyday living of our lives.
If Britain is going to investigate journalists as terrorists - take and destroy our documents, force us to give up passwords and answer questions - how can we be sure we can protect our sources?
I try to think of the social function of fiction as drawing the individual toward larger social and political questions. But I'm also very comfortable in saying that my novel - any novel - doesn't matter as much as larger questions of how we can see justice done.
Ridley Scott's 'Prometheus' is a magnificent science-fiction film, all the more intriguing because it raises questions about the origin of human life and doesn't have the answers.
The Sharks step right on each other's questions, and if I ever did that in Silicon Valley, I would be considered a pariah. I literally had to learn how to interrupt.
The question of causality is complex. For some philosophers and physicists, time might not exist. And since cause-and-effect reasoning needs the concept of time - of one thing preceding another - the effort to establish causality is a mug's game, an infinite regression of increasingly unanswerable questions.
People used to ask me questions on my blog about how to break into the acting industry. You often have to start out in parts where you have very few words, but you still have to try to make an impact.
Ten out of ten people die. You start thinking about that and it really makes you start to ask the big questions: Where did I come from? Where am I going when I die? What happens when we step out of here? What's out there?
It is as though nature is a wonderful symphony that science sits in awe of. It looks closely at each player, how the tubas are tuned and how the strings are strung. Creationism lets out a loud 'shush' at such excitement. Just enjoy the show and stop asking questions.
The questions I get invariably focus on Glenn Beck, Bill O'Reilly, and Sean Hannity. It's no secret Hannity is conservative, and O'Reilly certainly is not a liberal. Beck goes well beyond conservatism to some very strange places.
My philosophy is that I may not like all the questions that you ask, and you may not like all the answers that I give, but this is part of a transparent government.
In some ways I'm a frustrated scientist or mathematician. The amount of times I've thought I'd go back to university and do theoretical physics because I like the big questions, but really I know now that that's not quite me. What's me is to do it in novels.
Be an advocate for your loved ones in the hospital. Ask tough questions of your local hospital and health system about preparedness for the likeliest emergencies, and express your views on how medical resources should be allocated in case they ever fall short.
The coach is the boss at the end of the day. I do whatever he tells me and don't ask questions.
Great questions make great reporting.
You don't make a film because the audience is ready for it. You make a film because you have questions that are in your gut.
A lot of jobs today are being automated; what happens when you extend that concept to very important areas of society like law enforcement? What happens if you start controlling the behavior of criminals or people in general with software-running machines? Those questions, they look like they're sci-fi but they're not.
Because TED is for, and by, unbelievably rich people, they tiptoe around questions of the justness of a society that rewards TED attendees so much for what usually amounts to a series of lucky breaks.
If they can get you asking the wrong questions, they don't have to worry about the answers.
By bringing current events into the classroom, everyday discussion, and social media, maybe we don't need to wait for our grandchildren's questions to remind us we should have paid more attention to current events.
The experiencing self lives in the moment; it is the one that answers the question, 'Does it hurt?' or 'What were you thinking about just now?' The remembering self is the one that answers questions about the overall evaluation of episodes or periods of one's life, such as a stay in the hospital or the years since one left college.
If there is one thing I fear less than everything else, it is, I believe, persecution for my opinions. There are a good many points about which I may be diffident, but when it comes to questions of Truth and intellectual independence, there is no holding me - I can envisage no finer end than to sacrifice oneself for a conviction.
Over the years, I paid careful attention in client meetings and jotted down things that quite didn't make sense. And I had the courage to raise questions and to be skeptical when something didn't add up.
The reason you work as an artist is to stay open and ask questions.
I would often take this bus and go to a nearby village where I had hordes of animal friends. I was hardly around four or five years old then. The conductor was so used to seeing me hop on to the bus and get down at the same place, that he never asked any questions. The strangest part is, he never asked for a ticket either!
I like doing the readings and the autographing, but the interviewing gets a little tedious because you get asked the same questions every day and sometimes three or four times a day.