I think the deeper you go into questions, the deeper or more interesting the questions get. And I think that's the job of art.
I try to take large, general questions that are difficult to resolve and break them down into small, very specific questions that have clear answers.
I think that when we know that we actually do live in uncertainty, then we ought to admit it; it is of great value to realize that we do not know the answers to different questions. This attitude of mind - this attitude of uncertainty - is vital to the scientist, and it is this attitude of mind which the student must first acquire.
I don't work with people who ask me questions.
The Moon may not be quite as appealing as Mars, but it's still a complex and poorly understood world, with many questions still unanswered.
When I'm doing an appearance somewhere and taking questions from the audience, I can always count on: 'Tell about the guy who died on your show!'
I guarantee that if you threw 100 people into a room, the first three questions they would ask each other are: 'Where did you grow up?,' 'Where did you go to school?' and 'What do you do for a living?' Most people on Bumble are looking for a life partner, and those things have a huge impact on compatibility.
You need a debate and a vote on the principles: Do you want more Europe or less Europe? Do you believe we are more efficient with defense and security with Europe, or not? Do you believe we are more efficient for our companies with or without Europe? Those are the questions we have to discuss and push our people to vote on it.
I can be a good listener. I can ask the right questions a lot of the time.
I like it when an actor is secure enough to ask questions, and the director is secure enough not to be threatened by that.
Every few years, the feds and the courts change direction or fail to answer important questions. And every day, the Internet becomes more of a platform for lousy ads, for increasing the power of a few rich companies, and for intrusive tracking. It's too important to leave unprotected.
A novel should be a book of questions, not a book of answers.
I grew up in Brooklyn, New York. I grew up in a very Jewish neighbourhood and thought the whole world was like that. My parents were secular, but I went to a very Orthodox Jewish school, and I really got into it. I found it all fascinating, and I was just kind of really attracted to the metaphysical questions.
Working with a guy like Ice Cube on 'Ride Along,' you learn so much. He's a guy who produces, writes, and directs, so you watch and learn and ask questions. As you go, you learn and figure out what you should and shouldn't do. I do nothing but soak up information.
It was unthinkable not long ago that a biologist or paleontologist would be at the same conference as an astrophysicist. Now we have accumulated so much data in each of these branches of science as it relates to origins that we have learned that no one discipline can answer questions of origins alone.
I think if you open the door to government control of television, then you let in a host of questions about rights.
A lot of people have been asking me questions about IVF and surrogacy, and I'm glad that I can be a mouthpiece to that.
By looking at the questions the kids are asking, we learn the scope of what needs to be done.
The more questions and answers we get, the more useful Quora is.
I always write about the things that haunt me, the questions I have.
I think everyone has their own style in journalism. Look, I'm a girl from the South! Sometimes I laugh. Someone can pejoratively call it giggling. But if you look at the body of my work, I ask lots of hard questions and break a lot of hard news.
A man can sleep around, no questions asked, but if a woman makes nineteen or twenty mistakes she's a tramp.
I'm trying to get my head in the game, think about the questions I wanted to ask, breast milk is flying everywhere - over my notes - and I - how do you 'lean in' at that moment? What is the equivalent of that for Wolf Blitzer or Joe Scarborough?
I have always been much better at asking questions than knowing what the answers were.
Occupy Wall Street is meant more as a way of life that spreads through contagion, creates as many questions as it answers, aims to force a reconsideration of the way the nation does business and offers hope to those of us who previously felt alone in our belief that the current economic system is broken.
I've never worried about life's big questions.
Quite early on, and certainly since I started writing, I found that philosophical questions occupied me more than any other kind. I hadn't really thought of them as being philosophical questions, but one rapidly comes to an understanding that philosophy's only really about two questions: 'What is true?' and 'What is good?'
Usually when a song comes to me, I don't ask a lot of questions; I hear something, and I just let it out in song. It's like making a salad. Everything I hear, and everything I am, I mix together in a different way in each song.
I don't think it's the writer's job to give answers or to give opinions. In fact, when a writer has answers, I think the work ends up being corrupted. It becomes didactic. What a book does is share a consciousness and invite people to explore the questions as best as you can.
When I was 20 years old, I was living in Ireland, going to school in Cork. There was this girl in my film class that I was kind of flirting with. We had this notebook that we passed back and forth. We would write 10 questions and then pass it back while we were supposedly paying attention.
There are two questions that you ask yourself as a writer, and one of them is, 'But why?' The question that takes the book forward is, 'What if? What if x y or z happened? How would those characters react?'
Well, when you look at a lot of science fiction novels they're asking questions about power. There are questions about what it means to have power and what are the long-term consequences of power.
I was always taught not to answer no questions. I'm not really good at answering them because I get agitated so fast.
I don't need to be liked, but I need to be vital - on set or on stage - and I think that probably would be my advice: Stay vital. It's about saying 'no' and asking the tough questions and believing in yourself when no one else will, but you have to know the rules to break them.
The thing about it is, I'm one of these people that if you're not getting anywhere, you gotta change it up, and you gotta ask more questions.
It's the same as Keith Richards. People still ask him the same questions they asked him 30 years ago, even though he's a completely different person. And I'm a completely different person than I was 15 years ago.
