You don't need to depend on a label, because you're making that money on your own.
Although I didn't set out to run my own label, I found it made sense quite quickly. I can say what I want and dance to my own tune, even if sometimes it's like nobody is listening. The trade-off is you stay 'cult' and resign yourself to a very modest level of what most people would call success.
For you, the state is an entity with purposes of its own that the people can be required to serve. For us the word is only a label for the arrangements by which we the people delegate to some among us responsibility for things that concern us in common.
I used to buy vinyl. Today, if you do put out a record on a label, traditionally, most people are going to hear it via a leak that happens two weeks - if not two months - before it comes out. There's no real way around that.
I think that various styles and methods and approaches are an invention of people who don't understand the process of acting and who try very hard to label things.
I want to record many albums, have a healthy record label with talented artists, keep building my publishing catalogue, and maintain our culture with good music that will be remembered for years to come.
I can't go back and label myself as an outcast because I was a pretty well-adjusted kid, but I can certainly relate to the feeling of being an outsider.
I just have so much love for my record label.
Singing is my favorite thing to do. One day, I hope to get signed to a record label.
Death Row had a lot of artists. They had Snoop, the Dogg Pound, the Lady of Rage, and there was other artists that was also on the label, so it was a big list and a long wait. I didn't want to wait that long, so I started branching off and doing my own thing.
I think we make too many records. One record a year is crazy to me. But some people have to sell tickets. The label has to meet their quarterly number: 'We need a record a year.' All of a sudden, the tail's wagging the dog. It's not the music; it's everything else making the music. That's just backwards. It's wrong.
When something happens to you, suffering doesn't begin. Suffering begins at the instant you label a bad thing - as something that is wrong.
Some people choose to go on 'American Idol' or another singing contest, and some people choose to beat down barrooms before anyone even knows who they are, in order to get a fan base, so when they do get a record deal, they have that to put in front of a label.
The Adversity Index was created by msnbc.com and Moody's Analytics to track the economic fortunes of states and metro areas. Each month, the Adversity Index uses government data on employment, industrial production, housing starts and home prices to label each area as expanding, at risk of recession, in recession or recovering.
Just like food, you could think peanut butter is your favorite food for 5,000 years and then be like, 'I actually like burgers better', you know? I was just trying to say that kids and people in general don't have to label themselves and say, 'I'm straight' or 'I'm gay' or 'I'm whatever.'
You know, if a band on a label sold a few hundred thousand copies of their record these days, they wouldn't make any money. But if a band can pump out 10 million copies of a record for free, and 50,000 of those fans come to the band's website to watch pay-per-view videos or buy a t-shirt, that's roughly $10 million in revenue per year.
With In the Company of Men, the misogynist label stuck early and firmly. In the end, it probably did hurt the film a bit, because getting women into the theaters was difficult.
I do not come bearing a party label on my sleeve - or a quick fix in my back pocket. I do not come with a rigid ideology in my heart - or a soul that tells me to go it alone. I do not come to uproot tradition - or to be imprisoned by it.
Libertarians are essentially what the Republicans were 30 years ago. Abraham Lincoln, Teddy Roosevelt, Richard Nixon, Ronald Reagan. They'd all fit more under the Libertarian label than the modern day Republican label.
I think the worst thing you could ever do is label comedy. I'm a fan of the broadness of Lucille Ball, the subtlety of Peter Sellers and the oddballness of Fred Armisen and the wittiness of Marty Short. I'm a fan of all of it, and I want to do all of it.
A true epilogue is removed from the story in time or space. That's the reason it is called an 'Epilogue'; the label serves to alert the reader that the story itself is over, but we are going to now see a distant result or consequence of that story.
If you want to know if your food contains gluten, aspartame, high fructose corn syrup, trans-fats or MSG, you simply read the ingredients listed on the label.
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
I've been doing my record label for 15 years called Dim Mak. I started my label when I was 19 in '96. I started putting out an eclectic roster of artists. In 2003, we found a band called Bloc Party, and in 2004, we started getting remixes for Bloc Party, and at the same time I was throwing Dim Mak parties in Los Angeles.
If had to label myself, I guess classical liberal would be best.
It's not my style to either wear minimum clothes, to strip, or to even be comfortable with a sex-symbol label. I just want to do good work instead of sporting such meaningless tags. Sex sells, but to a small extent, not always. And this is what filmmakers have to accept.
When I was shopping around trying to get signed, I made it a point to say, 'This is who I am.' I dress the way I normally dress, and I just wanted to find a label that would accept me for that.
My record label always says you shouldn't talk about money because it makes people extremely uncomfortable. Refugees can't talk about money. Rappers can talk about money; refugees can't talk about money.
Shoot, there's a committee to tell you everything at a record label. You definitely have to know who you are if you want to look like you at the end of the process. We've all seen people get record contracts, and by the time they're spit out by the machine, we don't even recognize them.
Is the 'black designer' label there to warn everyone not to have the same level of expectations for me, or is it some type of prize? I just want to work in an even playing field where I can get press for my work and not just my race and my personal views on it.
Heath Ledger was supposed to put our album on what would have been a new record label. I still feel a little dead after losing him.
I think overall, and this isn't specific to Spotify or any streaming service or any label... when you consider the overall value chain of the music industry and how important the songwriter is to the business - I think there needs to be another look at the value chain.
I couldn't put any kind of label on my production aesthetic.
Yeah, I think Michael has had to deal with that label of being Michael Caine for a long time.
Obviously, my label would want me to be on the radio all the time, but that's not my personal goal.
Hollywood constantly wants to label you and type you into a certain category, 'Oh he's a comedy guy,' or the weirdo character guy or the villain.
