When it is dark enough, you can see the stars.
I meet human beings who are flawed, who are mentally ill and have enormous problems, but I don't think I've ever met someone who was a totally dark energy that had no humanity or sense of love or affection for anything in their life. That's very rare.
Everybody thinks I'm so serious and the dark side is very accessible to me, so of course it's a challenge to do something funny.
Never fear to deliberately walk through dark places, for that is how you reach the light on the other side.
Patton was living in the Dark Ages. Soldiers were peasants to him. I didn't like that attitude.
It's never easy with characters in these dark and grave circumstances but that's my job.
There's a dark side to everything.
When you a darker brunette and have pale skin like I do, it can wash you out a bit, so learning to contour is really helpful. I think you can be a bit more bold with eye makeup to define your eyes, and the same with lip colors - you can go for dark wine colors, which I love.
I'm playing dark history. It's beyond black. I'm dealing with the dark things of the cosmos.
Every moment of light and dark is a miracle.
I feel that buildings often have a workaday aspect that you see during the daylight hours, and a more resplendent side that emerges after dark.
I write in longhand and assemble lots of notes, and then I try to collate them into a coherent chronology. It's like groping along in the dark. I like writing and find it challenging, but I don't find it easy.
I like movies about longing and desperation, and dark and light things, stories about people struggling to raise children, and to have relationships and be intimate with each other.
Once I moved to L.A., there was a dark moment of trying to keep up with the girls I thought were pretty. Until I realised that's the stupidest thing you can do because people are so pretty in L.A.!
I did Chekhov's 'Three Sisters' once. Two months in, I remember going, 'Human beings shouldn't be forced to do or watch this play every night.' It's so dark and so bottomless.
Words are beautiful but restricted. They're very masculine, with a compact frame. But voice is over the dark, the place where there's nothing to hang on: it comes from a part of yourself that simply knows, expresses itself, and is.
Everybody that writes has their own area of inquiry. And mine has always been kind of, why is it that when life can be so hard and difficult, we compound it by self-sabotage, doing terrible things? That's always been my main area of inquiry, and it does lead you to dark places.
I like dark, dramatic roles; they're just really powerful and real.
I sometimes have a tendency to walk on the dark side.
I wouldn't recommend young kids see 'Speedway Junkie.' It's definitely an age-appropriate movie - dark and realistic and edgy. If young kids want to see me, go see the Christmas movie.
My poems tend to be more celebratory and lyrical, and the novels so far pretty dark. Poetry doesn't seem to me to be an appropriate tool for exploring that.
Joe was being called a liar and a traitor; I'm being accused of nepotism, of being a glorified secretary. The stresses that that places on an individual and, of course, a marriage were tremendous. It was - there were some dark days.
Basically, we are a whole world of people desperately trying to figure out what is the dark side of our natures and how much can we explore without becoming something else.
I loved being in the film called 'Carnal Knowledge' - the one with Jack Nicholson, which was very dark but a really brilliant movie. I loved being in 'The Ritz.' 'The Ritz' I think is just hilarious. I just saw it again recently and by God, it's still funny!
Like the character I played in 'Jekyll', we all have different masks we put on for different occasions. As much as we all want to lead decent lives, we're also attracted by the idea that something dark may lurk within us.
Society's dark hull drifts further and further away. It is this place - the place of our separation, our distinction - that much of his poetry occupies.
In a dark time, the eye begins to see.
I had a wonderful time making 'Dark Shadows.'
I gambled and I lost. I failed in securing my options for this choice for myself, but I succeeded in verifying the Dark Age is still with us.
In 'Snow White and the Hunstman,' when we see them in the Dark Forest, you're allowed a lot of freedom to be able to cutaway to, for instance, the prince. That B and C story stuff helps the writing process, even though it makes it a more complicated movie.
I often eat Skippy's Super Chunk peanut butter out of the jar with a spoon. I don't shamefully sneak it in the dark of night when everyone is in bed. I just twist that cap off and go to town right out in the open.
I wouldn't call myself a synaesthete in the sense that Nabokov was. But I'll talk about a sound as being cold blue or dark brown. For descriptive purposes, yes, I often see colors when I'm listening to music and think, 'Oh, there's not enough sort of yellowy stuff in here, or not enough white.'
My sorrow, when she's here with me, thinks these dark days of autumn rain are beautiful as days can be; she loves the bare, the withered tree; she walks the sodden pasture lane.
I loved and protected my own children like a fierce mama bear, but one of them died anyway. It was a dark day when I realized that part of my responsibility in Casey's death was that I did not love all the children of the world in that same real, not abstract, way.
If I wasn't in the entertainment industry at all, I would be a miserable human being serving pancakes at Denny's. I'm also a singer, so maybe I'd be singing at dark jazz clubs in Brooklyn.
I don't personally see my work as being dark. What interests me is a balance between light and dark.
