I don't think a lot of artists have the freedom that I have when it comes to dressing in general.
It's rather nice to think that a song such as 'What Kind of Fool Am I?' is a standard that will be around for many, many years.
I actually think that 'Bandbox,' by far the silliest of my books, is the best constructed of them.
For lots of people who became rich, they believe they earned their fortune through hard work. They don't think about society and only want to leave their fortune to their children.
I think of myself now as a writer, although I wouldn't go as far as to say 'novelist' because that sounds like a Victorian person.
I don't know if I ever entertained an academic career, nor did I ever think I'd become a feature film-maker in the market.
In an automobile, if you think about the navigation system - of all the cars in the world, four out of five cars in the world if they have a navigation system have something from Nokia inside that car - the data, the platform, something. So we play a very strong role there.
Well, I don't know. It's long, it's longer than both of the other books put together, so it's more ambitious. I think I get under the skin of the people a lot more than in the other books.
After the verdict was read in the Simpson case, as the jury was leaving, one of them, I was later told, said, 'We think he probably did it. We just didn't think they proved it beyond a reasonable doubt.'
It scared me to death to think about improv, but I got hired for a year at Second City in Chicago, which made me nervous, but I found I could improvise. Then I was in a group called the Ace Trucking Company, which we'd do, like, a half hour set of material, then open up for improvisation.
I think of myself as a very lazy writer, though other people see it differently.
I think in the darkest moments, we need a break.
I think that if you run a big company, you've got to, four or five times a year, just say, 'Hey team, look, here's where we're going.' If you do it 10 times, nobody wants to work for you. If you do it zero times, you have anarchy.
I think you have to be careful with spices. Kids' palates can be very delicate, and they might not like things overspiced. In my cookbooks for kids, I do a milder version of my signature spice blend, Emeril's Essence, called Baby Bam, which has no cayenne pepper.
I think the commercial world is a lateral step from features. Some people see it as a step down, but I've never understood that.
I'm not sure what I think about current fashion, though. A few years ago, I would have said it's really, really bad and you hardly ever see anybody looking good. There must be some very good designers in the world.
I used to think 40 was old. Now I think, 'Hey, 40's hot!'
With yoga, it works every part of the body and increases range of motion. People think you get super flexible and you lose your power in sport. I'm getting back to normal because I'm so wound up and tight.
It's very shocking, I think, for people caring for the dying to realise how unsaintly they feel, how much anger is mixed up with their grief. In fact, often I think the anger that they feel is a form of grief; it's a kind of raging against what's happening.
It's been cool to catch up, but I think I'm done with my exes. To be honest, I went out with flying colors on the majority of them.
I think films have to reach people and really grab them. That's what I hope to do when I make a film - to get under your skin and really make you think about something, and have a transporting time that takes you somewhere.
The truth is I never think of any subject as taboo.
Fifth Harmony is an entity or identity outside all of us, and I don't think anybody felt individually represented by the sound - we didn't make it.
I used to think that divorce meant failure, but now I see it more as a step along the path of self-realization and growth.
I think everybody has to kind of decide what the word 'jazz' means to them, and that's fine.
I don't think I have any set image, and I don't want one. If I think I'm getting a particular image, I try and break it. I find it very important to keep the audience guessing and keep them on their toes.
I think that when you are on a four-inch balance beam, you don't care about laughing or smiling or waving to the crowd because you're going to be down in a second.
I don't think it's so hard to be commercial and interesting. Look at Prince, or Neil Young.
I think that life is just too sweet to be bitter.
I think a lot of people who are child actors - it's a weird thing.
I think any city that does the Olympics takes on the world and has to grow and has to kind of assimilate all sorts of folks.
After I won the Pulitzer, there was this sense of, 'OK, that's enough for you. Now go away.' What I wanted was to keep writing, keep working. But no one would produce anything of mine they didn't think would be as big as 'night, Mother.'
Most people think of leaders as being these outgoing, very visible, and charismatic people, which I find to be a very narrow perception. The key challenge for managers today is to get beyond the surface of your colleagues. You might just find that you have introverts embedded within your organization who are natural-born leaders.
Scientific experiments are expensive, and people are entitled to know about them if they want to. I think it is very difficult to convey ideas.
Think of the first Apple II being shipped in 1977. It took almost a decade for it to land in my school where I could see it.
I think the most important element of a power outfit is proper fit. The one item to focus on is a suit. If it's the right fit, you could wear it with a T-shirt and still convey the positive message.
