If a bank's too big so that it can't fail without hurting our economy, well then, it's too big.
Everybody's got something. In the end, what choice does one really have but to understand that truth, to really take it in, and then shop for groceries, get a haircut, do one's work; get on with the business of one's life. That's the hope, anyway.
A good script is like a work of art in itself. I've read hundreds of scripts, and good ones are very rare. If the writer has something to say, and a voice, and a plot that matches character, and an emotional trajectory that works, then I'd be an idiot to fool around with it. It's just that few scripts ever are like that.
I believe that patterns tend to repeat themselves and there are connections between the past and the present. There is the old proverb that reads, 'You can't know where you're going if you don't know where you've been'. For me, history is like that. When you take history and combine it with myth, then you get mystery.
When I talk with my students, I introduce a process of work I call the three R's: First comes research, then real world exploration, and finally, and perhaps most important, a fact-checking review of all that has been written.
I lived on couches for something like six months. I had no home. I was totally broke. I would stay at a friend's house for two weeks, then move because I didn't want to become this permanent mooch.
One thing I've learned through all the ups and downs is that if you're doing things right, then you have a core group of people. Not just a core group like your homies or your buddies, but a group of people that has a good influence on you, who you respect and admire, and you know that if they're on your side, you're doing something right.
People like to see a guy being built up; they like to see a guy go from the bottom to the top, but then once you're on the top for a little bit, people wait to see you fail, and they want you to fail, so they find flaws and they find reasons, whether it's being too nice or trying to make you out to be fake - that's what they do.
Do you know, that is the root of the whole trouble - has been one of the roots at any rate - is people hearing things and then imagining some more and magnifying it and multiplying it.
'Guyism' wanted a daily video series. They told me they were planning on hiring a girl and then hiring someone to write all her jokes. Then they figured it would be easier just to get me, so they offered me $750 a month to do it, which turned into an offer to move to New York and do it full-time for $30,000 a year.
When I was coming up as a kid, there were programs that kept me out of trouble and on the straight and narrow in South Central Los Angeles, and I always felt that when I got to a stage where I could provide similar opportunities to kids then I would do that.
A lot of people stop short. They don't actually die but they say, 'Right I'm old, and I'm going to retire,' and then they dwindle into nothing. They go off to Florida and become jolly boring.
Computers sort of came around through games and toys. And you know, the first computer most people had in the house may have been a computer to play 'Pong,' a little microprocessor embedded, and then other games that came after that.
I love doing third albums. A group makes its first album, and then the record company rushes them into the studio to make their second album. After that, they go, 'Whoa, wait a second.' They get a little more confident. They step back and say, 'Okay, now we're gonna do it.'
If you risk nothing, then you risk everything.
We bring our preparation to the table, and opportunity may present itself, and if you are well prepared, you can seize opportunity and then maybe something good happens, and you call that luck.
Before the show, there's about two or two and a half hours of meet and greets with radio stations, promoters, people who I need to see and thank and talk to to make sure they remember me. And then, I get - out of all that day of talking and smiling and shaking hands and getting photos, I get to sing for two hours.
I just believe that you have to allow each other to grow in the way you're meant to grow and not be afraid of losing that person, because if you grow apart, then you grow apart, and that's the way it was meant to be.
I thought my book was done, then we went to Hawaii and the whole last chapter happened.
Thanks to evolution, our bodies have powerful ways to ward off illness and infection and enable us to live long and healthy lives. Why, then, do health costs continue to climb at unsustainable and frightening rates?
I write and write and write, and then I edit it down to the parts that I think are amusing, or that help the storyline, or I'll write a notebook full of ideas of anecdotes or story points, and then I'll try and arrange them in a way that they would tell a semi-cohesive story.
Something I learned in the Marine Corps that I've applied to acting is, one, taking direction, and then working with a group of people to accomplish a mission and knowing your role within that team.
I'm never scared, so I don't watch horror movies. Back in the day, I was. I was scared of 'It' - you know, the one with the clown. That's the thing I found scariest in my life, but since then, not really - I don't watch them.
Getting sequestered and not really knowing what to do with your time and then discovering, 'Oh, I can watch a bunch of horror movies' has probably played out in a lot of people's discovery of horror.
If you offer athletes stipends, then you're into pay-for-play, and that's the ballgame. People should realize that, and they should realize that amateurism never has been a sustainable model for a sports-entertainment industry. It wasn't in tennis. It wasn't in the Olympics. And it's not in big-time college sports.
I joined a radical group at the age of 16 because I'm a passionate man; the good news is that I turned myself around since then. But my character is still quite free and passionate.
I was born in Northern California and lived there until I was about eight years old. Then my parents moved me up to Seattle. I lived there from ages eight to 16. When I was a California kid, I remember running around in my bathing suit and barefoot all the time and getting a suntan.
My father fought in the war, and then he was posted all 'round the world with his job. So I didn't know him very well when I was young.
I think music is a powerful medium because it co-inspires. It inspires the artist who then inspires the listener, and it's a back-and-forth process.
My parents were both in the army for 20 years and then worked in government departments; but they had gone through the Great Depression and known lean times. They always remained extremely frugal and lived far below their means.
Since I was 8 months old, till I was 12, I did commercials and ads and cute little stuff for kids. Then I had braces on my teeth. They took them off when I was 16, and then I started modeling more seriously and doing more fashion.
If you are good at studies, and you want to play cricket, you may work harder than any other person, but you may not achieve it. So it's something you have to balance in life and be practical where you are good and then channelise your efforts in the right direction to be successful in life.
Everything isn't always going to be peaches and cream. If it is, then it's fake.
As the lawyer, I found most of it was a matter of research, which I was great at - that's what I did to death - and then basically persuading people that you're right, and they're wrong... I found that the easiest of all the professions to impersonate.
I was a pretty delinquent little kid. My folks and I didn't get along, so I basically moved out... put myself through high school and then college by working. I'm only a half-year short of a degree in history.
I don't see many explosions or ten-car crashes in the course of my life, so I don't put them into my movies. I would love to live in a society where 'My Dinner with Andre' made $100,000,000. Then I would be in the mainstream. I could do that stuff easier than I could do 'Meatballs.'
