If we're afraid to stand in our own skin with those we work with, then how do we lead those who have no voice at all?
You shouldn't end a band like Westlife and not be financially secure to some extent, but I wasn't at all - it was the complete opposite. But you look at stuff then, 'Well, what do I have? I don't have money but I have a great marriage, three healthy kids, and I have my voice. I'll just start again.'
So the first season about halfway through he just sort of put us together and then broke us up all within one episode. One of the ideas is to have us do that once a year - to have everything blow up in our faces and not work out.
Used to be bats had thick handles and a big barrel. Then they found it's not the size of the bat that gets home runs - it's the speed with which you can swing it.
I did work hard at auditions, and three years at RADA isn't like a walk in the park. And then it takes a lot of sacrifices, giving certain things up in order to audition, in order to do a play, whatever it may be.
A lot of more modern films seem to just be out for violence or sex or what have you, without relating it to what's going within human beings. But every now and then one comes along that does that, and it's a joy.
It's about players making choices as they play, and then dealing with the consequences of those choices. It's about you telling your story, not me telling mine. It's about you.
The most interesting stuff happens when an authoritarian government removes itself a little and gives this margin of freedom. And then art is grabbed with both hands.
In terms of design, it's true the world has an influence. But, as a designer, you have to protect yourself. You have to look at the world and then forget it.
The truth is that at age 19, I was a teenage mother living alone with my daughter in a trailer and struggling to keep us afloat on my way to a divorce. And I knew then that I was going to have to work my way up and out of that life if I was going to give my daughter a better life and a better future, and that's what I've done.
Good people can disagree - all you want is honesty, because you know, if I disagree, I'm willing to debate you on that, and then let the public decide what's good policy and bad policy.
My attitude to writing is like when you do wallpapering, you remember where all the little bits are that don't meet. And then your friends say: It's terrific!
I remember my agent at ICM at the beginning of my career telling me that I wasn't pretty enough, that I was always going to be a quirky sidekick. And he was an ogre of a man. He should have been carrying a torch. If he was in a bar, he couldn't have come near me, and then he was deciding my fate.
I write all over the house. Because I write in longhand, I can go anywhere I want... I have some notebooks here and there, and then I type it in and pull it out, and I do the revisions all over the place.
I was raised a Roman Catholic and had to go to the eight o'clock Mass every morning and have communion and wear a tie, kind of like a restricted life style. Then in the '60s, we got wild and let it go and started looking in other places to see where God really was, and I came back to the Christian thing.
I just feel like people like a little break. Especially at 12:37 at night, you go, like, 'I'm just tired of the snarky right now. I just want to lie down and have somebody make me laugh for an hour. Entertain me, and then I'm going to sleep with a smile on my face.' That's my job; that's what I do.
I didn't like any British music before The Beatles. For me, it was all about black American music. But then I became a successful pop singer, even though the kind of music I liked was more elitist, which is what I'm trying to get back to.
If I can introduce someone to something new, as is constantly happening to me, then I am elated.
One day, at my office, I wrote down some names and dates and notes, and I wrote a title, 'The Age of Despair,' and then some other 'Ages' - Innocence, God, Reason, Hope - and I wrote this as well: 'Woman, born in 1930, lives till the age of 80 or so, suffers depression, marries a car dealer, has children who grow up to confuse her.'
It is extraordinary how safe flying has become. You are now statistically more likely to be elected president of the United States in your lifetime than you are to die in a plane crash. What an amazing achievement as a society! But what we end up focusing on are the catastrophic failures that are incredibly rare but happen every now and then.
I was the female lead in a romantic comedy. It's a little indie film that we shot in China called 'America Town,' starring Daniel Henney and Bill Paxton. I actually had to speak Chinese in the film. It was funny because I found out I was doing the film and then a week later, I was in Shanghai.
I had an interesting moment with 'Wonder Woman' where, when I first thought about doing 'Wonder Woman 2,' I thought, 'Well, these are so intense, making these movies. It's a lot to think about doing more.' But then I had an epiphany, and I thought, 'Oh, it's not more - it's better.'
I taught and studied dance in college, and for over a decade, I thought that would be my career: tap dancer, ballet dancer, modern dancer. I still find myself doing some tumbling or interpretive dancing in the grocery store every now and then.
The thing I take great comfort in and what I think is cool about the process is that I know in my heart that I gave it everything I had back then. That helps me sleep at night. I still feel proud and happy.
Nothing in life prepared me for the way I felt about being a mother. Until then, I sort of felt like a blank sheet of paper. I was always trying to second-guess myself, to be what others wanted me to be.
Our focus is to get citizen astronauts to experience the 'overview effect,' return to Earth, and then impact their communities.
I was scared when I went to Conde Nast. I had heard horror stories about how they used you up and then spit you out and went on. But there was this great history of photography that had been done there.
I photographed Alek Wek. She was amazing, and nobody knew about her then. It was a really strong photograph of her.
My politics were really radical when I was younger, and then I moderated like everyone else does when they start having kids.
Let me say that if the political arena is your choice as you work to keep our democracy strong and our essential freedoms accessible for all, then that is what you should do, and I salute you. We need champions in all walks of our civic discourse.
If I was blond and tall, then I would have had 10 times the competition. I auditioned steadily and performed for everyone who would hire me. Now I am in a position to pick and choose my roles.
I want my life to match my work now. I don't want to work and then travel. I want to be at one place.
By the time I left college, I had won every award you could win - I was Mr. Man! Then I got drafted by the Giants, and you step in that locker room, and you feel inferior in every way. You just have to stick around long enough to give yourself the opportunity to build your confidence.
Every year, I give my dad an advance copy of my latest book. He reads it over the next several nights and says something incredibly supportive. Then he clears his throat nervously and changes the subject.
Food is a weapon - a very effective weapon. People don't cultivate, don't farm, you cut the road off, then you subjugate them very easily.
When I talk about rock n' roll, to me, that goes back to the beginning of the 1950s. Blue suede shoes and sideburns, man. Pink and black coloured clothes. Turn your collar up, comb your hair in ducktails. And the music was cool. It was a whole culture then - a different world.
