I was always funny, but I wasn't a great musician, and I wanted to be a musician way more than I wanted to be a comic. I just didn't think comedians were cool when I was a kid.
What I love about Popsicle and the moments I can be with Camden is that their whole philosophy is family and these moments that it can create to just sit with my son, read a comic book or go outside on a hot day, take a swim and have a Popsicle treat with him.
If you want to, if you are a crazy person, you could go from idea to the stands in about four months. It does not cost hundreds of thousands of dollars to make a comic the way it does to make a television show or a movie.
Why not take a science fiction comic and put the characters in a small town to gain their particular perspective? A lot of that comes from me growing up in a small town on a farm, so that's what I know and what I'm comfortable with. My drawing style is also very sparse and minimalist, so a rural setting complements that.
The comic edge of 'Ghostbusters' will always be the same. It's still treating the supernatural with a totally mundane sensibility.
I wanted to make an explicitly educational comic that taught readers the concepts I covered in my introductory programming class. That's what 'Secret Coders' is. It's both a fun story about a group of tweens who discover a secret coding school, and an explanation of some foundational ideas in computer science.
For me personally, I get to be a cartoonist, because my comic would never survive in print. Maybe one in 100 people would like it, but online, I can gather that one percent all in one place.
I'm just a guy who happens to work in public from time to time. I've built a reputation as an established comic, not as a celebrity - a celebrity is someone who is famous but doesn't do anything.
It's great finding a comic book character that doesn't care about following traditional comic book rules by breaking the fourth wall and being explicit about everything. This gives Deadpool the arrogance which you just have to love.
As a comic and as an actor, I think you've got to be partially crazy.
In high school, I had to hide my comic book side, my nerd side from the civilian world so they wouldn't categorize me. They would try to marginalize me for what I like. I tried to give it up, believe me. I tried to kick the habit. But there's too much I liked about it to give it up completely.
People called me a hoodlum and a thug. But they didn't tell you I was a carpenter, an architect, a stand-up comic - even a bartender. And a barbecue cook. But they didn't tell you that.
I concentrate, more than I think virtually any comic book artist has in the past, on the so-called mundane details of every day life - quotidian life. What happens to a person during a working day, marital relations, and stuff like that.
Kids are no longer interested in reading comic books; they've got television and the electronic games that they can bury themselves in like ostriches. They don't have to pay attention to what's going on in the world around them.
I'm so not a comic book guy. The most I knew about 'The Flash,' as a little kid, was the Underoos. I had 'The Flash' Underoos.
Estelle Getty used the language of a truck driver, or a sailor. Bea Arthur didn't wear shoes. Bea Arthur was a comic genius. Her timing was extraordinary.
One day, we had a layoff at my job. And I went to my boss, and I said, 'Please save someone else's job. This is a win-win situation for the company and me - and just lay me off.' I did that in around 2003, and I never looked back. I became a full-time comic.
I watched so many comic book movies where the actors weren't as built as the characters in the book. It made me mad because they didn't look right.
From 'The Sandman' and 'Black Orchid' to 'Whatever Happened to the Caped Crusader?,' Neil Gaiman has provided some of the most memorable stories of the comic book industry.
Mike gets to play four roles this time, if we ever did it again, he will play my role as well. He is a comic genius, everyone wants to be in this movie, let's hope that everyone will wish to see it as well.
I thought I had more of a European sense of humour than the average American comic.
If my mother hadn't laughed at the funny things I did, I probably wouldn't be a comic actor. After she had her first heart attack, the doctor said, 'Try to make her laugh.' And that was the first time I tried to make anyone laugh.
I see myself as a comic but the acting helps sell tickets for gigs.
The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop.
Ultimately, there's always been a link between comic books and video games, and comic books and movies, and then basically all three steadily becoming this sort of transmedia.
I'm doing research for a large comic book on the Beat Generation guys - Allen Ginsberg and Jack Kerouac and those guys.
My father spent his entire early career as an illustrator for comic books: EC Comics like 'Tales from the Crypt' and 'Creepshow,' then moving on to such magazines as 'Mad' and 'Weird Science.'
I grew up on comic books. 'X-Men' was my favorite team; Wolverine was my guy. At 8 years old, I dressed up as Wolverine with Adamantium claws that I made out of aluminum!
I'm a cartoonist. I write and draw comic books and graphic novels. I'm also a coder.
I was not a giant comic book fan as a kid, but to the extent that I did read comics, Spider-Man was always my favorite guy.
In my office in Florida I have, I think, 30 manuscript piles around the room. Some are screenplays or comic books or graphic novels. Some are almost done. Some I'm rewriting. If I'm working with a co-writer, they'll usually write the first draft. And then I write subsequent drafts.
It's tempting to just write a comic called 'Everyone Mail Randall Munroe Twenty Bucks' - maybe it would work, and I could just close down the 'xkcd' store and sit on a beach and draw pictures and make snarky Reddit posts for the rest of my life.
I dug up some old John Buscema 'Conan' comics. Man, when Alfredo Alcala was inking, that was some of the most beautiful black and white comic art ever published. The stories are good, too, though early '70s comics based on Conan is a festival of sexist, racist stereotypes.
To drive a car in rural America is freedom. Before I had a car, I'd never seen a rock and roll show, I'd never seen a comic or a show.
Indeed, the hype around 'Watchmen' is its curse. If you want to enjoy the comic for what it is, ignore the attributions of literariness and the novelistic pretensions with which some critics have imbued it. This isn't high culture, and it doesn't pretend to be. It's good, juicy pulp fiction with a little nuclear apocalypse thrown in.
I can say pretty confidently that I am not the right guy to do a superhero movie, just because I was not a comic book kid. I don't know that mythology, and I don't have it ingrained in me in the way that a lot of these other directors do.