President Obama has created at least three jobs that I know of - Bob McDonnell, Chris Christie, and Scott Brown.
I think Chris Brown gets kind of dismissed as a gay writer, and I think Chris's books are really, really smart. I wish his books sold a little more widely.
Being on 'Glee' was amazing. I remember my first day on set, my first day I arrived to the set I was in my trailer and all of the actors came and banged on my door - Lea Michele, Chris Colfer, Amber Riley, Naya Rivera. They all welcomed me with open arms, so it was a great experience. It felt like family, and I miss them a lot over there.
Working on 'The War Room' was a thrill, not only because we were given such exquisite access to the nerve center of Bill Clinton's first presidential campaign, but for me personally, it was so exciting to be producing my first film and working with documentary filmmaking legends D.A. Pannebaker and Chris Hegedus, who were the film's directors.
The writers who inspire me most are all women: Enid Blyton, Agatha Christie, Margaret Mitchell and Emily and Charlotte Bronte. As for contemporary novels, one of my favourites is 'Everyone Brave is Forgiven' by Chris Cleave. It's the sort of book to read if you've fallen out of love with reading - it reminds you just how brilliant novels can be.
Chris Brown owns 14 of my belts. Swizz Beatz owns a zillion of my belts. They were supporting me before I was even anybody.
Chris Columbus was really interesting to watch how he works with children.
I definitely know that I play the part, however big or small, in the deaths of at least two people, Chris Farley and Phil Hartmann.
Chris was a friend of mine, I loved him. I didn't see him for 18 months before he died, but I'd met him several times after the accident. What was remarkable was his personal growth in his interior life.
Chris Carter is just a fantastic guy, I have enjoyed working for him, immensely. I loved this character. I don't think I can say enough about Chris. It's just a fantastic thing that he's created and I'm so thrilled that I've been a part of it. I'm very grateful.
The first day of shooting I walk up to Christopher Walken, and I said, Should I call you Mr. Walken or Chris? He goes, 'Call me Flash.'
I watch Rachel Maddow, Keith Olbermann, and Chris Matthews. That's what I watch every night. By the time I've watched them, I don't have time to watch reality TV shows.
On 'Workaholics,' I feel like I'm just hanging out with my buddies being filmed, but on 'Mindy,' I'm around professional funny people who act. Guys like Chris Messina, who are the real deal. I watch what they do and put my own spin on it.
My go-to line when it's the resume game is that I'm either Chris Evans or Ryan Reynolds.
I do remember the whole thing as being very argumentative, hot blooded... a permanent state of friction between Jon and Chris, Chris and me, me and Jon.
God has been my number one inspiration. I also look up to Will Smith and Jamie Fox who are also personal friends of mine. They give me great career advice. I would also include Chris Stokes, as a filmmaker and music producer. I've been working with him since I was eight.
I'm sure every song has some kind of undertone of what I was going through with Chris. It was my life.
I think Chris Matthews is a very bright guy. I'd listen to him even if he didn't shout at people.
What first caught my eye about Rihanna was an interview she did with Diane Sawyer after the Chris Brown incident, where she was very articulate, very poised, obviously a smart girl who talked about a very traumatic experience.
I have so many playlists full of Rihanna, Nicki Minaj, Lil Wayne, Chris Brown.
As far as I'm concerned: Chris Pratt for president! He'd save us.
Chris is the engineer down at the studio where we do these things. And he's just such an integral part and he has such a marvelous ear. Also it turns out, we didn't know, but he's a pretty good fiddle player.
Chris Cornell painted in song the darkness and beauty of life in Seattle.
Since we started, Chris and I had theatrical ambitions.
We knew Chris Matthews had no shame. Now we also know the king of TV ghouls has no souls.
I started when Chris Rock did 'Bigger & Blacker.' I used to watch that before I went onstage as inspiration to get hype, but I noticed I started taking on his cadence and talking like him. I was also doing the New York-style comedy thing, which was angry and annoyed. I was creating a persona instead of trying to embrace my own.
Chris Hemsworth is like Christopher Reeve in that he can do two things: he can wear a big red cape without a shred of self-consciousness. But he's also funny as hell, and he's so sweet. So with all the fish-out-of-water stuff, he's so funny. So he does almost two jobs in a way.
I love Alicia Keys, Chris Brown, Usher, Mariah Carey... all that stuff.
I think Chris Rock at the Oscars was a great example. I thought that was intellectually hilarious. The Gap starts a war with Banana Republic... That to me was funny.
I've always been a big fan of 'Law & Order: SVU.' I think Mariska Hargitay and Chris Meloni are just incredible.
I respect all the fighters. I respect Jon Jones. I respect Chris Weidman, but I'm here for working.
We all should respect Chris Stevens, who dedicated his life to trying to improve relations between the Arab world and the western world.
It's about the characters, it's about the film, it's about the process of making stunning visuals and a huge, epic movie. It doesn't matter if my head was covered in a black plastic bag and I was bouncing around in a space hopper: That's the villain of Chris Nolan's 'Batman!'
Chris Johnson was outstanding early.
When a film like Chris Nolan's Memento cannot get picked up, to me independent film is over. It's dead.
I don't stop. It's my nature. People have to tell me to slow down. I plan on playing every role on Broadway. I want to do 'Evita.' I want to do 'Sweeney Todd' with Chris Colfer. We want to do 'Wicked.' I'll be Elphaba and he wants to play 'Guy-linda.' I want to do movies, make music. 'Glee' is only the beginning.