Facebook is not very good at dealing with named groups; they're not very good at saying, 'We've got this book club and I'm a member and you're not.' But membership is one of the precursors to a lot of social action.
What is missed when people talk about books is the moment of grace when the reader creates the book, lends it the authority of their life and soul. The books I love are me, have become me.
I want to keep continuously going through all the pages in the book of being an actor.
One of the things I did in my book, I start off with, is explaining how great our grace was: the things we were able to accomplish after the first one-hundred years from slavery.
Ford Maddox Ford's 'The Good Soldier' is my favourite novel. I first read it in the 1950s and have read it about 20 times since. It's possibly the best-constructed book in the English language.
I'm a Virgo and I'm more - I don't want to say 'negative' - but I'm the girl who thinks no one's coming to my birthday party, no one's buying my clothes, no one's reading my book, no one's watching my show - that's just how I think.
I've been typed as historical fiction, historical women's fiction, historical mystery, historical chick lit, historical romance - all for the same book.
The best book on programming for the layman is 'Alice in Wonderland'; but that's because it's the best book on anything for the layman.
I was not a giant comic book fan as a kid, but to the extent that I did read comics, Spider-Man was always my favorite guy.
As for what I listen to after writing, it could be anything - but I've noticed that if the current book contains music from one tradition, it is music from another tradition that most relaxes me.
As an adult, I'll give a writer 50 pages. If the book doesn't interest me in 50 pages, I'll say the heck with it - there are just too many other things to read. A child won't give you 50 pages.
I feel 'The Night Circus' has a complete story arc in one book. I like it as a single volume. It feels complete to me, and I wouldn't want to stretch it out into something it's not.
I'd pretty much given up hope of being published, so I just wrote the book I wanted to read.
I worked from 10 p.m. until 1 a.m. every night for a year to write the first 'Chicken Soup for the Soul' book.
The main issue when it comes to hiring someone from Asia is the language barrier. It's difficult to book someone when they don't speak the language and they can't deliver the lines or even speak to the director. But in terms of Asian-American actresses, we all speak it fluently!
What drove me to do 'Dead Wake' was that after doing the most preliminary of reading and scoping out what kinds of materials might be available in archives and so forth, I realized that this book - the research, the writing - would present me with a rare opportunity to explore to a full extent the potential for suspense in a nonfiction work.
I have been an art director, a book designer, a book-jacket designer and an interior designer.
I read usually in the morning, in my kitchen at breakfast - a short reading time, usually poetry. I read in bed every night. I usually get in bed pretty early with a book, and I read until I can't prop my eyes open anymore - sometimes rather late.
I knew that a zombie book would not particularly appeal to some of my previous readers, but it was artistically compelling, and being able to do a short nonfiction book about poker was really fun and great.
My life has been pretty unconventional. The publishers saw a story in it, and yes, my life has been put in a book.
I continually get more information about a subject after the book has been published.
I did some writing and bought a book, and have been working on that as a film to act and direct in.
Look at a book. A book is the right size to be a book. They're solar-powered. If you drop them, they keep on being a book. You can find your place in microseconds. Books are really good at being books, and no matter what happens, books will survive.
Adapting your own book is like performing open-heart surgery on your own child.
To the man who reads 'Scouting for Boys' superficially, there is a disappointing lack of religion in the book. But to him who tries it in practice, the basic religion underlying it soon becomes apparent.
I had dinner with Marlene Dietrich in the early 1970s. I went to pick her up and she had someone with her, a dreadful man. He was writing a book about her, and he said to her, 'You're so cold when you perform,' and she said, 'You didn't listen to the voice.' She said the difficulty was to place the voice with the face.
I used to listen to a lot of music in my studio - all the time. But as far as the music that interplays with my work, what I've done and still do is keep a lyric book and song title. The material typically comes from Eartha Kitt, Betty Davis, Donna Summer, Whitney Houston.
The city's the best gallery I could imagine. I would never have to make a book and then present it to a gallery and let them decide if my work was nice enough to show it to people. I would control it directly with the public in the streets.
I remember reading the book in high school and always thinking of Gatsby as this strong, stoic, suave, mysterious man who had everything under control. But when I read it as an adult, I realised he is a hollow man, a shell of a person trying to find meaning, who is not completely in touch with reality.
We invest less in our friendships and expect more of friends than any other relationship. We spend days working out where to book for a romantic dinner, weeks wondering how to celebrate a partner or parent's birthday, and seconds forgetting a friend's important anniversary.
The problem with writing a book in verse is, to be successful, it has to sound like you knocked it off on a rainy Friday afternoon. It has to sound easy. When you can do it, it helps tremendously because it's a thing that forces kids to read on. You have this unconsummated feeling if you stop.
Why don't men like to stop and ask directions? This question, which I first addressed in my 1990 book 'You Just Don't Understand: Women and Men in Conversation', garnered perhaps the most attention of any issue or insight in that book.
Sometimes I want to have a mental book burning that would scour my mind clean of all the filthy visions literature has conjured there. But how to do without 'The Illiad?' How to do without 'Macbeth?'
A friend suggested that I get a job at a children's book store so I could meet kids and read books, and that turned out to be the single best bit of advice I've ever gotten.
Even as I was writing 'Empire State,' I knew there were more adventures for the main character, private detective Rad Bradley, to have. I also knew that the world was far larger than what I'd presented in book one.
I can walk into a bookshop and point out a number of books that I find very unattractive in what they say. But it doesn't occur to me to burn the bookshop down. If you don't like a book, read another book. If you start reading a book and you decide you don't like it, nobody is telling you to finish it.