To be a successful Viner, you have to find your own style and be consistent. That will help you stand out from the rest.
I like ambiguity because you may be the villain in someone else's story and the hero in your own, and I think very often, African-American characters are either one thing or the other. You shouldn't have to be perfectly good or perfectly bad. You don't even have to be magical.
Having a self, even a simple self, allows you to look into the world and put a mark over what is more important and less important. It's a way of classifying the world in terms of your own needs.
We must teach our people the greatness of China's historical culture. In our educational program we must stress Chinese history and geography so that all may know and appreciate China's civilization of five thousand years and the far-flung boundaries of our ancient race. This will engender a greater faith in our own future.
When writing about historical characters I try to be as accurate as possible, and in particular not to misrepresent the view they held. With a real historical figure you have to be fair, and this is not an obligation you have in dealing with your own creations, so it is quite different.
I don't think I would be here in an interview if YouTube wasn't in existence, if social media hadn't been developed, or if these platforms for artists to promote and develop their own careers hadn't become available.
Let's make sure we're doing what we can in our own backyard to gain our energy independence and to create American jobs with American energy.
I love roles that don't really have a template or a paradigm and force me to create using my own imagination... that really, really turns me on.
It's human nature that we come in our own flavours, and it doesn't make any sense to write a monochromatic or monocultural story unless you're doing something extremely small - a locked room-style story.
Every city is always changing, on its own trajectory.
The intuitive connection children feel with animals can be a tremendous source of joy. The unconditional love received from pets, and the lack of artifice in the relationship, contrast sharply with the much trickier dealings with members of their own species.
In my day, the only people who achieved real independence were my father, Mary Pickford and Charles Chaplin, who, with D. W. Griffith, formed United Artists. Other than that, everybody belonged to the big studios. They had no say in their own careers.
I'm just kind of taking a break now and enjoying the freedom of making my own choices. When you're on a television show for six years, they run your schedule.
Theo van Doesburg wanted to teach in the Bauhaus in 1922. I refused, however, to appoint him since I considered him to be too aggressive and too rigidly theoretical: he would have wrought havoc in the Bauhaus through his fanatic attitude, which ran counter to my own broader approach.
If I walk into the editing room, it's six hours lost. I'm massaging frames. I'm, like, 'Oh, take six frames off that shot. Hit the music cue right there.' I will drive everybody crazy if left to my own devices in that room. So I try to do everything I can by staying out of the way.
I want to make my music and be a happy woman, a good wife, a good mom and one day hopefully have a child of my own.
It was a fairly happy childhood. My father was working away, and my mum brought up five kids all on her own.
The science of operations, as derived from mathematics more especially, is a science of itself, and has its own abstract truth and value.
The people who are competing business-wise out there want what other successful labels and artists have. I don't want what they have; I want my own path, my own sound, my own identity. Record labels care nothing about identity or artistic freedom, they want good business.
Hold on to your dream. Don't let past failures or dire economic forecasts make you a pessimist. Keep your youthful dreams alive and create your own opportunities.
In the past, I've been a bit diffident about my own albums, almost excusing them for some reason, even though deep down I felt strongly about them.
The most powerful thing we can do is get involved locally. Help our local community and become community activists in our own smaller circle.
Everyone loved my father. He was so nice that people took advantage of him. We were lower middle class. I slept in the hallway on a cot that rolled away during the day, and my younger brother and sister slept in my parents' room. My goal as a kid was to someday have my own room and to own a car - and I wanted to be able to take care of my parents.
Remember, it is a deep principle of our nature not to regard the safety of those who do not regard their own. If you are indifferent to your own safety, you must not be surprised if those less interested should become more so.
My sense is if the Episcopal Church can't stand challenge within its own ranks, then it is not a church I would want to be a member of anyway.
We are all sculptors and painters, and our material is our own flesh and blood and bones. Any nobleness begins at once to refine a man's features, any meanness or sensuality to imbrute them.
I think the heartbreak of September 11 - America's grief not only over the loss of life but also the loss of our own innocence - has expanded us as people because it has tenderized our hearts. On a psychological level, the American people have matured as a result of that awful day.
Focus on making you the best you can be as an actor, and follow your own path.
By the time I turned 18, I moved into a little chalet of my own and felt very grown-up.
I feel like I've started to create my own culture of being a voice for something, and that's what people want to know about. I love that because I am a woman and because I a rap, and I look the way I look, I can connect with the demographic of people who feel like they have a voice in me.
Relapse happens, especially when you're dealing with folks who are frankly the least likely to succeed based on their own pasts and difficulties. We can work with the most likely to succeed. I'm not interested in that.
The bipolar world of the Cold War is history. The new world order, however, is not the One World dreamed of by Wilsonian idealists. It is a Balkanizing world where race, tribe, culture and creed matter most, and democracy is seen not as an end in itself but as a means to an end - the accretion of power by one's own kind to achieve one's own dreams.
I had no intention of being a film producer, and I knew I wasn't passionate about engineering. I was always set on having my own business, controlling my own destiny.
You could be an 18-year-old girl in Tokyo wondering how you could ever break into fashion or beauty, so you follow your favourite designer or editor, see what their day comprises, where they go, who they meet, how they do it... If I were setting up my own label today, I would definitely do it through Instagram.
I learned the significance of my own insignificant life.
If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a huge art fair in town that isn't too annoying to go to. More importantly, Frieze may finally show New Yorkers that we can cross our own waters for visual culture. That would change everything.