The two sensibilities, the visual and the verbal, have always been linked for me - in fact, while reading a particularly evocative passage, I will imagine what the photograph I'd take of that scene would look like, even with burning and dodging notes. Maybe everyone does this.
If someone is lying to you, they'll generally look up to the top right. That means that they're trying to construct an image that doesn't exist.
I guess when I look over my shoulder at other designers, I feel like people are so definitive. It's so clear to me what their aesthetic is, what they're projecting. And I look at my own work and I think, Who could ever decipher what the hell is going on?
It's 'The Hunger Games.' My character needs to look hungry. A little bit.
I don't get recognised in London or at home either - very seldom anyway. Either that or I look so crazy no one wants to come up to me.
A fighter, a real strong fighter, should always look dignified and calm, and I believe that any expression of aggression is an expression of weakness. A strong person will not be nervous and will not express aggression towards his opponent. He will be confident in his abilities and his training; then he will face the fight calm and balanced.
I love Baltimore, I definitely look at it as home, somewhere I'm very comfortable.
I have two children myself. I always laugh; they have you playing mothers pretty early, us women. You look at the television, the mothers get younger and younger, and the children get older and older, and you start to wonder when these people had these children. Were they breeding when they were 12?
A mother and a little boy were walking along, and I could tell the minute the recognition hit the little boy. As he walked by holding his mother's hand, he said in a real loud voice, 'Look, Mother. There goes an old Gomer Pyle.'
I wanted to be a bus driver when I was a kid. I look at bus driving through the eyes of a little boy. I see it as glamorous.
I've never stopped loving cartoons. I loved cartoons as a kid. I can still look at them and enjoy them.
If you're going to have to swallow a frog, you don't want to have to look at that sucker too long!
If you've never been on anything before, they're not going to take a risk and give you a huge job 90 percent of the time. There are exceptions to that. I certainly wasn't an exception to that. I had to pay my dues big time, but I wish somebody would have explained, 'Look, your job is not to get work. Your job is to get better.'
If you look back to a picture of me when I was 12 years old, you will probably see me in a leather jacket trying to look like Elvis!
The message was always, 'It's good to be pretty, but don't look like you're trying to be pretty!' Inherent in that is a lot of misogyny, I think, because the implication is, 'You must work hard to achieve a feminine ideal for which society has nothing but contempt.'
However beautiful the strategy, you should occasionally look at the results.
The other day in the garage, I found a book report from the seventh grade that I did about silent movie stars. It's funny to look at now, because it really foretold what my future would be.
Choosing sepia is all to do with trying to make the image look romantic and idealistic. It's sort of a soft version of propaganda.
I look at composers and conductors, anybody involved in music or writing or art in general; they got more done as they got older. If I can, I'll be one of those people because what I do is my passion.
This is a lifetime job. You don't look at it, you know, now and then. It doesn't really matter. When the market comes down, then I buy my land very cheaply, so I make my money on that.
I've seen guys on the street who look the part of a rock star just as much as any rock star. If you feel it and you believe it, then you can get away with it. Rock on!
I think that the poorest of the poor... look up to wealthy and successful Indians with some degree of respect and pride.
If you're comfortable with yourself, then you'll look beautiful. If you're not feeling comfortable with yourself, than that kind of shows. I think that as cheesy as the pageant industry can be seen at times, it actually does help women - boosting their confidence and growing into their own. I have to give it credit for that.
Because it was one of my favorites from the Arthurian legend, one of the things that I really enjoyed doing was the legend of the crystal cave. In my head, it was fun to imagine what it was going to look like because there was a lot of CGI involved, in seeing visions of the future reflected within crystals.
I kind of joke that creating franchises is a lot like directing pilot episodes of TV series. You set a look and feel and kind of pass it on.
Einstein was a great advocate of the notion that good ideas look absurd at the beginning. Camus expressed a similar view.
I think you could go back to any filmmaker or musician or artist, and look at what their input was in their formative years, and you could trace all the lines.
We human beings are humane in part because we can look beyond our biology.
I have a very active team who works with me when it comes to my styling and putting together a look.
A lot of children can go back and look at their childhood and find reasons why it wasn't perfect. But why whine about something no one can fix? You deal with it.
Hindsight can be merciless. People of any given era often look back in time and wonder how their predecessors could have been so dimwitted.
I'm always jealous of Johnny Depp's sense of style, but if I tried to get away with a floppy hat and waistcoat, I'd look like a homeless person.
I was not very strong growing up, and my uncle used to look at me, like, 'This kid is not growing up, he is growing tall but he can be broken like a banana.' The banana in Congo is called 'Dikembe.' So my uncle start calling me, 'Dikembe, Dikembe, look at you Dikembe, you cannot even stand up.' It took a long time for me to walk.
Nashville is the place where I first realized how impossible it is to look at someone and know what is inside them, what special something they possess.
Yeah, look, I think what we have with the social media and the digital media, and all the telecommunications we have today is a big megaphone, amplification.
I'm reasonably easygoing. Messing up my lines or making a fool of myself is where you find my fears. Like a lot of English people, I'm prey to embarrassment - the dread that everyone's sort of sniggering at you, that you're going to look like an idiot. I think that sort of halts us all.
