I love working in Canada. The ovation is great. It makes me feel like I'm the top dog.
There is only one goal. That's to keep working and keep flossing.
I would say that if you really wished to be a working member of the community, don't go out on strike because then there's no work and no potential of work.
I really do like the independent way of working. You don't get much studio intrusion compared to when you're working on a big Hollywood film where there tends to always be loads of people interfering. The only problem, though, with independent features is that they are hard to sell.
Lots of colors appear when you're working with other people.
What until then seemed impossible to achieve has become a fact of life. We have won the right to association in trade unions independent from the authorities, founded and shaped by the working people themselves.
It's like two years straight out of your life doing a film. It's very enjoyable, especially working with the guys, but I kind of like the idea of traveling and growing, and developing as a writer and as a filmmaker.
When I'm working in finite serials, I always think in terms of the entire book rather than the individual episode because, by far, the vaster sector of the project's lifespan will be in complete book form rather than the singles.
I am going to be working on bathroom fittings for a company in the USA, and then I thought it was appropriate to simplify the fittings and, thus, lowering the cost.
I tend to project my father figure onto any director that I'm working with, or mother, if I'm working with a female, or it can be confused.
For me, every day is a new thing. I approach each project with a new insecurity, almost like the first project I ever did. And I get the sweats. I go in and start working, I'm not sure where I'm going. If I knew where I was going I wouldn't do it.
My doctor asked me if I smoked, and I said only when I'm working, golfing, or drinking. Then I realized the only time I don't smoke is when I'm home. I didn't even realize I'd become a smoker.
I wasted a lot of years working on my writing and very grandly saying, 'And now... My Novel!,' which would soon be reduced to a short story, then to a paragraph.
I'm a working stiff. I just happened to be around at the right time, and nobody else wanted the job.
I love working for myself. I've grown to dislike the Hollywood machine. Too much bull, disappointment, and quite frankly, untalented, mindless, and hugely disrespectful people involved in the process. I'll take carrying the load on my back, all the way up Everest if needed, to be able to steer away from it.
I'd love to be on a TV series someday, but I believe you get the jobs that you're meant to get. If the job that I'm meant to get is another musical or another play or film or TV show, I'm just happy to keep working.
SOON was the first novel where I used a rough outline. Usually I have characters and an idea and write as a process of discovery. Like working without a net.
I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
If they're working in a workshop somewhere, where there is, let's say, uh... only twenty people, or something like that, that's still, when they work and do a scene, that's still working in front of somebody.
My friends used to tease me 'cause I'd wear a CamelBak while I was working so I wouldn't have to get up if I was thirsty.
I got on the scale and I weighed around 203. I'm only 5'7. I was about to turn 30, and I wasn't active anymore. So I started working with a nutritionist and a trainer. I played basketball twice a week. And soon it all just became a habit for me. I became addicted to something good for a change.
When I'm not working, I don't do lots of glamorous things.
I feel like I still am struggling in a lot of different ways. I still have to fight for certain things. Certain jobs. At least I'm working and I'm thankful for that.
Professionally, I was at Bristol Old Vic Theatre School and did lots of things there, and then I won the BBC Carlton Hobbs Award, so I did some BBC Radio drama work, which is a lovely way to start out because you work with lots of great people, and you're working all the time, so you're learning rather than sitting around and waitressing.
Music is a gut thing. You're working in a medium which is more in touch with the primal than the modern. A gig is a ritual. There's a congregation.
The greatest job I ever had was working on my family farm. Each morning my father would come into my bedroom around 4:30 am and command me to get up and work the fields. I would spend the next two hours before school slopping pigs and cropping tobacco.
You're constantly working and missing meals. You're away from your family, and you're doing it for, like, eight months.
But after that, I was extremely happy with the story and the look of the show at the beginning of season two - everything was working together. I felt like it was finished conceptually.
I've always appreciated working with people I have chemistry with, who are friends, and where you feel that the work is growing while you are getting to know each other better.
If it's going to go my way, it's going to go my way. I have to keep working hard.
We care for each other and care about our family, and we are both working towards the same goal.
We're delighted to be working with Apple to offer fans a new and innovative way to experience our wildly popular shows.
Part of the inhumanity of the computer is that, once it is competently programmed and working smoothly, it is completely honest.
I'd have to just say that working with other people, it's a different world from school.
I'm always working on stuff. But they never materialize. I'm always working on movies and TV shows.
A lot of the work at Oculus has gone into working out better position tracking.
