I've got an outspoken personality, which gets people thinking, and my style of fighting is aggressive. Everything's on the line all the time. In my fights, there's drama.
Marriage changes everything.
We all think we're liberated when we have more of everything, don't we? That's what the media tell us.
It was being young and sensitive and an actor. There was a lot of pressure, everything was a hurdle.
I learned everything about fashion during my time at the 'NY Times.'
By the time you have your protagonist attempting to assassinate the Pope, you've sort of signaled that everything is on the table.
I remember being in the public library and my jaw just aching as I looked around at all those books I wanted to read. There just wasn't time enough to read everything I wanted to read.
I don't think, as a player, I have a weakness on the field. I've done a great job of becoming good at everything, so I think that's what separates me.
I happen to agree with many of the liberal emphasis on compassion, justice and equality. I just disagree that it's the government's role to provide everything.
I don't regret anything and what I have done in my period of my life. Everything happens for a reason, and that's why I am here.
Anthony Mackie in 'The Hurt Locker' is everything an actor can hope to be. So rock steady in his portrayal that you immediately forget every performance he may have previously given, and focus only on the character in front of you.
I like things that are kind of eclectic, when one thing doesn't go with another. That's why I love Rome. The town itself is that way. It's where Fascist architecture meets classic Renaissance, where the ancient bangs up against the contemporary. It has a touch of everything. That's my style, and that's what my work is about.
Balance is key. Balance is a virtue. Balance is next to godliness, maybe. We should all aspire to better balance. Too much of what is said in this world is one-sided, and we need more balance - in our speech, in our music, in our art, in everything.
My mom played me all kinds of music, from Ella Fitzgerald to Celine Dion. I listened to everything growing up, old and new.
It's Moore's Law, everything will be obsolete in 10 years - I'll be obsolete in 10 years!
I grew up in South Jamaica, Queens, in New York. My parents were very religious churchgoing people. They were very strict. I was never really allowed to indulge in anything vain. Modesty always. I have three brothers and two sisters, so everything was on a budget.
When I get home, I'm not the boss like I am at work - I slip into a more feminine role. I take everything off and put on my Stella McCartney silk robe. I'll put on a red lip or red nails, and it lifts my mood. Sexy underwear also gives you a spark.
Of the modern critics, although I disagree with almost everything she says, I admire Mary McCarthy's eloquence and social observation in 'Sights and Spectacles'; she thinks in print, but she doesn't have a real feel for the stage.
Our cellphones can do everything, but they're bad at letting us talk to each other.
I try to prepare for everything beyond the extent of preparation.
I love men - everything about them: the way they look, the way they smell, the way they feel. I love their minds.
When I sing, I think mostly about the music. But I know that, through singing, my body shows everything that I am. I am a very passionate man and I suffer a lot and have a lot of joy also. In my opinion, it is very important for me to find this stimulus and motivation for singing.
We didn't have everything we wanted when we were younger, but there was never a moment we didn't feel our parents weren't doing everything they could.
Legislative novelty is not necessarily fatal; there is a first time for everything.
I could speak three languages when I was six, and when I went to school, I only liked to read and sketch. At five, I could write and everything.
There have been so few decent films involving Negroes that right away everybody expects every film to do everything. But when you make a flick, there are maybe two things you're trying to put into that flick. You can put the other things in another time.
Science fiction is like a blender - you can put in any historical experience and take influences from everything you see, read or experience.
Coming from bad results, you have more tension and you get more into the game, maybe. You never know which is best. I prefer to come from good results. You have more confidence and you believe you are doing things well. But in football everything can change very quickly.
When I am on the plane and turbulence kicks in, I can't abide it. I feel like we are all going to die, and it takes everything in me to stay calm. But there are worse things to have to cope with.
I know there's a lot of emotion going into a fight, but everything in a fight - none of it comes out of an evil heart.
I feel like I'm evolving quickly with my confidence, physically, just everything.
New York's home. It's everything I'd want it to be. It's the most inspiring city I've ever been to, and I haven't been everywhere in the world, but I've been to quite a few places.
Loving Duran Duran has been one of the constants of my life, but I have no idea what they would sound like if the women in my life stopped loving them. I guess I'll never know. I could claim that Duran Duran taught me everything I know about women, but that's not exactly accurate: I learned it from listening to girls talk about Duran Duran.
When you overcome a profound loss, or there's some catalyst in your life that shifts everything, if you're able to take it in stride and heal, it can make for much more three-dimensional and empathetic people.
It's a mixed feeling when everything you've ever wanted in making films is coming true, and yet you feel scared because it's happening all at once. Suddenly you're in rooms with people you've looked up to for years, the Judi Denches. You wonder if you're good, if you have what it takes.
The true barbarian is he who thinks everything barbarous but his own tastes and prejudices.
