Zitat des Tages über Akkorde / Chords:
I use a lot more chords than most organists and I'm careful to phrase them with the guitar.
I realized by using the high notes of the chords as a melodic line, and by the right harmonic progression, I could play what I heard inside me. That's when I was born.
I spent many years trying to write a lot like Ben Folds or John Lennon or Rivers Cuomo. I think that's healthy when you're learning to write and seeing how chords fit together and how songs take shape.
I'd been thinking I'd have to learn how to play really well, but obviously the message of punk was that you just learn three chords in a week and you're away.
I don't know about five guys against the world. It's more like five guys against these three chords, and we're gonna wrestle 'em down no matter what it takes.
I sometimes try to write something that is actually really simple and I can't do it. So, then, it's not simple anymore. It's really hard and it gets all messed up. I sometimes sit down and try to write a song with just three chords and it doesn't work.
When I was 12 or 13, my dad taught me a couple of different chords, and once I learned chords, I never learned to read music, but I learned tablature, like a lot of kids do, and I learned songs that had the chords I knew. It took me a long time to understand the upstroke of picking and strumming, but once I did, it all fell into place.
A friend of mine, that I had known for some time, came up one day with an old guitar. I don't know where he got it, I don't know how long he'd had it, but he knew about two chords on it. He proceeded to teach them to me, and then we proceeded to go crazy over music.
In some types of music I'm working out all the chords one bar at a time - the whole structure, because it's about that. And there are other pieces which are really about - okay, the melody is going to start here and play through to here.
We are the kind of people who obsess over one word... but we have only one shot to get it right in concert. It was hard the first time I practiced with them. I was so nervous that my vocal chords were paralyzed for about a half-hour.
When you use a sample in a big way, when you loop something in the way I did with 'Runaround Sue,' it's like you have your chords and your melody and the quality of the song right there before you add your own production. It's like the song is already made, in a sense.
I like to start with an idea, but then again, I might be sitting at the keyboard, and just playing a bunch of chords that sound cool together, and something just inspires an idea from that.
When I was a kid, I used to listen to my Emerson radio late at night under the covers. I started by listening to jazz in the late 1940s and then vocal harmony groups like the Four Freshmen, the Modernaires and the Hi-Lo's. I loved Stan Kenton's big band - with those dark chords and musicians who could swing cool with individual sounds.
You obviously don't really forget how to play the old songs; you just don't have to spend so much time convincing yourself that you remember them. Way less mental energy is spent swimming around in lyrics you've already written and chords you've already played.
After 40 years of not playing, I admit I'm totally in love with my guitar. It's a Froggy Bottom acoustic steel string guitar. All I have to do is hit a couple of clean chords and the endorphins are right there. It's like the top of my head has come off and stardust and magic have fallen in.
Chords that were broken will vibrate once more.
When I was on the air a lot my throat and vocal chords got tired. If you don't vary your tones you can't get pretty tired of your own voice.
I trust if your life is right, the right things will happen at the right time. If the chords are in harmony inside, I think other things will happen in the same way. That sounded highfalutin' to me once, but I believe it now.
I would get my laugh insured! Because my laugh is very important: it's a million dollar laugh, so if my vocal chords make my laugh any different, then I'm going to have to get insured.
I do remember actually learning chords to Beatles songs. I thought they were great songwriters.
Sometimes you stumble across a few chords that put you in a reflective place.
It took me a month to get out of the mindset of O.J. But even now, still, I think it might have done something to my vocal chords. I went to see the doctor, and he was like, 'I don't see anything. You're fine.' But mentally, I might have broke a little bit.
Rock music was the death of jazz in a way. I know there's a bunch of people who say jazz isn't dead, but I mean, rock 'n roll, you play three chords to 20,000 people; jazz, you play 20,000 chords to three people.
I write most of my songs to beats. I play around on guitar, but not enough to where I can compose my own stuff or play solos. I can accompany myself 'cause most songs are, like, four chords.
I had been wanting to give guitar lessons to girls because I feel like women tend to use their voice as the starting point for a song and learn a few chords, and then it ends there because then they just use their voice to flesh out a song.
I learned some chords and I started watching anybody I could, once I really got into it.
I used to help Viv with the chords and melodies sometimes.
Those three chords were part of my life - G, F, Bb - yeh, it is, it is, and I can't help noticing it. But there have been other things nearly as close to it which people haven't noticed, other things we have done.
Except for a few guitar chords, everything I've learned in my life that is of any value I've learned from women.
I tried several times to get the song right. The tune and the chords that I started with, there really wasn't anywhere else it could go. I stopped fighting it and let it take me away.
I would describe my songs as just a collection of my thoughts, with melodies that probably occurred to me in the grocery store or cycling home, sung as best I can over a bunch of chords.
I love listening to Radio Head's 'Everything in its Right Place' because it's all major chords, it makes you feel really good. It's soothing, it's got a beautiful voice, crazy textures. When I'm down I listen to that song and it really makes me feel good.
Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.
The real beauty of it - key to my life was playing key chords on a banjo. For somebody else it may be a golf club that mom and dad put in their hands or a baseball or ballet lessons. Real gift to give to me and put it in writing.
So I concentrated on the rhythmic side of things, and therefore left a lot of holes. I didn't want to use big pad chords everywhere. All of the songs are built up of small melodies and counter melodies all played very rhythmically.
I will say that I know Nirvana did a show and played a few chords from 'More Than a Feeling' before they did 'Teen Spirit,' and it wasn't very good. But in all seriousness, 'Teen Spirit' was a great song. If subconsciously or somehow I had any influence on that, I'll take that as a compliment.