Zitat des Tages von Ray Davies:
If New Orleans is allowed to die, a crucial part of the world's music heritage will disappear.
Our repertoire consisted of rhythm and blues, sort of country rhythm and blues, Sonny Terry things.
When I wrote the song, I had the sea near Bombay in mind. We stayed at a hotel by the sea, and the fishermen come up at five in the morning and they were all chanting. And we went on the beach and we got chased by a mad dog - big as a donkey.
I've written so many songs about Englishmen, I have to go elsewhere.
When you are making a record and if you spend too much time over it, you have to record it a tone lower or cut the tones lower because you can't reach some of the notes, I find this. But when you go on stage, you have to put the key up and it really changes the whole thing.
I'm susceptible to that sort of thing - to walls and flowers. You can probably get something more from a wall than a person sometimes. It's just put somewhere.
Those three chords were part of my life - G, F, Bb - yeh, it is, it is, and I can't help noticing it. But there have been other things nearly as close to it which people haven't noticed, other things we have done.
I don't think England is that gray but India is like a long drone.
I was an art student at the time, like thousands of others.
I got that idea from being in India. I always like the chanting.
I like surfers. Their imagery, it's great.
People take pictures of the Summer, just in case someone thought they had missed it, and to proved that it really existed.
If I had to do my life over, I would change every single thing I have done.
Money and corruption are ruining the land, crooked politicians betray the working man, pocketing the profits and treating us like sheep, and we're tired of hearing promises that we know they'll never keep.
What I try to do probably doesn't come out. What I've worked out what I do - I might not be right - is to do something very personal, and then suddenly I look at it, up in the air. I blow it up and look at it and then I come down again - a better man.
No one can penetrate me. They only see what's in their own fancy, always.
At one time they've been the most important thing to me. So I can't hear our records on the radio, I can't stand it, because they sound so out of what everyone else is doing.
I still like to keep tapes of the few minutes before the final take, things that happen before the session. Maybe it's superstitious, but I believe if I had done things differently - if I had walked around the studio or gone out - it wouldn't have turned out that way.